"Musodza knows the value of creating a cyclical story, but he also understands that themes and time can be cyclical, too. ...The malaise of the past becomes the terror of the present, and good men easily become bad when the situation demands. Musodza's skill is to foster empathy within the reader for Stanley, but also for the hitchhiker, and then to demolish the feelings for both. In the end, there are no winners, and yesterday's dog is tomorrow's master. And of course he wants his own dog, too." - Damian Kelleher, 2010 “‘When the Trees Were Enchanted’ by Masimba Musodza is, by any measure, an extraordinarily fine work of fiction.- Wendy Bousfield, FutureFires.net, 2016 Masimba Musodza’s characters live in a morally gray world where the debate about whether the ends justify the means rages on. Lots of little details that, upon a second or third reading, take on a deeper significance.- Alex Brown, Must-Read Speculative Short Fiction for October 2021, Tor.com Masimba was born in Zimbabwe, but has lived much of his adult life in the UK, settling in the North East England town of Middlesbrough. He has published over 40 pieces of short fiction, mostly on the Speculative Fiction genre spectrum, in anthologies and periodicals around the world and online. He has also published two novels and a novella in ChiShona, and a collection of short stories in English. He was listed in Geoff Ryman's 100 African Writers Of Speculative Fiction He has become a regular at the Festival of the Battle For Ideas, held annually in London. He contributes to Sticks & Stones, the premier Black British magazine in the North East of England.

T. L. Huchu (he/him) has been published previously (as Tendai Huchu ) in the adult market, but the Edinburgh Nights series is his genre fiction debut. His previous books (The Hairdresser of Harare and The Maestro, The Magistrate and the Mathematician) have been translated into multiple languages and his short fiction has won awards. Tendai grew up in Zimbabwe but has lived in Edinburgh for most of his adult life.

Dilman Dila is a Ugandan writer and film maker. In 2014, he was longlisted for the BBC Radio Playwriting Competition, and in 2013, he was shortlisted for the prestigious Commonwealth Short Story Prize and long listed for the Short Story Day Africa prize. He was nominated for the 2008 Million Writers Awards for his short story, Homecoming. He first appeared in print in The Sunday Vision in 2001. His works have since featured in several literary magazines and anthologies. His most recent works include the sci-fi, Lights on Water, published in The Short Anthology, the novelette, The Terminal Move, and the romance novella, Cranes Crest at Sunset, which are available on Amazon. His films include the masterpiece, What Happened in Room 13 (2007), and the narrative feature, The Felistas Fable (2013), which was nominated for Best First Feature at AMAA 2014. More of his life and works is available at his website http://www.dilmandila.com.

Mandisi is a South African writer, drummer, composer, and producer. He currently resides in Cape Town, South Africa. His fiction has been published in the likes of Afrosf: Science Fiction by African Writers, and Omenana. His poetry has been published in #The Coinage Book One, and his academic work has been published in The Thinker. He is also a member of the African Speculative Fiction Society. For updates and information on Mandisi’s writing and musical endeavours, follow him on Twitter, Instagram, or Facebook. He also runs a blog under his alias, The Dark Cow. Twitter: @mandisinkomo Instagram: @mandisithepolymath Facebook: @darkcowproductions The Dark Cow Blog: https://thedarkcow.com/

Stephen was born in KwaZulu-Natal, South Africa and is now a resident in Oxford, United Kingdom, since being the 2022 James Currey Fellow at the African Studies Centre, Oxford University. His background is Graphic Design, Creative Direction and Film. His first short story was published in 2015 in the "Imagine Africa 500" speculative fiction anthology, followed by more in the “Beneath This Skin” 2016 Edition of Aké Review, “The Short Story is Dead, Long Live the Short Story! Vol.2”, the debut edition of Enkare Review 2017, The Bloody Parchment, AfroSFv3, The Kalahari Review, Burning House Press, Omenana Magazine, and The Shallow Tales Review. He was featured in Part 11 of the 100 African Writers of SFF on Strange Horizons. His debut speculative fiction novel, Soul Searching, was published in the UK and US in August/September 2020. He is a charter member of the African Speculative Fiction Society and its Nommo Awards initiative. His then unpublished YA fantasy novel, Bones & Runes, was a top 5 finalist in the 2021 inaugural James Currey Prize for African Literature, and was published in the UK in February 2022. Awarded the James Currey Fellowship at African Studies Centre, Oxford University 2022. His essay "There is Magic in African Literature" (and cover feature) was published in the University of Oxford, African Studies Centre 2022 Newsletter. Stephen is the editor of The James Currey Anthology 2022, featuring short fiction and non-fiction with contributors hailing from Botswana to Nigeria, Ghana to South Africa – writing from the Continent or in the diaspora.