🎠🌒 𝖢𝗅𝖺𝗌𝗌𝗂𝖼𝖺𝗅 𝖣𝗋𝖺𝗆𝖺 || 𝖯𝗈𝖾𝗍𝗋𝗒 || 𝖱𝗈𝗆𝖺𝗇𝖼𝖾 || 𝖾.𝗀

Gide, in this first English translation, defended a poet named Oscar Wilde when other poets threatened to wreck Wilde’s life and attempted to show that Wilde was an honorable man. Gide’s personal sketches are presented in this book that are in original form. This work was written during the prime of Oscar Wilde’s life. André Gide (1869-1951), French writer, whose novels, plays, and autobiographical works are distinguished for their exhaustive analysis of individual efforts at self-realization and Protestant ethical concepts; together with his critical works they had a profound influence on French writing and philosophy. Gide was born November 22, 1869, in Paris into a strict Protestant family and educated at the École Alsacienne and the Lycée Henri IV. In his first book, Les cahiers d’Andre Walter (The Notebooks of Andre Walter, 1891), Gide described the religious and romantic idealism of an unhappy young man. He then became associated with the Symbolists, but in 1894 began to develop an individualistic approach and style. In Les nourritures terrestres (The Fruits of the Earth, 1897) he preached the doctrine of active hedonism. Thereafter his works were devoted to examining the problems of individual freedom and responsibility, from many points of view. The Immoralist (1902; trans. 1930) and Strait Is the Gate (1909; trans. 1924) are studies of individual ethical concepts in conflict with conventional morality. The Caves of the Vatican (trans. 1927 and also published in English as Lafcadio’s Adventures), in which Gide ridiculed the possibility of complete personal independence, appeared in 1914. The idyll La symphonie pastorale (The Pastoral Symphony, 1919; produced as a motion picture, 1947) dealt with love and responsibility. Gide examined the problems of middle-class families and of adolescence in If It Die (1920; trans. 1935) and in the popular novel of youth in Paris, The Counterfeiters (1926; trans. 1928). Gide’s preoccupation with individual moral responsibility led him to seek public office. After filling municipal positions in Normandy (Normandie), he became a special envoy of the colonial ministry in 1925-26 and wrote two books describing conditions in the French African colonies. These reports, Voyage au Congo (1927) and Retour du Tchad (1927), were instrumental in bringing about reforms in French colonial law. They were published together in English as Travels in the Congo (1929). In the early 1930s Gide had expressed his admiration and hope for the “experiment” in the USSR, but after a journey in the Soviet Union he reported his disillusionment in Return from the U.S.S.R. (1936; trans. 1937). Many of Gide’s critical studies appeared in La Nouvelle Revue Française, a literary periodical that he helped to found in 1909 and that became a dominant influence in French intellectual circles. These essays are principally analyses of the psychology of creative artists.

A landmark anthology of the masterpieces of Greek drama, featuring all-new, highly accessible translations of some of the world's most beloved plays, including Agamemnon, Prometheus Bound, Bacchae, Electra, Medea, Antigone, and Oedipus the King Featuring translations by Emily Wilson, Frank Nisetich, Sarah Ruden, Rachel Kitzinger, Mary Lefkowitz, and James Romm The great plays of Ancient Greece are among the most enduring and important legacies of the Western world. Not only is the influence of Greek drama palpable in everything from Shakespeare to modern television, the insights contained in Greek tragedy have shaped our perceptions of the nature of human life. Poets, philosophers, and politicians have long borrowed and adapted the ideas and language of Greek drama to help them make sense of their own times. This exciting curated anthology features a cross section of the most popular—and most widely taught—plays in the Greek canon. Fresh translations into contemporary English breathe new life into the texts while capturing, as faithfully as possible, their original meaning. This outstanding collection also offers short biographies of the playwrights, enlightening and clarifying introductions to the plays, and helpful annotations at the bottom of each page. Appendices by prominent classicists on such topics as "Greek Drama and Politics," "The Theater of Dionysus," and "Plato and Aristotle on Tragedy" give the reader a rich contextual background. A detailed time line of the dramas, as well as a list of adaptations of Greek drama to literature, stage, and film from the time of Seneca to the present, helps chart the history of Greek tragedy and illustrate its influence on our culture from the Roman Empire to the present day. With a veritable who's who of today's most renowned and distinguished classical translators, The Greek Plays is certain to be the definitive text for years to come. Praise for The Greek Plays "Mary Lefkowitz and James Romm deftly have gathered strong new translations from Frank Nisetich, Sarah Ruden, Rachel Kitzinger, Emily Wilson, as well as from Mary Lefkowitz and James Romm themselves. There is a freshness and pungency in these new translations that should last a long time. I admire also the introductions to the plays and the biographies and annotations provided. Closing essays by five distinguished classicists—the brilliant Daniel Mendelsohn and the equally skilled David Rosenbloom, Joshua Billings, Mary-Kay Gamel, and Gregory Hays—all enlightened me. This seems to me a helpful light into our gathering darkness."—Harold Bloom

