Margins
თმენის მდინარე book cover
თმენის მდინარე
1961
First Published
4.14
Average Rating
192
Number of Pages

იაპონური მოთხრობები: თმენის მდინარე სვირინგი ქალი, რომელიც მივატოვე

Avg Rating
4.14
Number of Ratings
7
5 STARS
57%
4 STARS
29%
3 STARS
0%
2 STARS
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1 STARS
14%
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Authors

Shusaku Endo
Shusaku Endo
Author · 22 books

Shusaku Endo (遠藤周作), born in Tokyo in 1923, was raised by his mother and an aunt in Kobe where he converted to Roman Catholicism at the age of eleven. At Tokyo's Keio University he majored in French literature, graduating BA in 1949, before furthering his studies in French Catholic literature at the University of Lyon in France between 1950 and 1953. A major theme running through his books, which have been translated into many languages, including English, French, Russian and Swedish, is the failure of Japanese soil to nurture the growth of Christianity. Before his death in 1996, Endo was the recipient of a number of outstanding Japanese literary awards: the Akutagawa Prize, Mainichi Cultural Prize, Shincho Prize, and Tanizaki Prize. (from the backcover of Volcano).

Tetsuo Miura
Author · 2 books
Tetsuo Miura was born in 1931 in Aomori, Japan. His awards inculde the Akutagawa Prize for Literarture, the Noma Literary Prize, the Japan Literature Grand Prize, the Osaragi Jiro Prize, and the Kawabata Prize. Shame in the Blood is the author's first book translated into English.
Junichiro Tanizaki
Junichiro Tanizaki
Author · 45 books

Jun'ichirō Tanizaki (谷崎 潤一郎) was a Japanese author, and one of the major writers of modern Japanese literature, perhaps the most popular Japanese novelist after Natsume Sōseki. Some of his works present a rather shocking world of sexuality and destructive erotic obsessions; others, less sensational, subtly portray the dynamics of family life in the context of the rapid changes in 20th-century Japanese society. Frequently his stories are narrated in the context of a search for cultural identity in which constructions of "the West" and "Japanese tradition" are juxtaposed. The results are complex, ironic, demure, and provocative.

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