Louisa May Alcott's enchanting Christmas stories, presented in a beautiful hardcover edition perfect for giving as a gift. A Merry Christmas collects the best holiday stories of Louisa May Alcott, from the yuletide festivities of Marmee and her 'little women' to the moving 'What Love Can Do'. Deeply influenced by real-life events, including characters based on Alcott's family members and drawing from her experiences participating in the suffrage and abolitionist movements, these stories have the authentic texture and detail of Christmas in nineteenth-century America. Louisa May Alcott was born in Germantown, Pennsylvania, in 1832. Her family later moved to Concord, Massachusetts, where Alcott was influenced by their neighbours Nathaniel Hawthorne, Ralph Waldo Emerson, and Henry David Thoreau. At a young age, Louisa took on some of the family's financial burdens, working as a domestic, a teacher, and a writer. In 1868 and 1869, fame and fortune came with the publication of Little Women. The author of many novels and an active campaigner for temperance and women's suffrage, Alcott died in 1888.
Author
People best know American writer Louisa May Alcott for Little Women (1868), her largely autobiographical novel. As A.M. Barnard: Behind a Mask, or a Woman's Power (1866) The Abbot's Ghost, or Maurice Treherne's Temptation (1867) A Long Fatal Love Chase (1866 – first published 1995) First published anonymously: A Modern Mephistopheles (1877) Philosopher-teacher Amos Bronson Alcott, educated his four daughters, Anna, Louisa, Elizabeth and May and Abigail May, wife of Amos, reared them on her practical Christianity. Louisa spent her childhood in Boston and Concord, Massachusetts, where visits to library of Ralph Waldo Emerson, excursions into nature with Henry David Thoreau, and theatricals in the barn at Hillside (now "Wayside") of Nathaniel Hawthorne enlightened her days. Like Jo March, her character in Little Women, young Louisa, a tomboy, claimed: "No boy could be my friend till I had beaten him in a race, ... and no girl if she refused to climb trees, leap fences...." Louisa wrote early with a passion. She and her sisters often acted out her melodramatic stories of her rich imagination for friends. Louisa preferred to play the "lurid" parts in these plays, "the villains, ghosts, bandits, and disdainful queens." At 15 years of age in 1847, the poverty that plagued her family troubled her, who vowed: "I will do something by and by. Don’t care what, teach, sew, act, write, anything to help the family; and I’ll be rich and famous and happy before I die, see if I won’t!" Confronting a society that offered little opportunity to women, seeking employment, Louisa determined "...I will make a battering-ram of my head and make my way through this rough and tumble world." Whether as a teacher, seamstress, governess, or household servant, Louisa ably found work for many years. Career of Louisa as an author began with poetry and short stories in popular magazines. In 1854, people published Flower Fables, her first book, at 22 years of age. From her post as a nurse in Washington, District of Columbia, during the Civil War, she wrote home letters that based Hospital Sketches (1863), a milestone along her literary path. Thomas Niles, a publisher in Boston, asked 35-year-old Louisa in 1867 to write "a book for girls." She wrote Little Women at Orchard House from May to July 1868. Louisa and her sisters came of age in the novel, set in New England during Civil War. From her own individuality, Jo March, the first such American juvenile heroine, acted as a living, breathing person rather than the idealized stereotype that then prevailed in fiction of children. Louisa published more than thirty books and collections of stories. Only two days after her father predeceased her, she died, and survivors buried her body in Sleepy Hollow cemetery in Concord.
