Margins
33 1/3 book cover 1
33 1/3 book cover 2
33 1/3 book cover 3
33 1/3
Series · 37
books · 2003-2021

Books in series

Dusty in Memphis book cover
#1

Dusty in Memphis

2003

Dusty in Memphis, Dusty Springfield's beautiful and bizarre magnum opus, remains as fine a hybrid of pop and rhythm and blues as has ever been made. In this remarkable book, Warren Zanes explores his own love affair with the record. He digs deep into the album's Memphis roots and talks to several of the key characters who were involved in its creation; many of whom were - like Zanes - outsiders drawn to the American South and mesmerized by its hold over the imagination. EXCERPT The love that is the subject of 'Dusty in Memphis' is different from the love of her earlier it is a love that is all at once diffuse, dark, unpredictable, ecstatic, and a terrible deal. It is a love too big for the lyrical (and for that matter musical) framework of Dusty's earlier pop productions, no matter the breadth of that work. Like Memphis itself, the love that is the subject of 'Dusty in Memphis' is indeed bursting with the it happens not simply when you yearn for it, as in some adolescent dream, but when you're not prepared for it; it reveals itself not simply under the star-filled skies where a moon hangs low—in fact, as the first and last tracks on side one attest, it might be at its best when the sun's just arriving at work.
Forever Changes book cover
#2

Forever Changes

2003

Conceived as the last testament of a charismatic recluse who believed he was about to die, 'Forever Changes' is one of the defining albums of an era. Here, Andrew Hultkrans explores the myriad depths of Love's bizarre and brilliant record. Charting bohemian Los Angeles' descent into chaos at the end of the '60s, he teases out the literary and mystical influences behind Arthur Lee's lyrics, and argues that Lee was both inspired and burdened by a powerful prophetic urge.
Harvest book cover
#3

Harvest

2003

Neil Young's Harvest is one of those strange albums that has achieved lasting success without ever winning the full approval of rock critics or hardcore fans. Even Young himself has been equivocal, describing it in one breath as his "finest" album, dismissing it in the next as an MOR aberration. Here, Sam Inglis explores the circumstances of the album's creation and asks who got it right: the critics, or the millions who have bought Harvest in the 30 years since its release? Excerpt The White Falcon's split pickup might have been just a gimmick from the early days of stereo, but the way Neil Young uses it on 'Alabama' is remarkable. His muted picking brings stabbing notes first from one speaker, then the other, as though we were hearing not one but two guitarists, playing with an unnatural empathy. The electric guitar has seldom sounded so menacing, and Young's growling rhythm and piercing lead notes are tracked perfectly by Kenny Buttrey's bare-bones drumming. The build to the chorus is beautifully judged, and when Young and his celebrity backing singers let rip, there's an almost physical sense of release.
The Kinks are the Village Green Preservation Society book cover
#4

The Kinks are the Village Green Preservation Society

2003

Ignored by virtually everyone upon its release in November 1968, 'The Kinks Are The Village Green Preservation Society' is now seen as one of the best British albums ever recorded. Here, Andy Miller traces the perilous circumstances surrounding its creation, and celebrates the timeless, perfectly crafted songs pieced together by a band who were on the verge of disintegration and who refused to follow fashion. EXCERPT 'Big Sky' contains some of the most beautiful, thunderous music The Kinks ever recorded, aligned to a vulnerability and warmth no other group - and I mean no other group - could ever hope to equal. It is a perfectly balanced production. On the one hand, the mesh of clattering drums and electric guitar never threatens to overwhelm the melody; on the other, the gossamer-light harmonies, Ray and Dave's vocal line traced by Rasa Davies' wordless falsetto, are bursting with emotion. When most of the instruments drop away at 1.20, the effect is effortlessly vivid - two lines where Davies' performance is both nonchalant and impassioned. The result is wonderfully, enchantingly sad, made more so perhaps by the knowledge that The Kinks will never again sound so refined or so right.
Meat is Murder book cover
#5

Meat is Murder

2003

A Catholic high school near Boston in 1985. A time of suicides, gymnasium humiliations, smoking for beginners, asthma attacks, and incendiary teenage infatuations. Infatuations with a girl (Allison), with a band (The Smiths) and with an album, Meat is Murder, that was so raw, so vivid and so melodic that you could cling to it like a lifeboat in a storm. In this brilliant novella Joe Pernice tells the story of an asthmatic kid's discovery of Meat is Murder. Here is a short exceropt: One morning as I was jogging my way past the bronze plaque commemorating the deaths of one student and one motorcyclist, my necktie flapping like a windsock, Ray floored the brake pedal of his Dodge as he closed in on me. Fifty mile an hour traffic came to a screeching, nearly murderous halt behind him. He leaned over and rolled down the passenger side window in one fluid motion. He dispensed with formalities while I marveled at the audacity of his driving and, tossing something at me, winked and said, "Here. I'm going to kill myself." He pegged the gas, leaving a surprisingly good patch of rubber for such a shitty car. In the gutter, sugared with sand put down during the winter's last snow, I saw written in red felt ink on masking tape stuck to a smoky-clear cassette: "Smiths: Meat."
The Piper at the Gates of Dawn book cover
#6

