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Around the World in 80 Books book cover
Around the World in 80 Books
2021
First Published
3.65
Average Rating
454
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A transporting and illuminating voyage around the globe, through classic and modern literary works that are in conversation with one another and with the world around them Inspired by Jules Verne’s hero Phileas Fogg, David Damrosch, chair of Harvard University’s department of comparative literature and founder of Harvard’s Institute for World Literature, set out to counter a pandemic's restrictions on travel by exploring eighty exceptional books from around the globe. Following a literary itinerary from London to Venice, Tehran and points beyond, and via authors from Woolf and Dante to Nobel Prize-winners Orhan Pamuk, Wole Soyinka, Mo Yan, and Olga Tokarczuk, he explores how these works have shaped our idea of the world, and the ways in which the world bleeds into literature. To chart the expansive landscape of world literature today, Damrosch explores how writers live in two very different worlds: the world of their personal experience and the world of books that have enabled great writers to give shape and meaning to their lives. In his literary cartography, Damrosch includes compelling contemporary works as well as perennial classics, hard-bitten crime fiction as well as haunting works of fantasy, and the formative tales that introduce us as children to the world we’re entering. Taken together, these eighty titles offer us fresh perspective on enduring problems, from the social consequences of epidemics to the rising inequality that Thomas More designed Utopia to combat, as well as the patriarchal structures within and against which many of these books’ heroines have to struggle—from the work of Murasaki Shikibu a millennium ago to Margaret Atwood today. Around the World in 80 Books is a global invitation to look beyond ourselves and our surroundings, and to see our world and its literature in new ways.

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Author

David Damrosch
David Damrosch
Author · 9 books
A past president of the American Comparative Literature Association, David Damrosch has written widely on comparative and world literature from antiquity to the present. His books include The Narrative Covenant: Transformations of Genre in the Growth of Biblical Literature (1987), We Scholars: Changing the Culture of the University (1995), What Is World Literature? (2003), The Buried Book: The Loss and Rediscovery of the Great Epic of Gilgamesh (2007), and How to Read World Literature (2008). He is the founding general editor of the six-volume Longman Anthology of World Literature (2004) and the editor of Teaching World Literature (2009) and co-editor of The Princeton Sourcebook in Comparative Literature (2009), The Routledge Companion to World Literature (2011), and Xin fangxiang: bijiao wenxue yu shijie wenxue duben [New Directions: A Reader of Comparative and World Literature], Peking U. P., 2010. He is presently completing a book entitled Comparing the Literatures: What Every Comparatist Needs to Know, and starting a book on the role of global scripts in the formation of national literatures.
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