A Cosmopolite In A Café (in Coffee Break Collection 001 - Humor ) At midnight the café was crowded. By some chance the little table at which I sat had escaped the eye of incomers, and two vacant chairs at it extended their arms with venal hospitality to the influx of patrons. And then a cosmopolite sat in one of them, and I was glad, for I held a theory that since Adam no true citizen of the world has existed. We hear of them, and we see foreign labels on much luggage, but we find travellers instead of cosmopolites. I invoke your consideration of the scene—the marble-topped tables, the range of leather-upholstered wall seats, the gay company, the ladies dressed in demi-state toilets, speaking in an exquisite visible chorus of taste, economy, opulence or art; the sedulous and largess-loving garçons, the music wisely catering to all with its raids upon the composers; the mélange of talk and laughter—and, if you will, the Würzburger in the tall glass cones that bend to your lips as a ripe cherry sways on its branch to the beak of a robber jay. I was told by a sculptor from Mauch Chunk that the scene was truly Parisian. My cosmopolite was named E. Rushmore Coglan, and he will be heard from next summer at Coney Island. He is to establish a new "attraction" there, he informed me, offering kingly diversion. And then his conversation rang along parallels of latitude and longitude. He took the great, round world in his hand, so to speak, familiarly, contemptuously, and it seemed no larger than the seed of a Maraschino cherry in a table d'hôte grape fruit. He spoke disrespectfully of the equator, he skipped from continent to continent, he derided the zones, he mopped up the high seas with his napkin. With a wave of his hand he would sp
Author
Such volumes as Cabbages and Kings (1904) and The Four Million (1906) collect short stories, noted for their often surprising endings, of American writer William Sydney Porter, who used the pen name O. Henry. His biography shows where he found inspiration for his characters. His era produced their voices and his language. Mother of three-year-old Porter died from tuberculosis. He left school at fifteen years of age and worked for five years in drugstore of his uncle and then for two years at a Texas sheep ranch. In 1884, he went to Austin, where he worked in a real estate office and a church choir and spent four years as a draftsman in the general land office. His wife and firstborn died, but daughter Margaret survived him. He failed to establish a small humorous weekly and afterward worked in poorly-run bank. When its accounts balanced not, people blamed and fired him. In Houston, he worked for a few years until, ordered to stand trial for embezzlement, he fled to New Orleans and thence Honduras. Two years later, he returned on account of illness of his wife. Apprehended, Porter served a few months more than three years in a penitentiary in Columbus, Ohio. During his incarceration, he composed ten short stories, including A Blackjack Bargainer , The Enchanted Kiss , and The Duplicity of Hargraves . In 1899, McClure's published Whistling Dick's Christmas Story and Georgia's Ruling . In Pittsburgh, Pennsylvania, he sent manuscripts to New York editors. In the spring of 1902, Ainslee's Magazine offered him a regular income if he moved to New York. In less than eight years, he became a bestselling author of collections of short stories. Cabbages and Kings came first in 1904 The Four Million, and The Trimmed Lamp and Heart of the West followed in 1907, and The Voice of the City in 1908, Roads of Destiny and Options in 1909, Strictly Business and Whirligigs in 1910 followed. Posthumously published collections include The Gentle Grafter about the swindler, Jeff Peters; Rolling Stones , Waifs and Strays , and in 1936, unsigned stories, followed. People rewarded other persons financially more. A Retrieved Reformation about the safe-cracker Jimmy Valentine got $250; six years later, $500 for dramatic rights, which gave over $100,000 royalties for playwright Paul Armstrong. Many stories have been made into films.
