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A Cat, a Man, and Two Women book cover
A Cat, a Man, and Two Women
1936
First Published
3.75
Average Rating
128
Number of Pages

“Considering all I’ve sacrificed, is it too much to ask for one little cat in return?” Shinako has been ousted from her marriage by her husband Shozo and his younger lover Fukuko. She’s lost everything: her home, status, and respectability. Yet the only thing she longs for is Lily, the elegant tortoiseshell cat she shared with her husband. As Shinako pleads for Lily’s return, Shozo’s reluctance to part with the cat reveals his true affections, and the lengths he’ll go to hold onto the one he loves most. A small masterpiece, A Cat, a Man, and Two Women is a novel about loneliness, love, and companionship of the most unexpected kind. In this story of Japanese society and manners, Tanizaki gives us a perfectly-formed oddball comedy, and a love triangle in which the only real rival is feline. ‘A tour de force – catnip.’ – New York Times ‘One of the finest pieces of literature concerning cats ever written.’ – Choice ‘Tanizaki is a very brilliant novelist.’ – Haruki Murakami ‘A really great writer . . . Tanizaki has got this warm, ticklishness to his strangeness.’ – David Mitchell ‘The outstanding Japanese novelist of the century.’ – Edmund White, New York Times Book Review ‘Even his lighter-hearted fictions . . . make us hold our breath, and the endings don’t let us quite exhale.’ – John Updike

Avg Rating
3.75
Number of Ratings
5,722
5 STARS
19%
4 STARS
45%
3 STARS
31%
2 STARS
5%
1 STARS
1%
goodreads

Author

Junichiro Tanizaki
Junichiro Tanizaki
Author · 36 books

Jun'ichirō Tanizaki (谷崎 潤一郎) was a Japanese author, and one of the major writers of modern Japanese literature, perhaps the most popular Japanese novelist after Natsume Sōseki. Some of his works present a rather shocking world of sexuality and destructive erotic obsessions; others, less sensational, subtly portray the dynamics of family life in the context of the rapid changes in 20th-century Japanese society. Frequently his stories are narrated in the context of a search for cultural identity in which constructions of "the West" and "Japanese tradition" are juxtaposed. The results are complex, ironic, demure, and provocative.

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