07 July

No light. No air. No escape. Hundreds of feet beneath the ocean's surface, a graveyard waits... Years ago, the SS Arcadia vanished without a trace during a routine voyage. Though a strange, garbled emergency message was broadcast, neither the ship nor any of its crew could be found. Sixty years later, its wreck has finally been discovered more than three hundred miles from its intended course...a silent graveyard deep beneath the ocean's surface, eagerly waiting for the first sign of life. Cove and her dive team have been granted permission to explore the Arcadia's rusting hull. Their purpose is straightforward: examine the wreck, film everything, and, if possible, uncover how and why the supposedly unsinkable ship vanished. But the Arcadia has not yet had its fill of death, and something dark and hungry watches from below. With limited oxygen and the ship slowly closing in around them, Cove and her team will have to fight their way free of the unspeakable horror now desperate to claim them. Because once they're trapped beneath the ocean's waves, there's no going back.

Explores the architecture of haunted houses, uncanny domestic spaces, and how the horror genre subverts and corrupts the sanctity of home. The history of horror begins with a house. From Otranto to Amityville, the haunted house story endures because it perverts what is equally the most universal and the most personal of the home. Our home is an extension of our self, a manifestation of our identity, and a repository of our memories. It is a micro-universe of our own creation that we control. It is also where we are the most vulnerable because we are supposed to be the most safe. Whether it is a decrepit Victorian mansion, a modernist luxury high-rise, a little cottage in the woods, or a starter house in the suburbs, Sick Houses explores how the horror genre in film, television, and literature uses architecture and the ideology of the home against us. It looks at the mythology of the American Dream and how the lure of homeownership becomes a trap. It celebrates the witch house, the power of the crone, and the fear of aging women who live alone. It explores how concrete utopias became ready-made mise en scene for urban terror. From the betrayal of sentient shape-shifting houses to shadow-self dollhouse doppelgangers, Sick Houses examines how the horror genre subverts and corrupts that which is the most sacrosanct.

A twist on Hitchcock’s iconic classic Psycho —where the leading lady doesn't die, but instead turns the knife on Norm, kicking off a crime spree that turns the silver screen victim into a heroine for our times. NORMAN WAS HER FIRST. Marion is in deep. She's stolen money from the Manhattan ad agency where she works in a desperate bid to help her sister escape an abusive marriage, but the bus breaks down before she can make it to Saratoga Springs. It's late at night, and the only place with vacancies is an old set of cabins on the outskirts of town. She pays for a room in cash, and ends up chatting with Norm, the young innkeeper who's handsome, charming and a touch hung-up on his elderly mother. Back in her room, she steps into the shower, scrubbing off the late-summer heat, when the curtain is pulled back... Norm Billings is there with a knife. He raises his arm to strike, but before he does, Marion knees him in the balls, grabs the knife, and stabs the life out of him. Now, she's covered in blood, and she's a woman on the run—not just a thief, but a killer, too. Where will she go? How will she save both herself and her sister? And what mysteries will she uncover as she does? In Psycho, Hitchcock shocked audiences when he killed off his protagonist. But what if the leading lady had fought back? Marion offers an alternate history of the most famous dead blonde to ever grace the silver screen. Only this time, the knife is in her hands—and she's no victim.

Enter the world of Grandview Academy, where witches, werewolves, psychics, and other teen monsters roam the halls. Lucy, a student haunted by dark forces, must navigate a world filled with dangers both supernatural and all too human. When the evil vampire Demetrius targets her, drawing her into a deadly game, Lucy finds unexpected allies in Ryan, a rugged vampire hunter with secrets of his own, and Scott Sparks, a fellow student wrestling with his own terrifying powers. As ancient evils resurface, dark family secrets are revealed, and new alliances are forged, Lucy and Scott must confront their darkest fears and deepest desires. Together, they are thrust into a battle that will not only test their resolve but also their hearts. With Lana's life hanging in the balance, they must decide what they are willing to sacrifice to protect each other and stop Demetrius. In a fight where love and terror intertwine, will the darkness consume them, or will they find the light within? Dive into a world of dark academia, where paranormal romance, teen fantasy, magic, love, and friendship come together in an unforgettable adventure.