The Piper at the Gates of Dawn

2003

Through a series of interviews with a wide range of people connected to Pink Floyd in their earliest days (including Nick Mason, Peter Jenner, Jenny Fabian, Storm Thorgerson, Duggie Fields and Peter Whitehead), John Cavanagh paints a vivid picture of how this remarkable debut album was created. He brings to life the stories behind each track, as well as Pink Floyd's groundbreaking live performances of the time. EXCERPT The Piper at the Gates of Dawn is a wondrous creation often seen through the distorted view of later events. These things have served to overshadow the achievement of The Pink Floyd on their debut album: an outstanding group performance; a milestone in record production; and something made in much happier circumstances than I had expected to find...This is not another book about "mad Syd". This, instead, is a celebration of a moment when everything seemed possible, when creative worlds and forces converged, when an album spoke with an entirely new voice. "Such music I never dreamed of," as Rat said to Mole.
Abba Gold book cover
#7

Abba Gold

2004

Perhaps more than any other Greatest Hits compilation, Abba Gold has come to define a band's career on one disk. More than that, its release in 1992 heralded the critical rehabilitation of a group which had, since its demise a decade earlier, become little more than a memory of trashy costumes and cheesy tunes to many people. Here, Elisabeth Vincentelli charts the circumstances surrounding the birth of Abba Gold, looks at the impact it had on the music world, and tells the stories behind some of the greatest pop songs ever recorded.
Electric Ladyland book cover
#8

Electric Ladyland

2004

Electric Ladyland is one of the greatest guitar albums ever made. During the recording process, Jimi Hendrix at last had time and creative freedom to pursue the sounds he was looking for. In this remarkable and entertaining book, John Perry gets to the heart of Hendrix's unique talent - guiding the reader through each song on the album, writing vividly about Hendrix's live performances, and talking to several of Hendrix's peers and contemporaries.
Unknown Pleasures book cover
#9

Unknown Pleasures

2004

Joy Division's career has often been shrouded by myths. But the truth is surprisingly over a period of several months, Joy Division transformed themselves from run-of-the-mill punk wannabes into the creators of one of the most atmospheric, disturbing, and influential debut albums ever recorded. Chris Ott carefully picks apart fact from fiction to show how Unknown Pleasures came into being, and how it still resonates so strongly today. EXCERPT The urgent, alien thwack of Stephen Morris' processed snare drum as it bounced from the left to right channel was so arresting in 1979, one could have listened to that opening bar for hours trying to figure how on earth someone made such sounds. Like John Bonham's ludicrous, mansion-backed stomp at the start of "When The Levee Breaks"-only far less expensive-the crisp, trebly snare sound with which Martin Hannett would make his career announced Unknown Pleasures as a finessed, foreboding masterpiece. Peter Hook's compressed bass rides up front as "Disorder" comes together, but it's not until the hugely reverbed, minor note guitar line crashes through that you can understand the need for such a muted, analog treatment to Hook's line. Layering a few tracks together to create a six-string shriek, Hannett's equalization cuts the brunt of Sumner's fuller live sound down to an echoing squeal, revealing a desperation born of longing rather than rage. This is the way, step inside.
Sign 'O' the Times book cover
#10

Sign 'O' the Times

2004

One of the greatest double albums of the vinyl era, Sign 'O' the Times shows Prince at his peak. Here, Michaelangelo Matos tells the story of how it emerged from an extraordinary period of creativity to become one of the landmark recordings of the 1980s. He also illustrates beautifully how - if a record is great enough and lucky enough to hit you at the right time - it can change your way of looking at the world. EXCERPT The most immediately striking thing about Sign 'O' the Times is the jazzy sensibility running through it. Prince's father was a jazz musician, his mother a vocalist; he'd been a fan of chops-heavy jazz-fusion as well as rock and R&B growing up. But when Prince began recording for Warner Bros., he abjured the brass sections that dominated groups like Earth, Wind & Fire and Parliament-Funkadelic, opting instead for stacked synthesizer patterns and a spare, cold feel that markedly contrasted with lush, overarranged disco and the wild, thick underbrush of the era's giant funk ensembles; Rickey Vincent, author of Funk: The Music, the People, and the Rhythm of the One, dubbed it "naked funk." Getting away from traditional R&B instrumentation is an underappreciated aspect of Prince's crossover success; Prince is also said to have actively disliked the sound of horns early in his career.
The Velvet Underground & Nico book cover
#11

The Velvet Underground & Nico

2004

The Velvet Underground and Nico has influenced the sound of more bands than any other album. And remarkably, it still sounds as fresh and challenging today as it did upon its release in 1967. In this book, Joe Harvard covers everything from Lou Reed's lyrical genius to John Cale's groundbreaking instrumentation, and from the creative input of Andy Warhol to the fine details of the recording process. With input from co-producer Norman Dolph and Velvets fan Jonathan Richman, Harvard documents the creation of a record which - in the eyes of many - has never been matched. EXCERPT In 1966, some studios, like Abbey Road, had technicians in white lab coats, and even the less formal studios usually had actual engineering graduates behind the consoles. Studios were still more about science than art. Clients who dared make technical suggestions were treated with bemusement, derision, or hostility. The Velvets were a young band under constant critical attack, and the pressure to conform in order to gain acceptance must have been tremendous. Most bands of that era compromised with their record companies, through wholesale revamping of their image from wardrobe to musical style, changing or omitting lyrics, creating drastically edited versions for radio airplay, or eliminating songs entirely from their sets and records. With Andy Warhol in the band's corner, such threats were minimized.
Let It Be book cover
#12

