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A Distant Neighborhood / 遥かな町へ book cover 1
A Distant Neighborhood / 遥かな町へ book cover 2
A Distant Neighborhood / 遥かな町へ
Series · 3 books · 1998-1999

Books in series

A Distant Neighborhood, Vol. 1 book cover
#1

A Distant Neighborhood, Vol. 1

1998

Who hasn't dreamt of going back to childhood? But who has actually made the journey? Hiroshi Nakahara is a forty-something salaryman returning to Tokyo from an intense business trip. He is tired and somewhat hungover as he boards his train at Kyoto's enormous station. He awakens to discover he is traveling back to the town of his upbringing, not Tokyo. Memories of his mother surface and he realizes he has the same age as her when she died. Arriving in Kurayoshi he is drawn through his distant neighborhood to the cemetery and his mother's grave. Here, under a late afternoon moon, he is transported back into his 14 year-old body and life whilst retaining all the character and experience of the adult. Will he change his past or be forever condemned to relive each painful moment? That fateful day his father disappeared without explanation, the death of his mother ... would he ever see his wife and daughters again? Master manga-ka Taniguchi at his most powerful with the art individually reversed to western style by craftsman Fr?d?ric Boilet. Volume 2 due in September.
A Distant Neighborhood 2 book cover
#2

A Distant Neighborhood 2

1999

You can go back ... but should you? Who hasn't thought about reliving their past, correcting perceived mistakes, changing crucial decisions? Would it better your life? Or would your altered actions prove more harmful? In the first volume, one man was given the chance to find out when 48 year old business man Hiroshi Nakahara was suddenly catapulted back to his life as a 14 year-old but with all his adult faculties intact! But what will reliving his past change? As he readjusts to high school life again he is reminded that the fateful day his father disappeared for good is rapidly approaching. Surely this time, knowing it was going to happen, he would be able to prevent it. This closing volume will show you what you can change! Master manga-ka Taniguchi at his most powerful with the art individually reversed to western style by craftsman Frederic Boilet.
Quartier lointain book cover
#1-2

Quartier lointain

1998

Homme mûr de 40 ans, transporté dans la peau de l'adolescent qu'il était à 14 ans, Hiroshi continue la redécouverte de son passé. Questionnant sa grand-mère, ses parents, ses amis, il réalise tout ce qui lui avait échappé lorsqu'il était jeune. Et petit à petit, l'année scolaire avançant, il voit se rapprocher la date fatidique où son père disparaîtra, pour toujours, sans aucune explication. Peut-il changer son passé ou est-il condamné à le revivre, impuissant ? Et retrouvera-t-il son existence normale, sa femme et ses enfants ?

Author

Jirō Taniguchi
Jirō Taniguchi
Author · 36 books

Name (in native language): 谷口 ジロー Zodiac: Leo He began to work as assistant of the late mangaka Kyota Ishikawa. He made his manga debut in 1970 with Kareta Heya (A Desiccated Summer), published in the magazine Young Comic. From 1976 to 1979, he created several hard-boiled comics with the scenarist Natsuo Sekigawa, such as City Without Defense, The Wind of the West is White and Lindo 3. From 1984 to 1991, Tanigushi and Natsuo Sekigawa produced the trilogy Bocchan No Jidai. In the 1990s, he came up with several albums, among which Aruku Hito (歩くひと), Chichi no koyomi (The Almanac of My Father), and Keyaki no ki. In 2001, he created the Icare (Icaro) series on texts by Mœbius. Jirô Taniguchi gained several prizes for his work. Among others, the Osamu Tezuka Culture Award (1998) for the trilogy Bocchan No Jidai, the Shogakukan prize with Inu wo Kau, and in 2003, the Alph'Art of the best scenario at the Angoulême International Comics Festival (France) for Harukana Machi-E. His work has been translated in many languages. Far from the violent storylines often associated with the manga, Taniguchi has developed a very personal style, more adult. Along with other writers, like Tsukasa Hōjō, his comics focus more on the Japanese society and culture, with a subtle analysis of its customs and habits.

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