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A Genealogy of Modern Architecture book cover
A Genealogy of Modern Architecture
Comparative Critical Analysis of Built Form
2013
First Published
4.40
Average Rating
320
Number of Pages
A Genealogy of Modern Architecture is a reference work on modern architecture by Kenneth Frampton, one of today’s leading architectural theorists. Conceived as a genealogy of 20th-century architecture from 1924 to 2000, it compiles some 16 comparative analyses of canonical modern buildings ranging from exhibition pavilions and private houses to office buildings and various kinds of public institutions. The buildings are compared in terms of their hierarchical spatial order, circulation structure and referential details. The analyses are organized so as to show what is similar and different between two paired types, thus revealing how modern tradition has been diversely inflected. Richly illustrated, A Genealogy of Modern Architecture is a new standard work in architectural education.
Avg Rating
4.40
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Author

Kenneth Frampton
Kenneth Frampton
Author · 10 books

Kenneth Frampton is a British architect, critic, historian and the Ware Professor of Architecture at the Graduate School of Architecture, Planning, and Preservation at Columbia University, New York. Frampton studied architecture at Guildford School of Art and the Architectural Association School of Architecture, London. Subsequently he worked in Israel, with Middlesex County Council and Douglas Stephen and Partners (1961–66), during which time he was also a visiting tutor at the Royal College of Art (1961–64), tutor at the Architectural Association (1961–63) and Technical Editor of the journal Architectural Design (AD) (1962–65). Frampton has also taught at Princeton University (1966–71) and the Bartlett School of Architecture, London, (1980). He has been a member of the faculty at Columbia University since 1972, and that same year he became a fellow of the Institute for Architecture and Urban Studies in New York — (whose members also included Peter Eisenman, Manfredo Tafuri and Rem Koolhaas) — and a co-founding editor of its magazine Oppositions. Frampton is a permanent resident of the USA. Frampton is well known for his writing on twentieth-century architecture. His books include Modern Architecture: A Critical History (1980; revised 1985, 1992 and 2007) and Studies in Tectonic Culture (1995). Frampton achieved great prominence (and influence) in architectural education with his essay "Towards a Critical Regionalism" (1983) — though the term had already been coined by Alexander Tzonis and Liliane Lefaivre. Also, Frampton's essay was included in a book The Anti-Aesthetic. Essays on Postmodern Culture, edited by Hal Foster, though Frampton is critical of postmodernism. Frampton's own position attempts to defend a version of modernism that looks to either critical regionalism or a 'momentary' understanding of the autonomy of architectural practice in terms of its own concerns with form and tectonics which cannot be reduced to economics (whilst conversely retaining a Leftist viewpoint regarding the social responsibility of architecture). In 2002 a collection of Frampton's writings over a period of 35 years was collated and published under the title Labour, Work and Architecture.

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