A book about a Tudor Queen and a contemporary heroine - linked through their affinity over 500 years. Flora Chapman is in her fifties when her dashing and infuriating husband, Edward, dies in a bizarre ballooning accident. Ever pragmatic, Flora seizes upon her new freedom and decides to finish Edward’s history of Hurcott Ducis, the village where they’ve spent their married life. A reference to Anna of Cleves, Henry VIII’s fourth wife, unkindly called ‘The Flanders Mare’, captures Flora’s attention and later her affection as she sets about her own research in the hope of elevating Anna’s place in history. Meanwhile, in the Louvre, Holbein’s portrait of Anna senses the tug of a connection and she begins to tell the real story of how she survived her disastrous Tudor marriage. This novel about two intelligent, accomplished women who lived in the shadow of the men they married, interweaves a fascinating and little-known part of history with a broader contemporary tale of love, marriage, self-preservation and motherhood with all their pains, pleasures and humour.
Author
Born in Wimbledon, now part of London, Mavis left school at 16 to do office work with Editions Alecto, a Kensington publishing company. She later moved to the firm's gallery in Albemarle Street, where she met artists such as David Hockney, Allen Jones, Patrick Caulfield and Gillian Ayres. In 1969 she married a "childhood sweetheart", Chris Cheek, a physicist, whom she had met at a meeting of the Young Communist League in New Malden, but they separated three years later. Later she lived for eleven years with the artist Basil Beattie. She returned to education in 1976, doing a two-year arts course at Hillcroft College, a further education college for women. Although Cheek had planned to take a degree course, she turned instead to fiction writing while her daughter, Bella Beattie, was a child. She moved from London to Aldbourne in the Wiltshire countryside in 2003, but as she explained to a newspaper, "Life in the city was a comparative breeze. Life in the country is tough, a little bit dangerous and not for wimps." Cheek has been involved with the Marlborough LitFest, and also teaches creative writing. This has included voluntary work at Holloway and Erlstoke prisons. As she described in an article: "What I see [at Erlstoke] is reflected in my own experience. Bright, overlooked, unconfident men who are suddenly given the opportunity to learn grow wings, and dare to fail. It helps to be able to tell them that I, too, was once designated thick by a very silly [education] system. My prisoners have written some brilliant stuff, and perhaps it gives them back some self-esteem."
