James Cross Giblin was an author of biographies and history books for children and younger readers, as well as some history books for adults. In his own words, he was "shy, bookish, and a little spoiled." He loved comic books and drew his own comic strips. Giblin worked on his school newspapers and wrote a play while he was at Western Reserve University. That play, My Bus Was Always Late, was published in 1954. He worked hard at writing plays, but disappointment followed. After receiving his MFA in creative writing from Columbia University, he went to work at the British Book Centre, which proved to be his doorway into the publishing field. An associate editor at Lothrop, Lee & Shepard from 1962 to 1967, Giblin then moved to Seabury Press as editor-in-chief of its children's division, Clarion Books. In 1989, he stepped back to the position of contributing editor so he could focus on his writing career. The Truth About Santa Claus and Chimney Sweeps: Yesterday and Today were named ALA Notable Books. Walls: Defenses Throughout History received an SCBWI Golden Kite Award. The Secrets of the Sphinx was given the Orbis Pictus Award. Most recently, The Life and Death of Adolf Hitler received a Sibert Award in 2003.

William Warner Sleator III was born in Havre de Grace, Maryland on February 13, 1945, and moved to St. Louis, MO when he was three. He graduated from University City High School in 1963, from Harvard in 1967 with BAs in music and English. For more than thirty years, William Sleator thrilled readers with his inventive books. His House of Stairs was named one of the best novels of the twentieth century by the Young Adult Library Services Association. William Sleator died in early August 2011 at his home in Thailand.

Taken from Lowry's website: "I’ve always felt that I was fortunate to have been born the middle child of three. My older sister, Helen, was very much like our mother: gentle, family-oriented, eager to please. Little brother Jon was the only boy and had interests that he shared with Dad; together they were always working on electric trains and erector sets; and later, when Jon was older, they always seemed to have their heads under the raised hood of a car. That left me in-between, and exactly where I wanted most to be: on my own. I was a solitary child who lived in the world of books and my own vivid imagination. Because my father was a career military officer - an Army dentist - I lived all over the world. I was born in Hawaii, moved from there to New York, spent the years of World War II in my mother’s hometown: Carlisle, Pennsylvania, and from there went to Tokyo when I was eleven. High school was back in New York City, but by the time I went to college (Brown University in Rhode Island), my family was living in Washington, D.C. I married young. I had just turned nineteen - just finished my sophomore year in college - when I married a Naval officer and continued the odyssey that military life requires. California. Connecticut (a daughter born there). Florida (a son). South Carolina. Finally Cambridge, Massachusetts, when my husband left the service and entered Harvard Law School (another daughter; another son) and then to Maine - by now with four children under the age of five in tow. My children grew up in Maine. So did I. I returned to college at the University of Southern Maine, got my degree, went to graduate school, and finally began to write professionally, the thing I had dreamed of doing since those childhood years when I had endlessly scribbled stories and poems in notebooks. After my marriage ended in 1977, when I was forty, I settled into the life I have lived ever since. Today I am back in Cambridge, Massachusetts, living and writing in a house dominated by a very shaggy Tibetan Terrier named Bandit. For a change of scenery Martin and I spend time in Maine, where we have an old (it was built in 1768!) farmhouse on top of a hill. In Maine I garden, feed birds, entertain friends, and read... My books have varied in content and style. Yet it seems that all of them deal, essentially, with the same general theme: the importance of human connections. A Summer to Die, my first book, was a highly fictionalized retelling of the early death of my sister, and of the effect of such a loss on a family. Number the Stars, set in a different culture and era, tells the same story: that of the role that we humans play in the lives of our fellow beings. The Giver - and Gathering Blue, and the newest in the trilogy: Messenger - take place against the background of very different cultures and times. Though all three are broader in scope than my earlier books, they nonetheless speak to the same concern: the vital need of people to be aware of their interdependence, not only with each other, but with the world and its environment. My older son was a fighter pilot in the United States Air Force. His death in the cockpit of a warplane tore away a piece of my world. But it left me, too, with a wish to honor him by joining the many others trying to find a way to end conflict on this very fragile earth. I am a grandmother now. For my own grandchildren - and for all those of their generation - I try, through writing, to convey my passionate awareness that we live intertwined on this planet and that our future depends upon our caring more, and doing more, for one another."

Children sometimes ask, "Do you write about your own life?" I have to answer that I do not. The reason is simple: My own life is boring. Yet I would not trade it for anyone else's. I grew up in a large and loving family—parents, grandparents, and three children all under the same roof, a big white house in Portland, Oregon. At school, I was able, but not brilliant. I liked to draw. I liked to play pretend. I liked dolls, too, right through eighth grade, and only fear of what others would say made me give them up then. Most of all, I loved to read! And I dreamed of a time when, a grown-up married lady with thirteen children, I would write books. But childhood dreams have a way of getting lost. It was not until I was in my mid-thirties, after marriage, a child, divorce, and remarriage, that I was able to complete college. By then, my family included not only my daughter Beth, but my husband's daughters, Cynthia, Laurie, and Shaley. It was in college that an important thing happened. I rediscovered stories and remembered my dream of writing them. My first published book was a story for children (CIRCLE OF GIVING, 1984). Since then, our daughters have grown up. Now we have seven grandchildren. I work at home, writing. I speak at schools. I teach writing. I give speeches to teachers, librarians, and others. But most of the time, I am at home, gardening, cooking, washing, and ironing . . . and writing. I know my life sounds boring, but for me it is filled with all the adventure, excitement and drama I can find and make in books. To me it is the best kind of life!

