Advance Agent

By Christopher Anvil, Virgil Finlay

2016

First Published

3.65

Average Rating

Number of Pages

1H27M

Audio Length

Raveling Porcy's systematized enigma, Dan found himself with a spy's worst break—he was saddled with the guise of a famed man! A masterful science fiction tale told by one of the greats, Christopher Anvil!

Avg Rating

3.65

Number of Ratings

5 STARS

25%

4 STARS

30%

3 STARS

35%

2 STARS

1 STARS

goodreads

Authors

Christopher Anvil

Author · 10 books

Christopher Anvil was a pseudonym used by author Harry C. Crosby. He began publishing science fiction with the story "Cinderella, Inc." in the December 1952 issue of the science fiction magazine Imagination. By 1956, he had adopted his pseudonym and was being published in Astounding Magazine. Anvil's repeated appearances in Astounding/Analog were due in part to his ability to write to one of Campbell's preferred plots: alien opponents with superior firepower losing out to the superior intelligence or indomitable will of humans. A second factor is his stories are nearly always humorous throughout. Another was his characterization and manner of story crafting, where his protagonists slid from disaster to disaster with the best of intentions, and through exercise of fast thinking, managed to snatch victory somehow from the jaws of defeat.

Virgil Finlay

Author · 3 books

An American pulp fantasy, science fiction and horror illustrator. While he worked in a range of media, from gouache to oils, Finlay specialized in, and became famous for, detailed pen-and-ink drawings accomplished with abundant stippling, cross-hatching, and scratchboard techniques. Despite the very labor-intensive and time-consuming nature of his specialty, Finlay created more than 2600 works of graphic art in his 35-year career. His father, woodworker Warden Hugh Finlay, died at age 40 in the midst of the Great Depression, leaving his family (widow Ruth and two children, Jean and Virgil) in straitened circumstances. By his high school years, Virgil Finlay exercised his passions for art and poetry, and discovered his lifelong subject matter through the pulp magazines of the era—science fiction, via Amazing Stories (1927), and fantasy and horror, via Weird Tales (1928), beginning to exhibit at the age of 16. By age 21 he was confident enough in his art to send six pieces, unsolicited, to editor Farnsworth Wright at Weird Tales. Once Wright determined that such detailed work would transfer successfully to relatively rough paper the magazine used (they were called "pulps" for a reason), he began buying Finlay's work. Finlay's illustrations debuted in the December 1935 issue of WT, and appeared in a total of 62 issues of the magazine, down to the last issue of the classic pulp in Sept. 1954. He also executed 19 color covers for WT, for issues from Feb. 1937 to March 1953.