In BHP’s fourth release, Airport, Emily Kendal Frey turns on the tropes of terminals and ticket desks, baggage claims and chain restaurants, letting them “shift and breathe.” Frey, with both a sense of loss and humor, crafts a lucid lyric cycle from the raw material of commuters, vacationers, and separated lovers. Airport is a work of brushing bodies that inhabit a distilled emotional weightlessness, and the airport plays host as a backdrop of physical time.