
Part of Series
A continuation of the popular Very Christmas Series, this collection brings together the best French Christmas stories of all time in an elegant and vibrant collection, featuring classics by Guy de Maupassant and Alphonse Daudet, plus stories by the esteemed 20th-century author Irène Némirovsky and contemporary writers Dominique Fabre and Jean-Philippe Blondel. With a holiday spirit conveyed through sparkling Paris streets, opulent feasts, wandering orphans, kindly monks, homesick soldiers, oysters, crayfish, ham, bonbons, flickering desire, and more than a little wine, this collection encapsulates the holiday spirit. This is Christmas à la française - delicious, intense, and unexpected, proving that nobody does Christmas like the French.
Authors

Awarded the Nobel Prize in Literature in 1921 "in recognition of his brilliant literary achievements, characterized as they are by a nobility of style, a profound human sympathy, grace, and a true Gallic temperament." Anatole France began his career as a poet and a journalist. In 1869, Le Parnasse Contemporain published one of his poems, La Part de Madeleine. In 1875, he sat on the committee which was in charge of the third Parnasse Contemporain compilation. He moved Paul Verlaine and Mallarmé aside of this Parnasse. As a journalist, from 1867, he wrote a lot of articles and notices. He became famous with the novel Le Crime de Sylvestre Bonnard (1881). Its protagonist, skeptical old scholar Sylvester Bonnard, embodied France's own personality. The novel was praised for its elegant prose and won him a prize from the French Academy. In La Rotisserie de la Reine Pedauque (1893) Anatole France ridiculed belief in the occult; and in Les Opinions de Jerome Coignard (1893), France captured the atmosphere of the fin de siècle. He was elected to the Académie française in 1896. France took an important part in the Dreyfus Affair. He signed Emile Zola's manifesto supporting Dreyfus, a Jewish army officer who had been falsely convicted of espionage. France wrote about the affair in his 1901 novel Monsieur Bergeret. France's later works include L'Île des Pingouins (1908) which satirizes human nature by depicting the transformation of penguins into humans - after the animals have been baptized in error by the nearsighted Abbot Mael. La Revolte des Anges (1914) is often considered France's most profound novel. It tells the story of Arcade, the guardian angel of Maurice d'Esparvieu. Arcade falls in love, joins the revolutionary movement of angels, and towards the end realizes that the overthrow of God is meaningless unless "in ourselves and in ourselves alone we attack and destroy Ialdabaoth." He was awarded the Nobel Prize in 1921. He died in 1924 and is buried in the Neuilly-sur-Seine community cemetery near Paris. In 1922, France's entire works were put on the Index Librorum Prohibitorum (Prohibited Books Index) of the Roman Catholic Church.[2:] This Index was abolished in 1966.


After Napoleon III seized power in 1851, French writer Victor Marie Hugo went into exile and in 1870 returned to France; his novels include The Hunchback of Notre Dame (1831) and Les Misérables (1862). This poet, playwright, novelist, dramatist, essayist, visual artist, statesman, and perhaps the most influential, important exponent of the Romantic movement in France, campaigned for human rights. People in France regard him as one of greatest poets of that country and know him better abroad.

Jean-Philippe Blondel was born in Troyes, France, in 1964. His mother was a schoolteacher and his father worked for the National Railways. Jean-Philippe still lives in Troyes today after attending university in Paris and travelling around the world, including South and Central America, Nepal, India, and most of Europe. Writing has always been Jean-Philippe’s way of expressing himself. He started writing poems when he was seven, then moved on to short stories as a teen. He wrote his first novel when he was 19. One book that had a profound effect on him as a child was Alice in Wonderland: he tended to identify with the White Rabbit… Jean-Philippe’s favorite subjects at school were languages: French, English, and Spanish. He remembers telling his parents, at the age of 12, that he wanted to be an English teacher, which he’s been for the last 20 years in a high school. Since no one in his family was particularly interested in literature, Jean-Philippe often wonders how reading and writing took on so much importance in his life—and at such an early age. However, books became his life-support when, at the age of 17, he lost his mother and brother in a car crash, and his father in another crash four years later. His novels—for adults, young adults, or teenagers—are always based on everyday life. He writes in the first person because he wants readers to identify closely with the narrator, whom he tries to portray as the person next door. His novella, A Place to Live (2010), takes place in a high school. It is a very special text for him and reading it aloud always evokes strong emotions. He dedicated it to a class which he taught for three years: he had so enjoyed watching his students grow up and evolve that he wanted to offer them something special when they graduated. He read it to them during their last period together, and even now, several years later, thinking about the moment moves him deeply. Jean-Philippe writes with the earplugs of his MP3 player in. He carefully selects one song before writing, and it becomes the original soundtrack of the novel. He listens to it over and over, sometimes forgetting everything else, including where he is and what he’s doing there. It gives him the opportunity to live two lives at the same time—a fictitious one (because he so identifies with his narrators) and a real-life one. In the latter, he is married to a primary school teacher and has two daughters, aged 8 and 11. His favorite activities are teaching, writing, reading, and rock music. He is working on his eighth novel for adults, which also explores the boundaries between teenagers and “so-called” grown-ups.
