Margins
Against the Clock book cover
Against the Clock
2012
First Published
3.17
Average Rating
26
Number of Pages
My family are a great anxiety to me. Sometimes when Saunders is doing my hair—it’s been up for ages—nearly six months—I look in the glass, and wonder why it’s not grey—the hair, I mean. There is my brOther Bob, for instance. He’s much better, now, of course, for I have worked very hard on him; but when he first went to Oxford he was dreadful. He required the very firmest treatment on my part. And even father, when my eye is not on him… There was that business of the right-of-way for example. It happened the summer before I put my hair up. I had been away for a visit to Aunt Flora. She is one of my muddling aunts, not nearly so nice as Aunt Edith, but, on the Other hand, not perfectly awful like Aunt Elizabeth. I was glad to get back
Avg Rating
3.17
Number of Ratings
12
5 STARS
17%
4 STARS
17%
3 STARS
42%
2 STARS
17%
1 STARS
8%
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Author

P.G. Wodehouse
P.G. Wodehouse
Author · 205 books

Sir Pelham Grenville Wodehouse, KBE, was a comic writer who enjoyed enormous popular success during a career of more than seventy years and continues to be widely read over 40 years after his death. Despite the political and social upheavals that occurred during his life, much of which was spent in France and the United States, Wodehouse's main canvas remained that of prewar English upper-class society, reflecting his birth, education, and youthful writing career. An acknowledged master of English prose, Wodehouse has been admired both by contemporaries such as Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by more recent writers such as Douglas Adams, Salman Rushdie and Terry Pratchett. Sean O'Casey famously called him "English literature's performing flea", a description that Wodehouse used as the title of a collection of his letters to a friend, Bill Townend. Best known today for the Jeeves and Blandings Castle novels and short stories, Wodehouse was also a talented playwright and lyricist who was part author and writer of fifteen plays and of 250 lyrics for some thirty musical comedies. He worked with Cole Porter on the musical Anything Goes (1934) and frequently collaborated with Jerome Kern and Guy Bolton. He wrote the lyrics for the hit song Bill in Kern's Show Boat (1927), wrote the lyrics for the Gershwin/Romberg musical Rosalie (1928), and collaborated with Rudolf Friml on a musical version of The Three Musketeers (1928).

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