The Romanov family ruled as tsars and emperors of all Russia for just over three hundred years—nineteen men and women in total, some of them brilliant, some of them mad, most of them somewhere in between. The story of the Romanovs begins in Moscow in 1613, and ends in Ekaterinburg in 1918, at the beginning of a revolution, where Nicholas II, his wife Alexandra, and their five children were slaughtered by a Soviet death squad. In this book, you will learn about the lives and reigns of each Romanov emperor and empress. Read about Peter the Great, who kept company with peasants and pie sellers but had his own son tortured to death; Catherine the Great, who finally convinced Europe that there was more to be found in the far north than just snow and barbarians; Alexander I, the gallant emperor who famously defeated Napoleon in 1812; Alexander II, who freed the serfs and survived five assassination attempts before perishing in the sixth; and Nicholas II, who ended the Romanov dynasty in 1917 when he abdicated the throne on behalf of himself and his son, the hemophiliac Alexei, who would never be emperor but is now considered a saint. The Romanov Dynasty Michael I (1613-1645) Alexei I (1645-1676) Fyodor III (1676-1682) Sofia Alekseyevna, regent for co-tsars Ivan V and Peter I (1682-1689) Ivan V (1682-1696) Peter the Great (1682-1725) Catherine I (1725-1727) Peter II (1727-1730) Anna I (1730-1740) Anna, Duchess of Courland, regent for Ivan VI (October 1740-December 1741) Elizaveta I (1741-1761) Peter III (January 1762-July 1762) Catherine the Great (1762-1796) Paul I (1796-1801) Alexander I (1801-1825) Nicholas I (1825-1855) Alexander II (1855-1881) Alexander III (1881-1894) Nicholas II (1894-1917)

A Dark And Stormy Night. Teresa Chafey is running away from home. Driving north along the California coast, she picks up two mysterious hitchhikers: Poppy Corn and Freedom Jack. Together the three of them tell stories: Teresa of her devastating relationship with her boyfriend, Poppy of a sad young woman she once knew, and Freedom of a talented young man with a violent temper. Yet as they talk, a darker story unfolds around them. A story of life and death, of redemption and damnation. It will be the longest night of Teresa's life. Maybe the last night of her life.

A child who can turn your reality into an unspeakable nightmare. A monster from childhood with wire-hangers for hands. A baby blanket that will suck the breath from your lungs. And a tour bus full of elderly visitors in search of a new life—even if it isn’t their own. These are the guests that occupy the mind of author Kealan Patrick Burke. Now, he invites them into yours. Guests is a collection of four novellas by Kealan Patrick Burke, complete with new introductions to each story and illustrations by the author himself. “Jack and Jill” is a harrowing story of childhood trauma and how the scars it leaves behind can manifest into adult-sized nightmares; “Sour Candy” is a twisted and unnerving tale of psychological terror that holds readers as captive as its characters; “Blanky” is an emotionally charged study of loss, grief and rage; and “Guests,” a brand new story exclusive to this collection, is a chilling exploration of what makes a monster, what makes us human, and how the weak will always run rather than face their own reflections. In each of these four novellas, Burke shows us that real horror lies in life’s tragedies. Guests is Kealan Patrick Burke at his most hauntingly lyrical and original, with four fear inducing tales of terror that will leave readers breathless.

Step into a city where monsters feast on human emotions, knights split their souls to make their weapons, and witches always take more than they give. Pain is Dymitr's calling. To slay the monsters he's been raised to kill, he had to split his soul in half to make a sword from his own spine. Every time he draws it, he gets blood on his hands. Pain is Ala's inheritance. When her mother died, a family curse to witness horrors committed by the Holy Order was passed onto her. The curse will claim her life, as it did her mother's, unless she can find a cure. One fateful night in Chicago, Dymitr comes to Ala with a her help in finding the legendary witch Baba Jaga in exchange for an enchanted flower that just might cure her. Desperate, and unaware of what Dymitr really is, Ala agrees. But they only have one day before the flower dies, and Ala's hopes of breaking the curse along with it.

