
A Guide to Chinese Literature, Volume 74
1987
First Published
3.72
Average Rating
394
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For at least three thousand years, literature has played a central role in Chinese culture. Even in the most recent times, literary works and their authors have stood in the spotlight of social and political debates that affected the lives of millions. This great respect for literature, together with China's long history of writing and printing techniques, has resulted in a vast body of writings from past eras, while present-day literary production is so extensive that even the specialist can hardly keep abreast. A Guide to Chinese Literature provides a broad sketch of this vast terrain. The book is organized into six parts. The first part provides general readers and students of Chinese culture an overview of six crucial features of Chinese literature from beginnings to the early twentieth century. The remaining five parts present a concise overview of the literature itself, arranged into chronological beginnings to 100 CE; 100-1000; 1000-1875; 1875-1915; and 1915 to the present. The development of the major literary genres is traced in each of these periods. The hardcover edition concludes with an annotated bibliography of more than 120 pages covering the most relevant studies and translations in English, French, German, and Dutch. The paper edition has a shorter bibliography and is intended for classroom use.
Avg Rating
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Author
Wilt L. Idema
Author · 3 books
Wilt L. Idema obtained his BA and MA from Leiden University. Following continued study in Sapporo (at Hokkaido University) and in Kyoto (at Kyoto University), and research in Hong Kong (at the Universities Service Center), he returned to Leiden, where he taught in the Department of Chinese Language and Culture. He obtained his doctorate in 1974, and was promoted to Professor of Chinese Literature and Linguistics in 1976. Since 2000, he has been teaching at Harvard as Professor of Chinese Literature. Wilt Idema's research initially was focused on the early development of Chinese vernacular fiction (Chinese Vernacular Fiction: The Formative Period, 1974), but later shifted more towards early Chinese drama (Chinese Theater 1100-1450, A Source Book, with Stephen West; 1982; The Dramatic Oeuvre of Chu Yu-tun (1379-1439), 1985; Wang Shifu, The Moon and the Zither: The Story of the Western Wing, with Stephen H. West, 1992). In recent years he also has published on Chinese women's literature of the premodern period (The Red Brush: Writing Women of Imperial China, with Beata Grant, 2004). His current research is focused on China's rich tradition of popular narrative ballads. He is also the author, with Lloyd Haft, of A Guide to Chinese Literature (1997). For his voluminous Dutch-language translations, especially of classical Chinese poetry, he received the Martinus Nijhof Award for 1991, the highest distinction for literary translations in the Netherlands.