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A Chapter of Hats and Other Stories book cover
A Chapter of Hats and Other Stories
1871
First Published
3.89
Average Rating
37
Number of Pages
Two gentlemen standing outside a church in Rio de Janeiro see a respectable lady emerge - one of them has an unexpected, and to him inexplicable story to tell about her past life as a prostitute; a popular composer of polkas burns the midnight oil in a desperate attempt to create great classical music; a teenager finds himself caught up by the sight of the bare arms of an older woman who lives with his employer; an impoverished, lazy young man turns to the lucrative trade of catching runaway slaves; dull, monotonous Mariana has a tiff with her husband about the hat he wears to town, and decides to sing "the Marseillaise of matrimony" by going off on a trip to town herself with her more daring, flirtatious friend Sophia.These are some of the situations developed in these stories, some of the most brilliant to have been written in the nineteenth century. They echo Poe and Gogol, they anticipate Joyce, they have been compared to contemporary works by Chekhov, Maupassant, and Henry James, yet they are not quite like any of these. Anyone who has read Epitaph of a Small Winner or Dom Casmurro, his most famous novels, will want to savour these stories - those who haven't, will find them a varied and enjoyable introduction to Machado's work.
Avg Rating
3.89
Number of Ratings
111
5 STARS
32%
4 STARS
39%
3 STARS
20%
2 STARS
7%
1 STARS
3%
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Author

Machado de Assis
Machado de Assis
Author · 35 books

Joaquim Maria Machado de Assis, often known as Machado de Assis, Machado, or Bruxo do Cosme Velho, (June 21, 1839, Rio de Janeiro—September 29, 1908, Rio de Janeiro) was a Brazilian novelist, poet, playwright and short story writer. He is widely regarded as the most important writer of Brazilian literature. However, he did not gain widespread popularity outside Brazil in his own lifetime. Machado's works had a great influence on Brazilian literary schools of the late 19th century and 20th century. José Saramago, Carlos Fuentes, Susan Sontag and Harold Bloom are among his admirers and Bloom calls him "the supreme black literary artist to date."

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