A cozy near-future novella about a crew of leftover robots opening their very own noodle shop, from acclaimed sci-fi author Annalee Newitz. You don’t have to eat food to know the way to a city’s heart is through its stomach. So when a group of deactivated robots come back online in an abandoned ghost kitchen, they decide to make their own way doing what they making food—the tastiest hand-pulled noodles around—for the humans of San Francisco, who are recovering from a devastating war. But when their robot-run business starts causing a stir, a targeted wave of one-star reviews threatens to boil over into a crisis. To keep their doors open, they’ll have to call on their customers, their community, and each other—and find a way to survive and thrive in a world that wasn’t built for them. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Can you tell me how to get... out alive? ★★★★★ - " I can't remember the last time a book scared me and made me this nervous ." Andrew Van Wey, author of Head Like a Hole Johnny awakes. A puppet looms over his bed. He recognizes the furry Grandpa was its puppeteer on the children’s television show R-City Street . But Grandpa went missing a year ago. He disappeared from this very apartment building, which was converted from the old R-City Street studio. Desperate to see Grandpa again, Johnny follows the puppet inside the building’s walls, ever deeper into a puppet-infested labyrinth... I Found Puppets Living In My Apartment Walls is a horror tale from the “darkly inventive” purveyor of uncanny places and wondrous evils, Ben Farthing.

The brand\-new standalone thriller from the New York Times bestselling author of The Last Flight, Julie Clark. Perfect for fans of Gillian McAllister, Lisa Jewell and Claire Douglas. "I know what your dad did." I set down my sandwich. "He wrote a book." The boy, whose name I no longer remember, had shaken his head, eyes sparkling with glee to be the one to tell me. To shatter my childhood right there in the school cafeteria. "Your dad killed his brother and sister. Murdered them in their own home." Ghostwriter Olivia Dumont has spent her entire professional life hiding the fact that she is the only child of legendary horror author Vincent Taylor, famous not only for his novels, but for being the prime suspect in the brutal slaying of his siblings. On the brink of financial ruin, Olivia reluctantly agrees to ghostwrite her father's last book, not realising that she will be forced to reckon with the ghosts that live at the centre of her family. Because after fifty years of silence, Vincent Taylor is finally ready to talk. But is he ready to tell the truth?

“Five of us sat in a circle doing our best to emulate the girls in The Craft, hoping to unleash some power to take us all away from our home to the place of our dreams. But we weren’t witches. We were five Chicanas living in San Antonio, Texas, one year out of high school.” One hot summer night, best friends Lourdes, Fernanda, Ana, Perla, and Pauline hold a séance. It’s all fun and games at first, but their tipsy laughter turns to terror when the flames burn straight through their prayer candles and Fernanda starts crawling toward her friends and chanting in Nahuatl, the language of their Aztec ancestors. Over the next few weeks, shy, modest Fernanda starts acting strangely—smearing herself in black makeup, shredding her hands on rose thorns, sucking sin out of the mouths of the guilty. The local priest is convinced it's a demon, but Lourdes begins to suspect it’s something else—something far more ancient and powerful. As Father Moreno's obsession with Fernanda grows, Lourdes enlists the help of her “bruja Craft crew” and a professor, Dr. Camacho, to understand what is happening to her friend in this unholy tale of possession-gone-right.

Fresh from a brief stay at a psych hospital, reporter Camille Preaker faces a troubling assignment: she must return to her tiny hometown to cover the unsolved murder of a preteen girl and the disappearance of another. For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds herself identifying with the young victims—a bit too strongly. Dogged by her own demons, she must unravel the psychological puzzle of her own past if she wants to get the story—and survive this homecoming. Librarian's Note: this is an alternate cover edition - ISBN 10: 0307341550 (ISBN 13: 9780307341556)