A Sea of Troubles

By P.G. Wodehouse

2009

First Published

3.54

Average Rating

Number of Pages

0H36M

Audio Length

an excerpt from the Mr. Meggs' mind was made up. He was going to commit suicide. There had been moments, in the interval which had elapsed between the first inception of the idea and his present state of fixed determination, when he had wavered. In these moments he had debated, with Hamlet, the question whether it was nobler in the mind to suffer, or to take arms against a sea of troubles and by opposing end them. But all that was over now. He was resolved. Mr. Meggs' point, the main plank, as it were, in his suicidal platform, was that with him it was beside the question whether or not it was nobler to suffer in the mind. The mind hardly entered into it at all. What he had to decide was whether it was worth while putting up any longer with the perfectly infernal pain in his stomach. For Mr. Meggs was a martyr to indigestion. As he was also devoted to the pleasures of the table, life had become for him one long battle, in which, whatever happened, he always got the worst of it. He was sick of it. He looked back down the vista of the years, and found therein no hope for the future. One after the other all the patent medicines in creation had failed him. Smith's Supreme Digestive Pellets—he had given them a more than fair trial. Blenkinsop's Liquid Life-Giver—he had drunk enough of it to float a ship. Perkins' Premier Pain-Preventer, strongly recommended by the sword-swallowing lady at Barnum and Bailey's—he had wallowed in it. And so on down the list. His interior organism had simply sneered at the lot of them. 'Death, where is thy sting?' thought Mr. Meggs, and forthwith began to make his preparations. Those who have studied the matter say that the tendency to commit suicide is greatest among those who have passed their fifty-fifth year, and that the rate is twice as great for unoccupied males as for occupied males. Unhappy Mr. Meggs, accordingly, got it, so to speak, with both barrels. He was fifty-six, and he was perhaps the most unoccupied adult to be found in the length and breadth of the United Kingdom. He toiled not, neither did he spin. Twenty years before, an unexpected legacy had placed him in a position to indulge a natural taste for idleness to the utmost. He was at that time, as regards his professional life, a clerk in a rather obscure shipping firm. Out of office hours he had a mild fondness for letters, which took the form of meaning to read right through the hundred best books one day, but actually contenting himself with the daily paper and an occasional magazine. Such was Mr. Meggs at thirty-six. The necessity for working for a living and a salary too small to permit of self-indulgence among the more expensive and deleterious dishes on the bill of fare had up to that time kept his digestion within reasonable bounds. Sometimes he had twinges; more often he had none.

Avg Rating

3.54

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4 STARS

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3 STARS

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Author

P.G. Wodehouse

Author · 205 books

Sir Pelham Grenville Wodehouse, KBE, was a comic writer who enjoyed enormous popular success during a career of more than seventy years and continues to be widely read over 40 years after his death. Despite the political and social upheavals that occurred during his life, much of which was spent in France and the United States, Wodehouse's main canvas remained that of prewar English upper-class society, reflecting his birth, education, and youthful writing career. An acknowledged master of English prose, Wodehouse has been admired both by contemporaries such as Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by more recent writers such as Douglas Adams, Salman Rushdie and Terry Pratchett. Sean O'Casey famously called him "English literature's performing flea", a description that Wodehouse used as the title of a collection of his letters to a friend, Bill Townend. Best known today for the Jeeves and Blandings Castle novels and short stories, Wodehouse was also a talented playwright and lyricist who was part author and writer of fifteen plays and of 250 lyrics for some thirty musical comedies. He worked with Cole Porter on the musical Anything Goes (1934) and frequently collaborated with Jerome Kern and Guy Bolton. He wrote the lyrics for the hit song Bill in Kern's Show Boat (1927), wrote the lyrics for the Gershwin/Romberg musical Rosalie (1928), and collaborated with Rudolf Friml on a musical version of The Three Musketeers (1928).