C.S. (Carole) Adler moved to Tucson, Arizona, after spending most of her life in upstate New York. She was an English teacher at Niskayuna Middle School for nearly a decade. She is a passionate tennis player, grandmother, and nature lover, and has been a full-time writer since the publication of her first book,The Magic of the Glits, in 1979. That book won both the William Allen White Award and the Golden Kite Award. Her bookThe Shell Lady’s Daughter was chosen by the A.L.A. as a best young adult book of l983. With Westie and the Tin Man won the Children’s Book Award of the Child Study Committee in l986, and that committee has commended many of Adler’s books. Split Sisters in l987 and Ghost Brother in 1991 were I.R.A. Children’s Choices selections. One Sister Too Many was on the 1991 Young Adults’ Choices list. Always and Forever Friends and Eddie’s Blue Winged Dragon were on a 1991 I.R.A. 99 Favorite Paperbacks list. Many of her books have been on state lists and have also been published in Japan, Germany, England, Denmark, Austria, Sweden, and France.

A versatile writer, Nancy Garden has published books for children as well as for teens, nonfiction as well as fiction. But her novel Annie on My Mind, the story of two high school girls who fall in love with each other, has brought her more attention than she wanted when it was burned in front of the Kansas City School Board building in 1993 and banned from school library shelves in Olathe, Kansas, as well as other school districts. A group of high school students and their parents in Olathe had to sue the school board in federal district court in order to get the book back on the library shelves. Today the book is as controversial as ever, in spite of its being viewed by many as one of the most important books written for teens in the past forty years. In 2003 the American Library Association gave the Margaret A. Edwards Award to Nancy Garden for lifetime achievement. In Remembrance: Nancy Garden

I used to say I’d be a teacher or a lawyer or a hairdresser when I grew up but even as I said these things, I knew what made me happiest was writing. I wrote on everything and everywhere. I remember my uncle catching me writing my name in graffiti on the side of a building. (It was not pretty for me when my mother found out.) I wrote on paper bags and my shoes and denim binders. I chalked stories across sidewalks and penciled tiny tales in notebook margins. I loved and still love watching words flower into sentences and sentences blossom into stories. I also told a lot of stories as a child. Not “Once upon a time” stories but basically, outright lies. I loved lying and getting away with it! There was something about telling the lie-story and seeing your friends’ eyes grow wide with wonder. Of course I got in trouble for lying but I didn’t stop until fifth grade. That year, I wrote a story and my teacher said “This is really good.” Before that I had written a poem about Martin Luther King that was, I guess, so good no one believed I wrote it. After lots of brouhaha, it was believed finally that I had indeed penned the poem which went on to win me a Scrabble game and local acclaim. So by the time the story rolled around and the words “This is really good” came out of the otherwise down-turned lips of my fifth grade teacher, I was well on my way to understanding that a lie on the page was a whole different animal—one that won you prizes and got surly teachers to smile. A lie on the page meant lots of independent time to create your stories and the freedom to sit hunched over the pages of your notebook without people thinking you were strange. Lots and lots of books later, I am still surprised when I walk into a bookstore and see my name on a book’s binder. Sometimes, when I’m sitting at my desk for long hours and nothing’s coming to me, I remember my fifth grade teacher, the way her eyes lit up when she said “This is really good.” The way, I—the skinny girl in the back of the classroom who was always getting into trouble for talking or missed homework assignments—sat up a little straighter, folded my hands on the desks, smiled and began to believe in me.

Lesléa Newman (born 1955, Brooklyn, NY) is the author of over 50 books including Heather Has Two Mommies, A Letter To Harvey Milk, Writing From The Heart, In Every Laugh a Tear, The Femme Mystique, Still Life with Buddy, Fat Chance and Out of the Closet and Nothing to Wear. She has received many literary awards including Poetry Fellowships from the Massachusetts Artists Fellowship Foundation and the National Endowment for the Arts, the Highlights for Children Fiction Writing Award, the James Baldwin Award for Cultural Achievement, and two Pushcart Prize Nominations. Nine of her books have been Lambda Literary Award finalists. Ms. Newman wrote Heather Has Two Mommies, the first children's book to portray lesbian families in a positive way, and has followed up this pioneering work with several more children's books on lesbian and gay families: Gloria Goes To Gay Pride, Belinda's Bouquet, Too Far Away to Touch, and Saturday Is Pattyday. She is also the author of many books for adults that deal with lesbian identity, Jewish identity and the intersection and collision between the two. Other topics Ms. Newman explores include AIDS, eating disorders, butch/femme relationships and sexual abuse. Her award-winning short story, A Letter To Harvey Milk has been made into a film and adapted for the stage. In addition to being an author, Ms. Newman is a popular guest lecturer, and has spoken on college campuses across the country including Harvard University, Yale University, the University of Oregon, Bryn Mawr College, Smith College and the University of Judaism. From 2005-2009, Lesléa was a faculty member of the Stonecoast MFA program at the University of Southern Maine. Currently, she is the Poet Laureate of Northampton, MA.