Part of Series
Curator Chloe Ellefson is happily planning to spotlight home-front challenges and German immigrants at Old World Wisconsin's first Civil War reenactment, but her overbearing boss scorns her ideas and proposes staging a mock battle instead. And when a reenactor is found dead at one of the historic site's German farms, Chloe's boyfriend, cop Roelke McKenna, suspects murder. The more Roelke learns about reenacting, the more he fears that a killer will join the ranks. Then Chloe discovers a disturbing secret about Roelke's Civil War-era ancestors. Together they struggle to solve crimes past and present . . . before Chloe loses her job and another reenactor loses his life. Praise: "Veteran Ernst provides a new perspective on the Civil War woven together with a compelling mystery." —Kirkus Reviews "Extremely well-written."—Suspense Magazine "Kathleen Ernst knows how to spin a tale, weave an intricate plot, and hide clues in the embroidery. A Memory of Muskets takes two stories separated by more than a century and knits them together into one thoroughly satisfying read."—Kathy Lynn Emerson, Agatha Award-winning author of How to Write Killer Historical Mysteries, Murder in the Merchant's Hall, and other historical mysteries
Author
I grew up in Maryland, in a house full of books! Both of my parents were avid readers, thank goodness. Before we traveled to a new area, my librarian-mom used to bring home historical novels set in that place. It was a great way to get excited about history. I began writing stories when I was maybe 10 or 11. At 15 I wrote my first novel; I sold my first novel to a publisher 20 years later! Writing was my hobby, so during those two decades I just kept practicing, reading, writing some more. What a thrill to finally hold my first book in my hand! Still, I write because I enjoy the process (at least most of the time). For years I wrote while working at other day jobs. I spent 12 years working at a huge historic site, which was a perfect spot for someone interested in historical fiction. I also developed and scripted instructional videos for public television. Finally, though, it got to be too much to juggle. I now write full-time, and consider myself enormously fortunate to do something I love.
