Margins
Angelus novus book cover
Angelus novus
1962
First Published
4.41
Average Rating
342
Number of Pages
Difficile collocare criticamente la figura di Walter la sua originalità di pensatore e la sua opera - saggi teoretici, aforismi, impressioni di viaggio, ricordi - trascendono la storia, la filosofia o la letteratura nella loro accezione corrente. Questa antologia, pubblicata per la prima volta nel 1962 da Einaudi, raccoglie i testi più rappresentativi, dai saggi filosofici "Per la critica della violenza", "Destino e carattere", "Sulla facoltà mimetica", a quelli più letterari su Baudelaire, Kafka e tutti scritti rivelatori di una particolare forma di saggismo in cui le "affermazioni sulla vita" non possono prescindere dall'analisi di un determinato "paesaggio culturale" (il saggio sulle "Affinità elettive" diventa un trattato sull'amore e sul matrimonio nell'epoca moderna); e che mettono in luce le risorse di un laboratorio di pensiero tra i più fervidi e originali del Novecento.
Avg Rating
4.41
Number of Ratings
117
5 STARS
53%
4 STARS
36%
3 STARS
10%
2 STARS
1%
1 STARS
0%
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Author

Walter Benjamin
Walter Benjamin
Author · 39 books

Walter Bendix Schönflies Benjamin was a German-Jewish Marxist literary critic, essayist, translator, and philosopher. He was at times associated with the Frankfurt School of critical theory and was also greatly inspired by the Marxism of Bertolt Brecht and Jewish mysticism as presented by Gershom Scholem. As a sociological and cultural critic, Benjamin combined ideas drawn from historical materialism, German idealism, and Jewish mysticism in a body of work which was a novel contribution to western philosophy, Marxism, and aesthetic theory. As a literary scholar, he translated the Tableaux Parisiens edition of Baudelaire's Les Fleurs du mal as well as Proust's In Search of Lost Time. His work is widely cited in academic and literary studies, in particular his essays The Task of the Translator and The Work of Art in the Age of Mechanical Reproduction. Influenced by Bachofen, Benjamin gave the name "auratic perception" to the aesthetic faculty through which civilization would recover a lost appreciation of myth.

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