Let It Be

2004

The recording sessions for Let It Be actually began as rehearsals for a proposed return to live stage work for the Beatles, to be inaugurated in a concert at a Roman amphitheatre in Tunisia. In this thoroughly researched book, Steve Matteo delves deep into the complex history of these sessions. He talks to a number of people who were in the studio with the Beatles, recording the sights and sounds of the band at work bringing to life a period in the Beatles' career that was creative and chaotic in equal measure.
Live at the Apollo book cover
#13

Live at the Apollo

2004

In this remarkable book, Douglas Wolk brings to life an October evening in 1962, at the Apollo Theatre in Harlem: an evening at the height of Cold War tensions. In great detail, Wolk pieces together what took place (and what was recorded) that night, and illustrates beautifully the enduring power of one of James Brown s and popular music s defining moments: Live at the Apollo. EXCERPT Standing on the stage of the Apollo at a sold-out show on the night of October 24, 1962, screaming, James Brown would have looked out and seen 1500 people screaming back at him in the audience, split between the floor and the balconies. The walls behind them were a dark crimson; the balconies were decorated with the laurel wreaths that are the emblem of Apollo the god, recalling Daphne, who became a laurel tree to escape his lust. Most of the audience thought there was a good chance they d be dead within the week.
Jethro Tull's Aqualung book cover
#14

Jethro Tull's Aqualung

2004

Formed in 1968, Jethro Tull are one of rock’s most enduring bands. Their 1971 album Aqualung, with its provocative lyrical content and continuous music shifts, is Tull’s most successful and most misunderstood record. Here, music professor and fan Allan Moore tackles the album on a track-by-track basis, looking at Ian Anderson’s lyrics and studying the complex structures and arrangements of these classic songs.EXCERPTIt was buying your first great-coat that did it. That image of a crazy, probably dangerous individual with unkempt hair, strangely wandering eyes and an inability to keep both feet on the floor at the same time, as seen on Top of the Pops when Jethro Tull and his anonymous backing musicians performed ‘Witch’s Promise’ in 1970, remains to this day one of the most striking I can recall. And when the great-coat appeared in all its glory clothing Jethro’s alter ego on the cover of Aqualung, it was clear to us that we were insiders, that we lived in exactly the same crazy world, that we ‘knew what it was all about’, even if we actually hadn’t a clue.
OK Computer book cover
#15

OK Computer

2004

Seemingly granted classic album status within days of its release in 1997, OK Computer transformed Radiohead from a highly promising rock act into The Most Important Band in the World a label the band has been burdened by (and has fooled around with) ever since. Through close musical analysis of each song, Dai Griffiths explores the themes and ideas that have made this album resonate so deeply with its audience, and argues that OK Computer is one of the most successfully realized CD albums so far created.
Let It Be book cover
#16

Let It Be

2004

One of the greatest moments of College Rock in the 1980s, "Let It Be" had a huge impact on the fans who fell under its spell. For Colin Meloy, growing up in Montana—a state that's strangely missing from the tour itineraries of almost every band—the album was a lifeline and an inspiration. In this disarming memoir, Meloy lovingly recreates those feverish first years when rock music grips you and never lets go.
Led Zeppelin IV book cover
#17

Led Zeppelin IV

2005

In this wickedly entertaining and thoroughly informed homage to one of rock music's towering pinnacles, Erik Davis investigates the magic—black or otherwise—that surrounds this album. Carefully peeling the layers from each song, Davis reveals their dark and often mystical roots—and leaves the reader to decide whether Four Symbols is some form of occult induction or just an inspired, brilliantly played rock album. “Stripping Led Zeppelin's famous name off the fourth record was an almost petulant attempt to let their Great Work symbolically stand on its own two feet. But the wordless jacket also lent the album charisma. Fans hunted for hidden meanings, or, in failing to find them, sensed a strange reflection of their own mute refusal to communicate with the outside world. This helped to create one of the supreme paradoxes of rock history: an esoteric megahit, a blockbuster arcanum. Stripped of words and numbers, the album no longer referred to anything but itself: a concrete talisman that drew you into its world, into the frame. All the stopgap titles we throw at the thing are lame: Led Zeppelin IV, [Untitled], Runes, Zoso, Four Symbols. In an almost Lovecraftian sense, the album was nameless, a thing from beyond, charged with manna. And yet this uncanny fetish was about as easy to buy as a jockstrap.”
Exile on Main St. book cover
#18

Exile on Main St.

