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After the Beautiful book cover
After the Beautiful
Hegel and the Philosophy of Pictorial Modernism
2013
First Published
3.91
Average Rating
176
Number of Pages

In his Berlin lectures on fine art, Hegel argued that art involves a unique form of aesthetic intelligibility—the expression of a distinct collective self-understanding that develops through historical time. Hegel’s approach to art has been influential in a number of different contexts, but in a twist of historical irony Hegel would die just before the most radical artistic revolution in modernism. In After the Beautiful, Robert B. Pippin, looking at modernist paintings by artists such as Édouard Manet and Paul Cézanne through Hegel’s lens, does what Hegel never had the chance to do. While Hegel could never engage modernist painting, he did have an understanding of modernity, and in it, art—he famously asserted—was “a thing of the past,” no longer an important vehicle of self-understanding and no longer an indispensable expression of human meaning. Pippin offers a sophisticated exploration of Hegel’s position and its implications. He also shows that had Hegel known how the social institutions of his day would ultimately fail to achieve his own version of genuine equality, a mutuality of recognition, he would have had to explore a different, new role for art in modernity. After laying this groundwork, Pippin goes on to illuminate the dimensions of Hegel’s aesthetic approach in the path-breaking works of Manet, the “grandfather of modernism,” drawing on art historians T. J. Clark and Michael Fried to do so. He concludes with a look at Cézanne, the “father of modernism,” this time as his works illuminate the relationship between Hegel and the philosopher who would challenge Hegel’s account of both modernity and art—Martin Heidegger. Elegantly inter-weaving philosophy and art history, After the Beautiful is a stunning reassessment of the modernist project. It gets at the core of the significance of modernism itself and what it means in general for art to have a history. Ultimately, it is a testament, via Hegel, to the distinctive philosophical achievements of modernist art in the unsettled, tumultuous era we have inherited.

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Author

Robert B. Pippin
Robert B. Pippin
Author · 13 books
Robert B. Pippin is the Evelyn Stefansson Nef Distinguished Service Professor in the Committee on Social Thought, the Department of Philosophy, and the College at the University of Chicago. He is the author of several books and articles on German idealism and later German philosophy, including Kant's Theory of Form; Hegel's Idealism: The Satisfactions of Self-Consciousness; Modernism as a Philosophical Problem; and Idealism as Modernism: Hegelian Variations. In addition he has published on issues in political philosophy, theories of self-consciousness, the nature of conceptual change, and the problem of freedom. He also wrote a book about literature and philosophy: Henry James and Modern Moral Life. A collection of his essays in German, Die Verwirklichung der Freiheit, appeared in 2005, as did The Persistence of Subjectivity: On the Kantian Aftermath, and his book on Nietzsche, Nietzsche, moraliste français: La conception nietzschéenne d'une psychologie philosophique, appeared in 2006. Fatalism in American Film Noir: Some Cinematic Philosophy appeared in 2012. He was twice an Alexander von Humboldt fellow, is a winner of the Mellon Distinguished Achievement Award in the Humanities, and was recently a fellow at the Wissenschaftskolleg zu Berlin. He is a fellow of the American Academy of Arts and Sciences and is a member of the American Philosophical Society. He is also a member of the German National Academy of Arts and Sciences.
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