Part of Series
There Is More Than One History Of The World... In the mid-fifteenth century there was Burgundy, the jewel of Europe - opulant and powerful, the undisputed center of an uncivilized world. In an epoch of war and madness there was Ash. A girl born in mud and dung, she slew her first men while only eight. Scarred and ravaged, but still beautiful, she rose up to lead a great mercenary army before the age of twenty - and followed a sacred voice wise in the bloody ways of battle to a pinnacle unattainable to even the most potent of legends. In a time when empires and alliances shifted like sand - when Mithras the bull was worshiped freely alongside the Christ - a great cloud arose out of Africa to darken the sun. The Visgoths came with their terrible machines - powered by magic or a science unknown to this day - and aimed their irresistible might toward the rich Burgundian prize, wrenching the wheel of civilization in an unknown and unexpected direction. And with their coming, one incomparable warrior raised on Destiny's ash heap became more than anyone thought one woman could be.
Author
This author also writes under the pseudonym of Roxanne Morgan Excerpted from Wikipedia: Mary Gentle's first published novel was Hawk in Silver (1977), a young-adult fantasy. She came to prominence with the Orthe duology, which consists of Golden Witchbreed (1983) and Ancient Light (1987). The novels Rats and Gargoyles (1990), The Architecture of Desire (1991), and Left to His Own Devices (1994), together with several short stories, form a loosely linked series (collected in White Crow in 2003). As with Michael Moorcock's series about his anti-heroic Jerry Cornelius, Gentle's sequence retains some basic facts about her two protagonists Valentine (also known as the White Crow) and Casaubon while changing much else about them, including what world they inhabit. Several take place in an alternate-history version of 17th century and later England, where a form of Renaissance Hermetic magic has taken over the role of science. Another, Left To His Own Devices, takes place in a cyberpunk-tinged version of our own near future. The sequence is informed by historically existing ideas about esotericism and alchemy and is rife with obscure allusions to real history and literature. Grunts! (1992) is a grand guignol parody of mass-market high fantasy novels, with orcs as heroes, murderous halflings, and racist elves.
