Margins
A Bernadette Mayer Reader book cover
A Bernadette Mayer Reader
1992
First Published
4.26
Average Rating
148
Number of Pages
“She writes as if Everything were still possible in the work of a lifetime at the coincidence of all the turvy moments. Better that she’s read without a thought to stop. Best so this world is found changed.” ―Clark Coolidge “What a clear, insistent health there is here––as if the so-called world were seriously the point, which it is, and we could actually live in it, which we do. Truly this is the best How To book I've read in years. Bernadette Mayer makes a various world of real people in real times and places, a fact of love and loving use. She has impeccable insight and humor. She is a consummate poet no matter what’s for supper or who eats it. Would that all genius were as generous.” ―Robert Creeley
Avg Rating
4.26
Number of Ratings
248
5 STARS
52%
4 STARS
27%
3 STARS
17%
2 STARS
4%
1 STARS
0%
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Author

Bernadette Mayer
Bernadette Mayer
Author · 18 books

Bernadette Mayer (born May 12, 1945) is an American poet, writer, and visual artist associated with both the Language poets and the New York School. Mayer's record-keeping and use of stream-of-consciousness narrative are two trademarks of her writing, though she is also known for her work with form and mythology. In addition to the influence of her textual-visual art and journal-keeping, Mayer's poetry is widely acknowledged as some of the first to speak accurately and honestly about the experience of motherhood. Mayer edited the journal 0 TO 9 with Vito Acconci, and, until 1983, United Artists books and magazines with Lewis Warsh. Mayer taught at the New School for Social Research, where she earned her degree in 1967, and, during the 1970s, she led a number of workshops at the Poetry Project at St. Mark's Church in New York. From 1980 to 1984, Mayer served as director of the Poetry Project, and her influence in the contemporary avant-garde is felt widely, with writers like Kathy Acker, Charles Bernstein, John Giorno, and Anne Waldman having sat in on her workshops. (from Wikipedia)

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