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A Post-May Adolescence book cover
A Post-May Adolescence
Letter to Alice Debord
2005
First Published
3.71
Average Rating
100
Number of Pages
Olivier Assayas is best known as a filmmaker, yet cinema makes only a late appearance in this volume. A Post-May Adolescence is an account of a personal formation, an initiation into an individual vision of the world. It is, equally, a record of youthful struggle. Assayas' reflective memoir takes the reader from the massive cultural upheaval of France in May 1968 to the mid-1990s, when the artist made his first autobiographical film about his teenage years, L'Eau froide . The movement of thought and creation known as Situationism is the golden thread that connects and, in part, inspires his memoir. This book also includes two essays by Assayas on the aesthetic and political legacy of Guy Debord, who played a decisive role in shaping the author's understanding of the world and his path towards an extremely personal way of making films. A Post-May Adolescence was first published in French in 2005. Its expanded English edition makes a valuable companion to the first English-language monograph on Assayas' body of work, Olivier Assayas, edited by Kent Jones, also published by the Austrian Film Museum.
Avg Rating
3.71
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4 STARS
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3 STARS
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1 STARS
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Author

Olivier Assayas
Olivier Assayas
Author · 2 books

Olivier Assayas, the son of respected French director/screenwriter Jacques Remy, was born in Paris, France. Growing up around film studios, he developed an early interest in filmmaking, but instead opted to study literature and painting. When his father became ill, Assayas helped him, first as a secretary, then ghostwriting several scripts for the TV series Maigret. In 1985, Assayas began screenwriting. He collaborated with André Téchiné on the scripts for Rendezvous (1985) and Scene of the Crime (1986). In 1986, Assayas directed his first feature, the stylized teen psychodrama Désordre (1986), which won the Critics Prize at the Venice Film Festival. He came to the attention of North American film audiences with his third film, Paris S'Eveille (1991), which screened at the Film Society of Lincoln Center in New York and won the Prix Jean Vigo at the festival of the same name.

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