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It takes a lot of commitment to make a marriage between a modern ceremonial magician and a chaos witch work, but when a malevolent entity takes up residence in Rhys and Moira’s home, their love will be pushed to the limits. Brewing up a solution is easier said than done when your magical styles are polar opposites; throw a psychic ex and a secret society in the mix, and things are bound to get messy. Fans of The Raven Cycle and The Haunting of Hill House will devour this diverse paranormal romance novella from the author of "Hosanna Americana"! Content Warning: This book addresses biphobia.

Bingo Love is a LGBTQ romance story that spans over 60 years. A chance meeting at church bingo in 1963 brings Hazel Johnson and Mari McCray together. Through their formative years, these two women develop feelings for each other and finally profess their love for one another. Forced apart by their families and society, Hazel and Mari both married young men and had families. Decades later, now in their mid 60’s, Hazel and Mari are reunited again at a bingo hall. Realizing their love for each other is still alive, what these grandmothers do next takes absolute strength and courage. From TEE FRANKLIN (NAILBITER’s “THE OUTFIT,” Love is Love) and JENN ST-ONGE (Jem & the Misfits), BINGO LOVE is a touching story of love, family, and resiliency that spans over 60 years.

An enchanting short story from Madeline Miller that boldly reimagines the myth of Galatea and Pygmalion. In ancient Greece, a skilled marble sculptor has been blessed by a goddess who has given his masterpiece—the most beautiful woman the town has ever seen—the gift of life. Now his wife, he expects Galatea to please him, to be obedience and humility personified. But she has desires of her own and yearns for independence. In a desperate bid by her obsessive husband to keep her under control, Galatea is locked away under the constant supervision of doctors and nurses. But with a daughter to rescue, she is determined to break free, whatever the cost...

In good condition.

Jean-Baptiste Clamence is a soul in turmoil. Over several drunken nights in an Amsterdam bar, he regales a chance acquaintance with his story. From this successful former lawyer and seemingly model citizen a compelling, self-loathing catalogue of guilt, hypocrisy and alienation pours forth.

The classic novel of despair, forbidden emotions, and sexual undercurrents set against the austere New England countryside Ethan Frome works his unproductive farm and struggles to maintain a bearable existence with his difficult, suspicious and hypochondriac wife, Zeena. But when Zeena's vivacious cousin enters their household as a hired girl, Ethan finds himself obsessed with her and with the possibilities for happiness she comes to represent. In one of American fiction's finest and most intense narratives, Edith Wharton moves this ill-starred trio toward their tragic destinies. Different in both tone and theme from Wharton's other works, Ethan Frome has become perhaps her most enduring and most widely read book.

Madrid. Unfinished. Man dying. A great painter lies on his deathbed, synapses firing, writhing and reveling in pleasure and pain as a lifetime of chaotic and grotesque sense memories wash over and envelop him. In this bold and brilliant short work of experimental fiction by the author of Grief Is the Thing with Feathers and Lanny, Max Porter inhabits Francis Bacon in his final moments, translating into seven extraordinary written pictures the explosive final workings of the artist's mind. Writing as painting rather than about painting, Porter lets the images he conjures speak for themselves as they take their revenge on the subject who wielded them in life. The result is more than a biography: The Death of Francis Bacon is a physical, emotional, historical, sexual, and political bombardment—the measure of a man creative and compromised, erotic and masochistic, inexplicable and inspired.

The Flowers of Buffoonery opens in a seaside sanitarium where Yozo Oba—the narrator of No Longer Human at a younger age—is being kept after a failed suicide attempt. While he convalesces, his friends and family visit him, and other patients and nurses drift in and out of his room. Against this dispiriting backdrop, everyone tries to maintain a lighthearted, even clownish atmosphere: playing cards, smoking cigarettes, vying for attention, cracking jokes, and trying to make each other laugh. While No Longer Human delves into the darkest corners of human consciousness, The Flowers of Buffoonery pokes fun at these same emotions: the follies and hardships of youth, of love, and of self-hatred and depression. A glimpse of the lives of a group of outsiders in prewar Japan, The Flowers of Buffoonery is a darkly humorous and fresh addition to Osamu Dazai’s masterful and intoxicating oeuvre.

