
Haunting new stories about girls on the brink of adulthood, women on the verge of breakdowns, and families undone by past deceptions. "Kate Braverman is a writer of astonishing versatility and lyricism. Her stories are brilliantly rendered, painfully intimate portraits of individuals who come alive on the page as if illuminated by strobe lighting. With remarkable precision she tracks the restless motions of a mind searching for its reflection in the world—a continuous interrogation of the self that sweeps us along with it, as in a mysterious adventure." —Joyce Carol Oates "If fame did not find Braverman when the moment was right, perhaps it will make amends now that the moment is wrong... Braverman excels at flooding readers in images that throb with menace or pleasure, as if descriptive language were a vein into which our most primal fears and desires could be injected." —Katy Waldman, The New Yorker "The book feels timeless, think Transparent, sans the trans . . . Kate Braverman, an underground literary icon through decades of razor-sharp writing, returns with a gorgeously observed collection of stories about contemporary Jewish identity. It's profound, realistic, and funny in equal measure."— David Canfield, Entertainment Weekly "Braverman daringly, ravishingly, and resoundingly dramatizes the profound consequences of delusions, lies, ignorance, anger, cruelty, poverty, disappointment, conformity, inebriation, and violence with high imagination, sensual precision, cutting humor, and bracing insight."— Donna Seaman, Booklist *Starred review "Braverman writes forthright but beautiful sentences. Her details are so vivid that they feel like memories . . . " — Publishers Weekly, *Starred/Boxed review "Kate Braverman is an original. Reading her is like hitching a ride on a runaway train, always dangerous, always thrilling, always a knockout. Seppuku is all that and more." —Frederick Barthelme, author of There Must Be Some Mistake "Braverman is the godmother of literary bad girls and a connoisseur of the shattered beauty glittering in the wreckage of her characters' lives. A Good Day for Seppuku celebrates the Braverman vision, and frames her legacy." — Janet Fitch, author of The Revolution of Marina M. A thirteen-year-old girl must choose between her mother in Beverly Hills or her pot-growing father in the Allegheny Mountains. Dr. Bernie Roth and his wife Chloe reside in a grand hacienda in La Jolla. Their children are in college, and their disappointments are profound. But Bernie has his doctor's bag of elixirs for the regrets of late middle age. Mrs. Barbara Stein, a high school teacher, looks like she'd sacrifice her life for Emily Dickinson's honor. That's camouflage. Mrs. Stein actually spends summers in the Sisyphean search for her prostitute daughter in Los Angeles. These are some of the tales told in Kate Braverman's audacious new story collection. These furious and often hilarious tableaus of American family life remind us of why she has been seducing readers ever since her debut novel Lithium for Medea shook the literary world nearly forty years ago.
Author

Kate Braverman (born 1950) was an American novelist, short story writer, and poet, originally from Los Angeles, California, who has garnered great acclaim for works including the novels Lithium for Medea (1979), Palm Latitudes (1988), Wonders of the West (1993), and The Incantation of Frida K (2001). Her most significant work has been in stylistic hybrid forms built upon poems and rendered as short stories. She has published two books of short stories, "Squandering the Blue" (1990) and "Small Craft Warnings" (1997). She has also published four books of poetry. She has won three Best American Short Stories awards, an O. Henry Award, Carver Short Story Award, as well as the Economist Prize and an Isherwood Fellowship. She was also the first recipient of Graywolf Press Creative Nonfiction Award for Frantic Transmissions to and from Los Angeles: An Accidental Memoir, published February 2006. Braverman has a BA in Anthropology from UC Berkeley and an MA in English from Sonoma State University. She was a founding member of the Venice Poetry Workshop, Professor of Creative Writing at CSULA, staff faculty of the UCLA Writer's Program and taught privately a workshop which included Janet Fitch, Cristina Garcia and Donald Rawley. She lived in San Francisco.