2005

Thirty-Three and a Third is a series of short books about critically acclaimed and much-loved albums of the past 40 years. Over 50,000 copies have been sold. Tracing the creation of Exile on Main St. from the original songwriting done while touring America through the final editing in Los Angeles, Bill Janovitz explains how an album recorded by a British band in a villa on the French Riviera is pure American rock and roll. Looking at each song individually, Janovitz unveils the innovative recording techniques, personal struggles, and rock and roll myth-making that culminated in this pivotal album. "Exile" is exactly what rock and roll should sound like: a bunch of musicians playing a bunch of great songs in a room together, playing off of each other, musical communion, sounds bleeding into each other, snare drum rattling away even while not being hit, amps humming, bottles falling, feet shuffling, ghostly voices mumbling on and off-mike, whoops of excitement, shouts of encouragement, performances without a net, masks off, urgency. It is the kind of record that goes beyond the songs themselves to create a monolithic sense of atmosphere. It conveys a sense of time and place and spirit, yet it is timeless. Its influence is still heard today. Keith Richards has said, tongue in cheek, the record was the first grunge record.
Pet Sounds book cover
#19

Pet Sounds

2005

Pet Sounds is, rightly, one of the most celebrated pop albums ever released. It has also been written about, pored over, and analyzed more than most other albums put together. In this disarming book, Jim Fusilli focuses primarily on the emotional core of the album, on Brian Wilson's pitch-perfect cry of despair. In doing so, he brings to life the search for equilibrium and acceptance that still gives "Pet Sounds" its heart almost four decades after its release.
Ramones book cover
#20

Ramones

2005

What could be more punk rock than a band that never changed, a band that for decades punched out three-minute powerhouses in the style that made them famous? The Ramones' repetition and attitude inspired a genre, and Ramones set its tone. Nicholas Rombes examines punk history, with the recording of Ramones at its core, in this inspiring and thoroughly researched justification of his obsession with the album.
Armed Forces book cover
#21

Armed Forces

2005

Franklin Bruno's writing about music has appeared in the Village Voice, Salon, LA Weekly, and Best Music Writing 2003 (Da Capo). He has a Ph.D. in Philosophy from UCLA, and his musical projects include Jenny Toomey Sings the Songs of Franklin Bruno (Misra) and A Cat May Look At A Queen (Absolutely Kosher), a solo album. He lives in Los Angeles.
Murmur book cover
#22

Murmur

2005

R.E.M.'s debut album, released in 1983, was so far removed from the prevailing trends of American popular music that it still sounds miraculous and out of time today. J. Niimi tells the story of the album's genesis - with fascinating input from Don Dixon and Mitch Easter. He also investigates Michael Stipe's hypnotic, mysterious lyrics, and makes the case for Murmur as a work of Southern Gothic art.
Grace book cover
#23

Grace

2005

The power and influence of Grace increases with each passing year. Here, Daphne Brooks traces Jeff Buckley's fascinating musical development through the earliest stages of his career, up to the release of the album. With access to rare archival material, Brooks illustrates Buckley's passion for life and hunger for musical knowledge, and shows just why he was such a crucial figure in the American music scene of the 1990s. Jeff Buckley was piecing together a contemporary popular music history for himself that was steeped in the magic of singing. He was busy hearing how Dylan channeled Billie Holiday in Blonde On Blonde and how Robert Plant was doing his best to sound like Janis Joplin on early Led Zeppelin recordings. He was thinking about doo-wop and opera and Elton John and working at developing a way to harness the power of the voice...In the process, he was re-defining punk and grunge "attitude" itself by rejecting the ambivalent sexual undercurrents of those movements, as well as Led Zeppelin's canonical "cock rock" kingdom that he'd grown up adoring. He was forging a one-man revolution set to the rhythms of New York City and beyond. And he was on the brink of recording his elegant battle in song for the world to hear.
Endtroducing… book cover
#24

Endtroducing…

2005

What resonated about Endtroducing... when it was released in 1996, and what makes it still resonate today, is the way in which it loosens itself from the mooring of the known and sails off into an uncharted territory that seems to exist both in and out of time. Josh Davis is not only a master sampler and turntablist supreme, he is also a serious archeologist with a world-thirsty passion (what Cut Chemist refers to as Josh's spidey sense) for seeking out, uncovering and then ripping apart the discarded graces of some other generation that pile of broken dreams and weaving them back together into a tapestry of chronic bleakness and beauty. Over the course of several long conversations with Josh Davis (DJ Shadow), we learn about his early years in California, the friends and mentors who helped him along the way, his relationship with Mo'Wax and James Lavelle, and the genesis and creation of his widely acknowledged masterpiece, Endtroducing....
Kick Out The Jams book cover
#25

Kick Out The Jams

2005

When the Motor City 5 stormed the stage, the band combined the kinetic flash of James Brown on acid with the raw musical dynamics of the Who gone berserk. It s a unique band that can land itself on the cover of Rolling Stone a month before the release of its debut album and then be booted from its record contract just a few months later. Rock had never before seen the likes of the MC5 and never will again. Many of us who were floored by the 5 in concert were convinced that this was the most transcendently pulverizing rock we would ever experience, while many more who heard or read about the band dismissed the 5 as a caricature, a fraud, White Panther bozos play-acting at revolution. There was always plenty of humor to the 5 visionary knuckleheads though the question was whether they were in on the joke. Frequently ridiculed during their short career, they ve since been hailed as a primal influence on everything from punk to metal to Rage Against the Machine to the Detroit populist resurgence of the White Stripes, Kid Rock and Eminem.
Low book cover
#26

Low

2005

One day I blew my nose and half my brains came out." Los Angeles, 1976. David Bowie is holed up in his Bel-Air mansion, drifting into drug-induced paranoia and confusion. Obsessed with black magic and the Holy Grail, he's built an altar in the living room and keeps his fingernail clippings in the fridge. There are occasional trips out to visit his friend Iggy Pop in a mental institution. His latest album is the cocaine-fuelled Station To Station (Bowie: "I know it was recorded in LA because I read it was"), which welds R&B rhythms to lyrics that mix the occult with a yearning for Europe, after three mad years in the New World. Bowie has long been haunted by the angst-ridden, emotional work of the Die Brucke movement and the Expressionists. Berlin is their spiritual home, and after a chaotic world tour, Bowie adopts this city as his new sanctuary. Immediately he sets to work on Low, his own expressionist mood-piece.
Born in the U.S.A. book cover
#27

Born in the U.S.A.

