Known as one of the most hardworking and motivated illustrators, he eventually had the chance to build his own name in the industry through his first break: drawing Robert Jordan's New Spring written by the superstar Chuck Dixon. He was then given a stint on Star Wars Knights of The Old Republic from Dark Horse, which helped him get Marvel Comics' attention. Starting with Iron Man Annual, he's gone on to drawing other famous characters such as the X-Men and the Avengers, and still continues to make waves as one of Marvel's most dynamic artists. (Taken from here.)

Keith Ian Giffen was an American comic book illustrator and writer. He is possibly best-known for his long runs illustrating, and later writing the Legion of Super-Heroes title in the 1980s and 1990s. He also created the alien mercenary character Lobo (with Roger Slifer), and the irreverent "want-to-be" hero, Ambush Bug. Giffen is known for having an unorthodox writing style, often using characters in ways not seen before. His dialogue is usually characterized by a biting wit that is seen as much less zany than dialogue provided by longtime collaborators DeMatteis and Robert Loren Fleming. That approach has brought him both criticism and admiration, as perhaps best illustrated by the mixed (although commercially successful) response to his work in DC Comics' Justice League International (1987-1992). He also plotted and was breakdown artist for an Aquaman limited series and one-shot special in 1989 with writer Robert Loren Fleming and artist Curt Swan for DC Comics. Giffen's first published work was "The Sword and The Star", a black-and-white series featured in Marvel Preview, with writer Bill Mantlo. He has worked on titles (owned by several different companies) including Woodgod, All Star Comics, Doctor Fate, Drax the Destroyer, Heckler, Nick Fury's Howling Commandos, Reign of the Zodiac, Suicide Squad, Trencher (to be re-released in a collected edition by Boom! Studios)., T.H.U.N.D.E.R. Agents, and Vext. He was also responsible for the English adaptation of the Battle Royale and Ikki Tousen manga, as well as creating "I Luv Halloween" for Tokyopop. He also worked for Dark Horse from 1994-95 on their Comics Greatest World/Dark Horse Heroes line, as the writer of two short lived series, Division 13 and co-author, with Lovern Kindzierski, of Agents of Law. For Valiant Comics, Giffen wrote XO-Manowar, Magnus, Robot Fighter, Punx and the final issue of Solar, Man of the Atom. He took a break from the comic industry for several years, working on storyboards for television and film, including shows such as The Real Ghostbusters and Ed, Edd 'n' Eddy. He is also the lead writer for Marvel Comics' Annihilation event, having written the one-shot prologue, the lead-in stories in Thanos and Drax, the Silver Surfer as well as the main six issues mini-series. He also wrote the Star-Lord mini-series for the follow-up story Annihilation: Conquest. He currently writes Doom Patrol for DC, and is also completing an abandoned Grant Morrison plot in The Authority: the Lost Year for Wildstorm.

Mitch Breitweiser is a comic book creator and publishing entrepreneur with over 20 years of experience illustrating notable franchises including Captain America, The X-Men, Drax the Destroyer and many more. In 2018, Breitweiser made waves with his first creator-owned franchise, The Red Rooster, a dust-bowl era cape and cowls mystery about the rise and fall of a vigilante folk hero. The project’s early crowdfunding success led to the formation of the Allegiance Arts publishing brand in 2019, which he owns and operates with his wife, Eisner-nominated color artist Elizabeth Breitweiser. In May of 2020, the company launched Red Rooster alongside three other high-impact titles, coming-of-age adventure Norah’s Saga, historical western Bass Reeves, and the swashbuckling opera The Futurists, into 3,300 Walmart retail stores. The company recently premiered it’s fifth title, contemporary thriller The Saints, on the Indiegogo crowdfunding platform. Allegiance Arts’ driving passion is creating and delivering unparalleled, genre-spanning content for fans of all ages from our ever-expanding catalog. More information about our company and catalogue can be found at Allegiancearts.com

source: http://en.wikipedia.org/wiki/Mike_Per... Mike Perkins began drawing at a very early age. After attending the Bournville College of Art, Birmingham, England he set himself up as a self-employed artist and pursued work in comics. As well as illustrating children's books and educational literature, Perkin's career has encompassed computer game design, album covers and business-centered graphic design, although it is probably for his comic book work that he is more widely known. Perkins' early professional work included work for the British anthology 2000 AD, Marvel UK, Ginn Publishing, Dorling Kindersley and Oxford University Press. This led to further work in the American market with both DC Comics and Caliber Comics; where he worked on Kilroy is Here, Black Mist, Amongst The Stars, Negative Burn, St. Germaine, Brian Lumley's Necroscope and an adaptation of Doctor Faustus. The latter being a collaboration with Mike Carey, with whom he has worked with throughout his career – most notably on the co-created Carver Hale for 2000 AD and Spellbinders for Marvel Comics. His first sole inking job, over the pencils of Phil Winslade, led to other inking opportunities at DC and Dark Horse Comics which in turn opened the doors to being asked to join the then new Florida-based comic company CrossGen. While there, he primarily inked the series Ruse, and worked alongside Mark Waid, Butch Guice and Laura Martin. He also pencilled and inked Archard's Agents and co-created Kiss Kiss Bang Bang with Tony Bedard. He subsequently signed exclusively with Marvel Comics, where he has continued to work until the present time.[citation needed] At Marvel he has worked on books such as Spider-Man, Fantastic Four, X-Men, Spellbinders, Annihilation Conquest, House of M: Avengers and Union Jack,[1] but has most notably been part of the artistic team (alongside Steve Epting) on Ed Brubaker run of Captain America.