2025 June

Detective Harry Bosch was sure he'd shot the serial killer responsible for a string of murders in LA . . . but now, a new crime makes him question his convictions. They call him the Dollmaker, a serial killer who stalks Los Angeles and leaves a grisly calling card on the faces of his female victims. When a suspect is shot by Detective Harry Bosch, everyone believes the city's nightmare is over. But then the dead man's widow sues Harry and the LAPD for killing the wrong man—an accusation that rings terrifyingly true when a new corpse is found with the Dollmaker's macabre signature. Now, for the second time, Harry must hunt down a ruthless death-dealer before he strikes again. Careening through a blood-tracked quest, Harry will go from the hard edges of the L.A. night to the last place he ever wanted to go—the darkness of his own heart...

Baek Se-Hee is a successful young social media director at a publishing house when she begins seeing a psychiatrist about her—what to call it?—depression? She feels persistently low, anxious, endlessly self-doubting, but also highly judgemental of others. She hides her feelings well at work and with friends, adept at performing the calmness, even ease, her lifestyle demands. The effort is exhausting and overwhelming and keeps her from forming deep relationships. This can't be normal. But if she's so hopeless, why can she always summon a yen for her favourite street food, the hot, spicy rice cake, tteokbokki? Is this just what life is like? Recording her dialogues with her psychiatrist over a 12-week period, Baek begins to disentangle the feedback loops, knee-jerk reactions, and harmful behaviours that keep her locked in a cycle of self-abuse.

Debut author Sally Thorne bursts on the scene with a hilarious and sexy workplace comedy all about that thin, fine line between hate and love. Nemesis (n.) 1) An opponent or rival whom a person cannot best or overcome. 2) A person’s undoing 3) Joshua Templeman Lucy Hutton has always been certain that the nice girl can get the corner office. She’s charming and accommodating and prides herself on being loved by everyone at Bexley & Gamin. Everyone except for coldly efficient, impeccably attired, physically intimidating Joshua Templeman. And the feeling is mutual. Trapped in a shared office together 40 (OK, 50 or 60) hours a week, they’ve become entrenched in an addictive, ridiculous never-ending game of one-upmanship. There’s the Staring Game. The Mirror Game. The HR Game. Lucy can’t let Joshua beat her at anything—especially when a huge new promotion goes up for the taking. If Lucy wins this game, she’ll be Joshua’s boss. If she loses, she’ll resign. So why is she suddenly having steamy dreams about Joshua, and dressing for work like she’s got a hot date? After a perfectly innocent elevator ride ends with an earth shattering kiss, Lucy starts to wonder whether she’s got Joshua Templeman all wrong. Maybe Lucy Hutton doesn’t hate Joshua Templeman. And maybe, he doesn’t hate her either. Or maybe this is just another game. ​​