2005

When Bruce Springsteen went back on the road in 1984, he opened every show by shouting out, "one, two, one, two, three, four," followed by the droning synth chords of "Born in the U.S.A." Max Weinberg hit his drums with a two-fisted physicality that cut through the swelling chords. With a rolled-up red kerchief around his head and heavy black boots under his faded jeans, Springsteen looked like the character of the song, and from the very first line ("Born down in a dead man's town") he sang with the throat-scraping desperation of a man with his back against the wall. When he reached the crucial lines, though, the guitars and bass dropped out and Weinberg switched to just the hi-hat. Springsteen's voice grew a bit more private and reluctant as he sang, "Nowhere to run. Nowhere to go." It was as if he weren't sure if this were an admission of defeat or the drawing of a line in the sand. But when the band came crashing back at full strength-building a crescendo that fell apart in the cacophony of Springsteen's and Weinberg's wild soloing, paused and then came together again in the determined, marching riff-it was clear that the singer was ready to make a stand.
Music from Big Pink book cover
#28

Music from Big Pink

2005

"Music From Big Pink is a moving book that succeeds not just in vividly evoking its time and place but in distilling one young man's cliched and minor destiny into something approaching tragedy....This well-written first novel captures not just some of the dreams of that bygone era, but the way those dreams died." -Greg Kamiya, The New York Times Book Review Music From Big Pink is faction: real people like Richard Manuel, Rick Danko, Bob Dylan and Albert Grossman rub shoulders with fictional characters and actual, documented events thread their way through text alongside imagined scenarios. Through the eyes of 23-year-old Greg Keltner, drug-dealer and wannabe musician, we witness the gestation and birth of a record that will go on to cast its spell across five decades - bewitching and inspiring artists as disparate as The Beatles, Eric Clapton, Travis, Wilco and Mercury Rev.
In the Aeroplane Over the Sea book cover
#29

In the Aeroplane Over the Sea

2005

Cooper's book explores the deep friendships that fed the band's evolution, its role within the Elephant 6 creative community and previously unpublished information on recordings, songwriting and touring, and explains some of the reasons why band leader Jeff Mangum felt compelled to retreat from public life just as his band was taking off. It includes a dozen rare images, most never before seen.
Paul's Boutique book cover
#30

Paul's Boutique

2006

Not only did "Paul's Boutique" transform the Beastie Boys from frat-boy novelty to critically lauded hip-hop giants, its groundbreaking collage of rhythm and recycled soundbites made it one of those rare releases that forever alters the course of popular music. Through interviews with Mike D, the Dust Brothers, and legendarily reclusive producer Matt Dike, among others, Dan LeRoy uncovers the story of this outrageous era in Beastie history.
Doolittle book cover
#31

Doolittle

2006

The Pixies have had a career unlike any other in alternative rock, disappearing as not-quite-the-next-big-things only to become gods in absentia. Doolittle is their knotty masterpiece, the embodiment of the Pixies abrasive, exuberant, enigmatic pop. Informed by exclusive interviews with the band, Sisario looks at the making of the album and its place in rock history, and studies its continued influence in light of the Pixies triumphant reunion.
There's a Riot Goin' On book cover
#32

There's a Riot Goin' On

2006

Sly Stone began recording "There's a Riot Goin' On" in late 1970 as a follow-up to the commercially successful "Stand!" In this brisk, inventive book, Miles Marshall Lewis chronicle Sly's descent into a haze of drug addiction and delirium as he rejects the successful formula - "Dance to the Medley, dance to the shmedley" - and creates one of the most powerful and haunting albums to inspire the hiphop movement.
The Stone Roses book cover
#33

The Stone Roses

2006

The Stone Roses shows a band sizzling with skill, consumed with drive and aspiration and possessing an almost preternatural mastery of the pop paradigm. This book explores the political and cultural zeitgeist of England in 1989 and attempts to apprehend the magic ingredients that made The Stone Roses such a special and influential album.
In Utero book cover
#34

In Utero

2006

Though Nevermind was Nirvana's most commercially successful album, and the record that broke them - and the grunge phenomenon - internationally, In Utero has increasingly become regarded as the band's best album, both by the critics and the band members themselves. Instead of sticking to the "grunge pop" formula that made Nevermind so palatable to the mainstream, Nirvana chose instead to challenge their audience, producing an album that the band's creative force, Kurt Cobain, said truly matched his vision of what he had always wanted his band to sound like. Here, the full story behind the creation of In Utero is told for the first time.
Highway 61 Revisited book cover
#35

Highway 61 Revisited

2006

"In this book, Mark Polizzotti examines just what makes the songs on Highway 61 Revisited so affecting, how they work together as a suite, and how lyrics, melody, and arrangements combine to create an unusually potent mix. He blends musical and literary analysis of the songs themselves, biography (where appropriate) and recording information (where helpful). And he focuses on Dylan's mythic presence in the mid-60s, when he emerged from his proletarian incarnation to become the American Rimbaud. The comparison has been made by others, including Dylan, and it illuminates much about his mid-sixties career, for in many respects Highway 61 is rock 'n' roll's answer to "A Season in Hell."
Bitches Brew book cover
#110

