An Adjustment of Nature by O.Henry (d. 1910) (in Short Story Collection Vol. 069 ) In an art exhibition the other day I saw a painting that had been sold for $5,000. The painter was a young scrub out of the West named Kraft, who had a favourite food and a pet theory. His pabulum was an unquenchable belief in the Unerring Artistic Adjustment of Nature. His theory was fixed around corned-beef hash with poached egg. There was a story behind the picture, so I went home and let it drip out of a fountain-pen. The idea of Kraft—but that is not the beginning of the story. Three years ago Kraft, Bill Judkins (a poet), and I took our meals at Cypher's, on Eighth Avenue. I say "took." When we had money, Cypher got it "off of" us, as he expressed it. We had no credit; we went in, called for food and ate it. We paid or we did not pay. We had confidence in Cypher's sullenness and smouldering ferocity. Deep down in his sunless soul he was either a prince, a fool or an artist. He sat at a worm-eaten desk, covered with files of waiters' checks so old that I was sure the bottomest one was for clams that Hendrik Hudson had eaten and paid for. Cypher had the power, in common with Napoleon III. and the goggle-eyed perch, of throwing a film over his eyes, rendering opaque the windows of his soul. Once when we left him unpaid, with egregious excuses, I looked back and saw him shaking with inaudible laughter behind his film. Now and then we paid up back scores. But the chief thing at Cypher's was Milly. Milly was a waitress. She was a grand example of Kraft's theory of the artistic adjustment of nature. She belonged, largely, to waiting, as Minerva did to the art of scrapping, or Venus to the science of serious flirtation. Pedestalled and in bronze she might have stood with the noblest of h
Author
Such volumes as Cabbages and Kings (1904) and The Four Million (1906) collect short stories, noted for their often surprising endings, of American writer William Sydney Porter, who used the pen name O. Henry. His biography shows where he found inspiration for his characters. His era produced their voices and his language. Mother of three-year-old Porter died from tuberculosis. He left school at fifteen years of age and worked for five years in drugstore of his uncle and then for two years at a Texas sheep ranch. In 1884, he went to Austin, where he worked in a real estate office and a church choir and spent four years as a draftsman in the general land office. His wife and firstborn died, but daughter Margaret survived him. He failed to establish a small humorous weekly and afterward worked in poorly-run bank. When its accounts balanced not, people blamed and fired him. In Houston, he worked for a few years until, ordered to stand trial for embezzlement, he fled to New Orleans and thence Honduras. Two years later, he returned on account of illness of his wife. Apprehended, Porter served a few months more than three years in a penitentiary in Columbus, Ohio. During his incarceration, he composed ten short stories, including A Blackjack Bargainer , The Enchanted Kiss , and The Duplicity of Hargraves . In 1899, McClure's published Whistling Dick's Christmas Story and Georgia's Ruling . In Pittsburgh, Pennsylvania, he sent manuscripts to New York editors. In the spring of 1902, Ainslee's Magazine offered him a regular income if he moved to New York. In less than eight years, he became a bestselling author of collections of short stories. Cabbages and Kings came first in 1904 The Four Million, and The Trimmed Lamp and Heart of the West followed in 1907, and The Voice of the City in 1908, Roads of Destiny and Options in 1909, Strictly Business and Whirligigs in 1910 followed. Posthumously published collections include The Gentle Grafter about the swindler, Jeff Peters; Rolling Stones , Waifs and Strays , and in 1936, unsigned stories, followed. People rewarded other persons financially more. A Retrieved Reformation about the safe-cracker Jimmy Valentine got $250; six years later, $500 for dramatic rights, which gave over $100,000 royalties for playwright Paul Armstrong. Many stories have been made into films.