From The Persians "Defeat is impossible Defeat is unthinkable We have always been the favorites of fate. Fortune has cupped us In her golden palms. It has only been a matter Of choosing our desire. Which fruit To pick from the nodding tree." This chilling passage is from Ellen McLaughlin’s new adaptation of The Persians by Aeschylus, the earliest surviving play in Western literature, an elegy for a fallen civi-lization and a warning to its new conqueror. As Margo Jefferson wrote in the New York Times, "The play is a true classic: we see the present and the future right there, inside the past. And when writers give us a ‘new version’ (a translation or adaptation) of a classic, they both serve and use it. They serve the playwright’s gifts by refusing to simplify. But they can’t just imitate. Every age has its own rhythms and drives. The classic must make us feel the new acutely. Ellen McLaughlin serves and uses The Persians with true power and grace." Also included in this volume: Iphigenia and Other Daughters (from Euripides and Sophocles); The Trojan Women (Euripides); Helen (Euripides); and Lysistrata (Aristophanes), all powerfully realized and as relevant today as when they were first performed. Ellen McLaughlin’s plays include Days and Nights Within, A Narrow Bed, Infinity’s House and Tongue of a Bird, which have been widely produced. She is a past finalist for the Susan Smith Blackburn Prize and was the co-winner of the Great American Play Contest. Also an accomplished actor, Ms. McLaughlin is most known for having originated the part of the Angel in Tony Kushner’s Angels in America, appearing in every U.S. production through its Broadway run.

Ovid’s sensuous and witty poem, in an accessible translation by David Raeburn In Metamophoses, Ovid brings together a dazzling array of mythological tales, ingeniously linked by the idea of transformation—often as a result of love or lust—where men and women find themselves magically changed into new and sometimes extraordinary beings. Beginning with the creation of the world and ending with the deification of Augustus, Ovid interweaves many of the best\-known myths and legends of ancient Greece and Rome, including Daedalus and Icarus, Pyramus and Thisbe, Pygmalion, Perseus and Andromeda, and the fall of Troy. Erudite but light\-hearted, dramatic and yet playful, Metamorphoses has influenced writers and artists throughout the centuries from Shakespeare and Titian to Picasso and Ted Hughes. For more than seventy years, Penguin has been the leading publisher of classic literature in the English\-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up\-to\-date translations by award\-winning translators.

Oxford Approaches to Classical Literature (Series Kathleen Coleman and Richard Rutherford) introduces individual works of Greek and Latin literature to readers who are approaching them for the first time. Each volume sets the work in its literary and historical context, and aims to offer a balanced and engaging assessment of its content, artistry, and purpose. A brief survey of the influence of the work upon subsequent generations is included to demonstrate its enduring relevance and power. All quotations from the original are translated into English. Ovid's Metamorphoses have been seen as both the culmination of and a revolution in the classical epic tradition, transferring narrative interest from war to love and fantasy. This introduction considers how Ovid found and shaped his narrative from the creation of the world to his own sophisticated times, illustrating the cruelty of jealous gods, the pathos of human love, and the imaginative fantasy of flight, monsters, magic, and illusion. Elaine Fantham introduces the reader not only to this marvelous and complex narrative poem, but to the Greek and Roman traditions behind Ovid's tales of transformation and a selection of the images and texts that it inspired.

In Romeo and Juliet, Shakespeare creates a violent world, in which two young people fall in love. It is not simply that their families disapprove; the Montagues and the Capulets are engaged in a blood feud. In this death-filled setting, the movement from love at first sight to the lovers’ final union in death seems almost inevitable. And yet, this play set in an extraordinary world has become the quintessential story of young love. In part because of its exquisite language, it is easy to respond as if it were about all young lovers.

Among Shakespeare's plays, "Hamlet" is considered by many his masterpiece. Among actors, the role of Hamlet, Prince of Denmark, is considered the jewel in the crown of a triumphant theatrical career. Now Kenneth Branagh plays the leading role and co-directs a brillant ensemble performance. Three generations of legendary leading actors, many of whom first assembled for the Oscar-winning film "Henry V", gather here to perform the rarely heard complete version of the play. This clear, subtly nuanced, stunning dramatization, presented by The Renaissance Theatre Company in association with "Bbc" Broadcasting, features such luminaries as Sir John Gielgud, Derek Jacobi, Emma Thompson and Christopher Ravenscroft. It combines a full cast with stirring music and sound effects to bring this magnificent Shakespearen classic vividly to life. Revealing new riches with each listening, this production of "Hamlet" is an invaluable aid for students, teachers and all true lovers of Shakespeare - a recording to be treasured for decades to come.

One night on the heath, the brave and respected general Macbeth encounters three witches who foretell that he will become king of Scotland. At first sceptical, he’s urged on by the ruthless, single-minded ambitions of Lady Macbeth, who suffers none of her husband’s doubt. But seeing the prophecy through to the bloody end leads them both spiralling into paranoia, tyranny, madness, and murder. This shocking tragedy - a violent caution to those seeking power for its own sake - is, to this day, one of Shakespeare’s most popular and influential masterpieces.

A Midsummer's Night Dream is one of Shakespeare's most beloved comedies—so why aren't you laughing? Let's face it..if you don't understand Shakespeare, then you are not alone. If you have struggled in the past reading Shakespeare, then we can help you out. Our books and apps have been used and trusted by millions of students worldwide. Plain and Simple English books, let you see both the original and the modern text (modern text is underneath in italics)—so you can enjoy Shakespeare, but have help if you get stuck on a passage.

Mem and Zin, Ahmed Khani (1651-1707) احمد ابن الیاس خانی از 1061 تا 1119 هجری قمری عنوان: مم و زین؛ نوشته: احمد خانی، مترجم: مسعود سعدئی؛ مشخصات نشر: نقده، مسعود سعدئی، 1382، در 123 ص، شابک: 9640623636؛ موضوع: شعذ کردی قرن 11 قمری، ترجمه شده به فارسی، شعر فارسی قرن 14 ترجمه شده از کردی، قرن 21 م