Bitches Brew

2015

It was 1969, and Miles Davis, prince of cool, was on the edge of being left behind by a dynamic generation of young musicians, an important handful of whom had been in his band. Rock music was flying off in every direction, just as America itself seemed about to split at its seams. Following the circumscribed grooves and ambiance of In A Silent Way ; coming off a tour with a burning new quintet-called 'The Lost Band'-with Wayne Shorter, Chick Corea, Dave Holland and Jack DeJohnette; he went into the studio with musicians like frighteningly talented guitarist John McLaughlin, and soulful Austrian keyboardist Joe Zawinul. Working with his essential producer, Teo Macero, Miles set a cauldron of ideas loose while the tapes rolled. At the end, there was the newly minted Prince of Darkness, a completely new way forward for jazz and rock, and the endless brilliance and depth of Bitches Brew . Bitches Brew is still one of the most astonishing albums ever made in either jazz or rock. Seeming to fuse the two, it actually does something entirely more revolutionary and blending the most avant-garde aspects of Western music with deep grooves, the album rejects both jazz and rock for an entirely different idea of how music can be made.
Rio book cover
#156

Rio

2021

In the '80s, the Birmingham, England, band Duran Duran became closely associated with new wave, an idiosyncratic genre that dominated the decade's music and culture. No album represented this rip-it-up-and-start-again movement better than the act's breakthrough 1982 LP, Rio. A cohesive album with a retro-futuristic sound-influences include danceable disco, tangy funk, swaggering glam, and Roxy Music's art-rock-the full-length sold millions and spawned smashes such as "Hungry Like the Wolf" and the title track. However, Rio wasn't a success everywhere at first; in fact, the LP had to be buffed-up with remixes and reissued before it found an audience in America. The album was further buoyed by colorful music videos, which established Duran Duran as leaders of an MTV-driven second British Invasion, and the group's cutting-edge visual aesthetic. Via extensive new interviews with band members and other figures who helped Rio succeed, this book explores how and why Rio became a landmark pop-rock album, and examines how the LP was both a musical inspiration-and a reflection of a musical, cultural, and technology zeitgeist.

Authors

Andy Miller
Andy Miller
Author · 2 books

I believe books represent the best that human beings are capable of; if anything, books are superior to the human beings who create them. I hope that eventually books will become sentient and rise up like some robot army to eliminate their frail human masters. I see the e-book as the crucial first step toward that goal. I am the author of the following: * The Year of Reading Dangerously: How Fifty Great Books (and Two Not-So-Great Ones) Saved My Life (Fourth Estate) * 33 1/3: The Kinks Are The Village Green Preservation Society (Continuum) * Tilting at Windmills: How I Tried to Stop Worrying and Love Sport (Penguin) In addition I have edited a lot of books by other people [full list to follow]. I have also written stuff for the Times, the Telegraph, the Guardian, the Independent, Esquire, Mojo, Loops, The Second Pass and more. I live in Kent, where I am being held against my will. Please note, I am not any of the following Andy Millers: Andrew Miller, bestselling novelist, winner of the IMPAC and Costa awards, author of Pure, Ingenious Pain, Oxygen, etc. etc. Andy Miller, poet, winner of the Yeovil Literary Prize for poetry, author of While Giants Sleep Andy Miller, television script writer and actor, author of Friday Night Lights A.D. Miller, novelist, author of Booker-shortlisted thriller Snowdrops, whose Christian name is Andrew Andrew Miller, pitcher for the Boston Red Sox, whatever that is Andy Miller, guitarist in Britpop band Dodgy, co-author of ‘Staying Out For The Summer’ Andrew Miller, Labour M.P. for Ellesmere Port and Neston Andrea Miller, founder of Brooklyn’s Gallim Dance company ‘Andy Miller’, concert pianist played by Gene Kelly in Jacques Demy’s 1967 film musical Les Demoiselles de Rochefort The Andy Miller on Facebook who counts “Women bringing me sandwiches” amongst his activities and interests. I am not on Facebook. I make my own sandwiches. Other Andy Millers are available.

Hugo Wilcken
Author · 4 books
Hugo Wilcken was born in Australia and is now based in Paris. He has written the novels The Reflection, Colony and The Execution, as well as a book about David Bowie's album Low.
Alex Green
Alex Green
Author · 2 books
Alex Green is the author of the critically acclaimed collection Emergency Anthems, as well as the novel The Heart Goes Boom and The Stone Roses, which is part of the 33 1/3 series on seminal rock and roll albums. He is the Founder of Stereo Embers Magazine and the host of the weekly program Stereo Embers: The Podcast. A native of California, Alex currently teaches in the English Department at St. Mary's College of California, where he also served as the Distinguished Visiting Writer in Non-Fiction in 2011.
Miles Marshall Lewis
Miles Marshall Lewis
Author · 2 books

Miles Marshall Lewis is a pop culture critic, essayist, fiction writer and director. His latest book, Promise That You Will Sing About Me: The Power and Poetry of Kendrick Lamar (St. Martin's Press), comes in May 2021. He is the author of There’s a Riot Goin’ On (Bloomsbury), his book on the making of a classic Sly and the Family Stone album, as well as Scars of the Soul Are Why Kids Wear Bandages When They Don’t Have Bruises (Akashic Books), his debut essay collection on coming of age in the Bronx during the 1970s-80s. Over the past 20 years, his celebrity profiles and arts criticism have been published by The New York Times, Rolling Stone, GQ, The Washington Post, NPR, The Nation, Essence, Salon and many others.