Bart is thirty. He is bald. He is overweight. He wears glasses. He is a fry cook. He hates cats. And kids. Bart occasionally does very bad things. He is looking for his perfect match. He has done his research.

In her spare, stark style, Annie Ernaux documents the desires and indignities of a human heart ensnared in an all-consuming passion. Blurring the lines between fact and fiction, an unnamed narrator attempts to plot the emotional and physical course of her two-year relationship with a married foreigner where every word, event, and person either provides a connection with her beloved, or is subject to her cold indifference. With courage and exactitude, she seeks the truth behind an existence lived entirely for someone else, and, in the pieces of its aftermath, she is able to find it.

Five years ago, I slept with my husband’s best friend. Then, my husband slept with his best friend, too. And now, the three of us are in matrimonial bliss with three kids at home. Drake suggested we visit the place where it all started and celebrate our anniversary in Sin City itself. Something tells me he has a surprise up his sleeve, and I’m dying to know what it is. But the truth is, I have one too. What I’m about to ask my husband to do is insane, but I have my reasons. I’ll do anything to protect my family and this perfect life we share. Even if that means letting the man I love do something he might not want to do. \* This is a short story that takes place five years after the end of Give Me More, featuring Isabel, Drake, and Hunter. There are obviously spoilers for Give Me More in this story.

First published in 1967 and re-issued in 1983, I Have No Mouth and I Must Scream contains seven stories with copyrights ranging from 1958 through 1967. This edition contains the original introduction by Theodore Sturgeon and the original foreword by Harlan Ellison, along with a brief update comment by Ellison that was added in the 1983 edition. Among Ellison's more famous stories, two consistently noted as among his very best ever are the title story and the volume's concluding one, Pretty Maggie Moneyeyes. Since Ellison himself strongly resists categorization of his work, we won't call them science fiction, or SF, or speculative fiction or horror or anything else except compelling reading experiences that are sui generis. They could only have been written by Harlan Ellison and they are incomparably original. CONTENTS "I Have No Mouth & I Must Scream" "Big Sam Was My Friend" "Eyes of Dust" "World of the Myth" "Lonelyache" "Delusion for Dragonslayer" "Pretty Maggie Moneyeyes"

Flèche (the French word for 'arrow') is an offensive technique commonly used in fencing, a sport of Mary Jean Chan's young adult years, when she competed locally and internationally for her home city, Hong Kong. This cross-linguistic pun presents the queer, non-white body as both vulnerable ('flesh') and weaponised ('flèche'), and evokes the difficulties of reconciling one's need for safety alongside the desire to shed one's protective armour in order to fully embrace the world. Central to the collection is the figure of the poet's mother, whose fragmented memories of political turmoil in twentieth-century China are sensitively threaded through the book in an eight-part poetic sequence, combined with recollections from Chan's childhood. As complex themes of multilingualism, queerness, psychoanalysis and cultural history emerge, so too does a richly imagined personal, maternal and national biography. The result is a series of poems that feel urgent and true, dazzling and devastating by turns.

I’m a scoundrel Playboy. Man whore. Basically, I get around, and I’m not afraid to admit it. So when my best friend opens up Salacious Players’ Club and asks me to head the construction, how could I say no? Now we’re on a cross-country road trip touring other kink clubs, and I couldn’t be happier. Life is good. Then Hunter suddenly asks me to sleep with his wife…while he watches. I’ll do anything for my best friend, but this is the one request I should say no to. Isabel is the woman of my dreams, but she’s his. And the exact reason I should say no is the one reason I say yes. Because it’s not only Isabel I want. These are the two most important people in my life, and if we go down this path, how will I ever be able to walk away? I’m not sure my best friend understands just how much I’m willing to do for him—and why.