
Librarian Note: There is more than one author in the GoodReads database with this name. See this thread for more information. Alex Ross has been the music critic of The New Yorker since 1996. From 1992 to 1996 he wrote for the New York Times. His first book, The Rest Is Noise: Listening to the Twentieth Century, was published in 2007 by Farrar, Straus & Giroux and became a national bestseller. It won a National Book Critics Circle Award, the Guardian First Book Award, and the Royal Philharmonic Society Creative Communication Award; appeared on the New York Times' list of the ten best books of year; and was a finalist for the Pulitzer and the Samuel Johnson prizes. Ross has received a Letter of Distinction from the American Music Center, fellowships from the American Academy in Berlin and the Banff Centre, three ASCAP-Deems Taylor Awards, and an honorary doctorate from the Manhattan School of Music. He has also served as a McGraw Professor in Writing at Princeton University. In 2008 he was named a MacArthur Fellow. His next book, an essay collection titled Listen to This, will appear in fall 2010. A native of Washington, DC, Ross now lives in Manhattan. In 2005 he married the actor and filmmaker Jonathan Lisecki.

2010

Listening to the Twentieth Century
2007

Dance of the Earth: The Rite, the Folk, le Jazz
2013

Invisible Men: American Composers from Ives to Ellington
2013

“Grimes! Grimes!”: The Passion of Benjamin Britten
2013

The Golden Age: Strauss, Mahler, and the Fin de Siecle
2013

City of Nets: Berlin in the Twenties
2013

Sunken Cathedrals: Music at Century’s End
2013

Doctor Faust: Schoenberg, Debussy, and Atonality
2013

Zero Hour: The U.S. Army and German Music, 1945–1949
2013

Apparition from the Woods: The Loneliness of Jean Sibelius
2013

Music for All: Music in FDR’s America
2013

Zion Park: Messiaen, Ligeti, and the Avant-Garde of the Sixties
2013

The Art of Fear: Music in Stalin’s Russia
2013

Death Fugue: Music in Hitler’s Germany
2013

Art and Politics in the Shadow of Music
2020