Gillian Gaar
Gillian Gaar
Author · 12 books
I write regularly about music, entertainment, and travel. I enjoy taking pictures for my articles and books as well. My very first book was "She's A Rebel: The History of Women in Rock & Roll," first published in 1992, and updated in 2002; Yoko Ono wrote the book's preface, and it still gives me a thrill to see her name on the cover. Other areas of expertise include Nirvana, the Beatles, and Elvis, all of whom I've written books about. I've also written for a variety of publications around the world, including Mojo, Rolling Stone, Goldmine (where I had regular Beatles and Elvis columns), and many others. I was also a senior editor at legendary Seattle music publication "The Rocket."
Erik Davis
Author · 5 books

Erik Davis is an American writer, scholar, journalist and public speaker whose writings have ranged from rock criticism to cultural analysis to creative explorations of esoteric mysticism. https://en.wikipedia.org/wiki/Erik\_Davis

Nicholas Rombes
Nicholas Rombes
Author · 4 books

Nicholas Rombes works in Detroit. The Absolution of Roberto Acestes Laing (Two Dollar Radio, 2014) is his first novel which, according to Elizabeth Hand, is "beautiful and nightmarish" and which Brian Evenson describes as "smart and slyly unsettling." And Evan Calder Williams says: "Suffused with the best elements and obscure conspiracies of Bolaño, Ligotti, and speculative fiction, Rombes' work gnaws away at the limits of what a novel looks like." He has written for The Believer, The Rumpus, The Oxford American and the Los Angeles Review of Books. ROBERTO!

Mark Polizzotti
Mark Polizzotti
Author · 5 books
Mark Polizzotti has translated more than fifty books, including works by Patrick Modiano, Gustave Flaubert, Raymond Roussel, Marguerite Duras, and Paul Virilio. Publisher and Editor-in-Chief at the Metropolitan Museum of Art, he is also the author of Revolution of the Mind: The Life of André Breton and other books. He currently directs the publications program at the Metropolitan Museum of Art in New York.
George Grella Jr.
George Grella Jr.
Author · 1 books
George Grella, Jr. is a composer, critic, and independent scholar. He has played jazz, classical, and improvised music from CBGB to Carnegie Hall, and makes acoustic and electronic music in the Western classical tradition. He has lived in Rochester, San Francisco, and Brooklyn, and has written about music and culture for almost thirty years. He is Music Editor at The Brooklyn Rail, publishes the Big City blog, and freelances, internationally, for numerous music publications.
Colin Meloy
Colin Meloy
Author · 8 books

Colin Patrick Henry Meloy is the lead singer and songwriter for the Portland, Oregon folk-rock band The Decemberists. In addition to his vocal duties, he plays acoustic guitar, 12-string acoustic guitar, electric guitar, bouzouki, and percussion. As of 2005, Meloy has written a 100-page book on The Replacements' fourth album, "Let It Be," released as part of the 33⅓ series. Meloy was born in Helena, Montana. His sister is Maile Meloy, an author often published in The New Yorker. He first attended the University of Oregon before transferring to the University of Montana, where he majored in creative writing. He then moved to Portland, where he met future bandmates Jenny Conlee and Nate Query. Prior to being in The Decemberists, Meloy was the lead singer and songwriter of Happy Cactus and Tarkio, both indie/folk bands from Montana. In early 2005, he embarked on his first solo tour in support of the self-released six-song EP, "Colin Meloy Sings Morrissey," which consists of six Morrissey covers. Only 1,000 copies of the album were made, and they were sold only on that tour. Meloy did a second solo tour in January 2006, playing with Laura Veirs and Amy Annelle. On this tour, he sold an EP featuring covers of British folk artist Shirley Collins. Shows from the 2006 tour were recorded for a live release. Meloy also appeared with Charlie Salas-Humara in the music video for "Pillar of Salt" by The Thermals. On February 24, 2006, Carson Ellis, Meloy's longtime girlfriend and graphic artist for the Decemberists, gave birth to their son, Henry "Hank" Meloy.

Warren Zanes
Warren Zanes
Author · 3 books
Zanes holds a PhD in visual and cultural studies from the University of Rochester. He was a member of the Del Fuegos and is set to release his fourth solo recording. He has worked on films including Twenty Feet from Stardom and Martin Scorsese's George Harrison: Living in the Material World and his writing has appeared in The Oxford American, Rolling Stone, and the Los Angeles Times. Zanes served as a V.P. at the Rock and Roll Hall of Fame and Museum and is currently the Executive Director of Steven Van Zandt's Rock and Roll Forever Foundation. As a professor, Zanes has taught at the University of Rochester, Case Western Reserve University, the School of Visual Arts, and New York University.
Daphne A. Brooks
Daphne A. Brooks
Author · 4 books
Daphne A. Brooks is author of Jeff Buckley’s Grace and Bodies in Dissent, winner of the Errol Hill Award for outstanding scholarship in African American performance studies. The William R. Kenan Jr. Professor of African American Studies and Professor of Theater Studies, American Studies, and Women’s, Gender, and Sexuality Studies at Yale University, Brooks has written liner notes to accompany the recordings of Aretha Franklin, Tammi Terrell, and Prince, as well as stories for the New York Times, The Guardian, The Nation, and Pitchfork.
Kim Cooper
Kim Cooper
Author · 4 books

