
The death of Christopher Hitchens in December 2011 prematurely silenced a voice that was among the most admired of contemporary writers. For more than forty years, Hitchens delivered to numerous publications on both sides of the Atlantic essays that were astonishingly wide-ranging and provocative. The judges for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, posthumously bestowed on Hitchens, praised him for the way he wrote “with fervor about the books and writers he loved and with unbridled venom about ideas and political figures he loathed.” He could write, the judges went on to say, with “undisguised brio, mining the resources of the language as if alert to every possibility of color and inflection.” He was, as Benjamin Schwarz, his editor at The Atlantic magazine, recalled, “slashing and lively, biting and funny—and with a nuanced sensibility and a refined ear that he kept in tune with his encyclopedic knowledge and near photographic memory of English poetry.” And as Michael Dirda, writing in the Times Literary Supplement, observed, Hitchens “was a flail and a scourge, but also a gift to readers everywhere.” The author of five previous volumes of selected writings, including the international bestseller Arguably, Hitchens left at his death nearly 250,000 words of essays not yet published in book form. And Yet… assembles a selection that usefully adds to Hitchens’s oeuvre. It ranges from the literary to the political and is, by turns, a banquet of entertaining and instructive delights, including essays on Orwell, Lermontov, Chesterton, Fleming, Naipaul, Rushdie, Pamuk, and Dickens, among others, as well as his laugh-out-loud self-mocking “makeover.” The range and quality of Hitchens’s essays transcend the particular occasions for which they were originally written. Often prescient, always pugnacious, and formidably learned, Hitchens was a polemicist for the ages. With this posthumous volume, his reputation and his readers will continue to grow. Christopher Hitchens was the cartographer of his own literary and political explorations. He sought assiduously to affirm—and to reaffirm—the ideas of secularism, reason, libertarianism, internationalism, and solidarity, values always under siege and ever in need of defending. Henry James once remarked, “Nothing is my last word on anything.” For Hitchens, as for James, there was always more to be said.
Author

Christopher Eric Hitchens was an English-born American author, journalist, and literary critic. He was a contributor to Vanity Fair, The Atlantic, World Affairs, The Nation, Slate, Free Inquiry and a variety of other media outlets. Hitchens was also a political observer, whose best-selling books—the most famous being God Is Not Great—made him a staple of talk shows and lecture circuits. He was also a media fellow at the Hoover Institution. Hitchens was a polemicist and intellectual. While he was once identified with the Anglo-American radical political left, near the end of his life he embraced some arguably right-wing causes, most notably the Iraq War. Formerly a Trotskyist and a fixture in the left wing publications of both the United Kingdom and United States, Hitchens departed from the grassroots of the political left in 1989 after what he called the "tepid reaction" of the European left following Ayatollah Khomeini's issue of a fatwa calling for the murder of Salman Rushdie, but he stated on the Charlie Rose show aired August 2007 that he remained a "Democratic Socialist." The September 11, 2001 attacks strengthened his embrace of an interventionist foreign policy, and his vociferous criticism of what he called "fascism with an Islamic face." He is known for his ardent admiration of George Orwell, Thomas Paine, and Thomas Jefferson, and for his excoriating critiques of Mother Teresa, Henry Kissinger and Bill Clinton. Hitchens was an anti-theist, and he described himself as a believer in the Enlightenment values of secularism, humanism, and reason. http://en.wikipedia.org/wiki/Christop...