Margins
1935-1938 (3) book cover
1935-1938 (3)
2002
First Published
4.61
Average Rating
480
Number of Pages

Part of Series

Radical critic of a European civilization plunging into darkness, yet commemorator of the humane traditions of the old bourgeoisie—such was Walter Benjamin in the later 1930s. This volume, the third in a four-volume set, offers twenty-seven brilliant pieces, nineteen of which have never before been translated. The centerpiece, A Berlin Childhood around 1900, marks the first appearance in English of one of the greatest German works of the twentieth a profound and beautiful account of the vanished world of Benjamin's privileged boyhood, recollected in exile. No less remarkable are the previously untranslated second version of Benjamin's most famous essay, "The Work of Art in the Age of Its Technological Reproducibility," with its striking insights into the relations between technology and aesthetics, and German Men and Women, a book in which Benjamin collects twenty-six letters by distinguished Germans from 1783 to 1883 in an effort to preserve what he called the true humanity of German tradition from the debasement of fascism. Volume 3 also offers extensively annotated translations of essays that are key to Benjamin's rewriting of the story of modernism and modernity—such as "The Storyteller" and "Paris, the Capital of the Nineteenth Century"—as well as a fascinating diary from 1938 and penetrating studies of Bertolt Brecht, Franz Kafka, and Eduard Fuchs. A narrative chronology details Benjamin's life during these four harrowing years of his exile in France and Denmark. This is an essential collection for anyone interested in his work.

Avg Rating
4.61
Number of Ratings
142
5 STARS
69%
4 STARS
25%
3 STARS
4%
2 STARS
1%
1 STARS
1%
goodreads

Author

Walter Benjamin
Walter Benjamin
Author · 39 books

Walter Bendix Schönflies Benjamin was a German-Jewish Marxist literary critic, essayist, translator, and philosopher. He was at times associated with the Frankfurt School of critical theory and was also greatly inspired by the Marxism of Bertolt Brecht and Jewish mysticism as presented by Gershom Scholem. As a sociological and cultural critic, Benjamin combined ideas drawn from historical materialism, German idealism, and Jewish mysticism in a body of work which was a novel contribution to western philosophy, Marxism, and aesthetic theory. As a literary scholar, he translated the Tableaux Parisiens edition of Baudelaire's Les Fleurs du mal as well as Proust's In Search of Lost Time. His work is widely cited in academic and literary studies, in particular his essays The Task of the Translator and The Work of Art in the Age of Mechanical Reproduction. Influenced by Bachofen, Benjamin gave the name "auratic perception" to the aesthetic faculty through which civilization would recover a lost appreciation of myth.

548 Market St PMB 65688, San Francisco California 94104-5401 USA
© 2025 Paratext Inc. All rights reserved