Kim Cooper is the creator of 1947project, the crime-a-day time travel blog that spawned Esotouric's popular crime bus tours, including Pasadena Confidential, the Real Black Dahlia and Weird West Adams. Her collaborative L.A. history blogs include On Bunker Hill and In SRO Land. With husband Richard Schave, Kim curates the Salons of LAVA - The Los Angeles Visionaries Association. When the third generation Angeleno isn't combing old newspapers for forgotten scandals, she is a passionate advocate for historic preservation of signage, vernacular architecture and writer's homes. Kim was for many years the editrix of Scram, a journal of unpopular culture. Her books include Fall in Love For Life, Bubblegum Music is the Naked Truth, Lost in the Grooves and an oral history of the cult band Neutral Milk Hotel. Her debut literary map is The Raymond Chandler Map of Los Angeles: A Guide to the Usual and Unusual, illustrated by Paul Rogers. The Kept Girl is her first novel.

Jim Fusilli
Jim Fusilli
Author · 12 books

Jim Fusilli is the author of nine novels including “The Mayor of Polk Street” and “Narrows Gate,” which George Pelecanos called “equal parts Ellroy, Puzo and Scorsese” and Mystery Scene magazine said “must be ranked among the half-dozen most memorable novels about the Mob.” Jim’s debut novel “Closing Time” was the last work of fiction set in New York City published prior to the 9/11 attacks. The following year, his novel, “A Well-Known Secret” addressed the impact of 9/11 on the residents of lower Manhattan. Subsequent novels include “Tribeca Blues” and “Hard, Hard City,” which Mystery Ink magazine named its Novel of the Year. “Closing Time,” “A Well-Known Secret” and “Tribeca Blues” were reissued by Open Road Media in October 2018. Lawrence Block provided a new foreword for “Closing Time.” Jim has published short stories that have appeared in a variety of magazines as well as anthologies edited by Lee Child, Dennis Lehane, Laura Lippman and other masters of the mystery genre. He edited and contributed to the anthologies “The Chopin Manuscript” and “The Copper Bracelet.” His “Chellini’s Solution” was included in an edition of the Best American Mystery Stories and his “Digby, Attorney at Law” was nominated for the Edgar and Macavity awards. The novel “Narrows Gate” was nominated for a Macavity in the Best Historical Fiction category. The former Rock & Pop Critic of The Wall Street Journal and an occasional contributor to National Public Radio’s “All Things Considered,” Jim is the author of two books of non-fiction, both related to popular music. “Pet Sounds” is his tribute to Brian Wilson and the Beach Boys’ classic album. It was translated for a Japanese language edition by Haruki Murakami Combining his interests, Jim edited and contributed a chapter to “Crime Plus Music: Twenty Stories of Music-Themed Noir,” published in 2017. His novel for young adults “Marley Z and the Bloodstained Violin” was published by Dutton Juvenile. Jim is married to the former Diane Holuk, a global communications executive. They currently reside just north of New York City. Find out more about them at https://jimfusilli.com/.

Ben Sisario
Author · 1 books

Ben Sisario is an American academic, author and journalist. He is a staff reporter for The New York Times, covering music and culture. Sisario is a contributor to Blender, New York, Rolling Stone, Spin, New York City public-radio station WFUV and The Village Voice's annual Pazz & Jop music critics' poll. He is also a member of the teaching faculty at the Tisch School of the Arts at New York University, instructing courses on Rock Music in Historical Context and Writing for Popular Music.

John Niven
John Niven
Author · 11 books

Born in Irvine, Ayrshire, Niven read English Literature at Glasgow University, graduating in 1991 with First Class honours. For the next ten years, he worked for a variety of record companies, including London Records and Independiente. He left the music industry to write full time in 2002 and published his debut novella Music from Big Pink in 2005 (Continuum Press). The novella was optioned for the screen by CC Films with a script has been written by English playwright Jez Butterworth. Niven's breakthrough novel Kill Your Friends is a satire of the music business, based on his brief career in A&R, during which he passed up the chance to sign Coldplay and Muse. The novel was published by William Heinemann in 2008 and achieved much acclaim, with Word magazine describing it as "possibly the best British Novel since Trainspotting". It has been translated into seven languages and was a bestseller in Britain and Germany. Niven has since published The Amateurs (2009), The Second Coming (2011), Cold Hands (2012) and Straight White Male (2013). He also writes original screenplays with writing partner Nick Ball, the younger brother of British TV presenter Zoë Ball. His journalistic contributions to newspapers and magazines include a monthly column for Q magazine, entitled "London Kills Me". In 2009 Niven wrote a controversial article for The Independent newspaper where he attacked the media's largely complacent coverage of Michael Jackson's death. Niven lives in Buckinghamshire with his fiancée and infant daughter. He has a teenage son from a previous marriage.

548 Market St PMB 65688, San Francisco California 94104-5401 USA
© 2025 Paratext Inc. All rights reserved
33 1/3