Artificial Intelligence

Alternate cover of ISBN 9781250186928. Another cover edition can be found here It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot." But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks.

SciFi’s favorite antisocial A.I. is again on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah’s SecUnit is. And Murderbot would rather those questions went away. For good.

Murderbot wasn’t programmed to care. So, its decision to help the only human who ever showed it respect must be a system glitch, right? Having traveled the width of the galaxy to unearth details of its own murderous transgressions, as well as those of the GrayCris Corporation, Murderbot is heading home to help Dr. Mensah—its former owner (protector? friend?)—submit evidence that could prevent GrayCris from destroying more colonists in its never-ending quest for profit. But who’s going to believe a SecUnit gone rogue? And what will become of it when it’s caught?

I’m usually alone in my head, and that’s where 90 plus percent of my problems are. It calls itself Murderbot, but only when no-one can hear. It’s a private joke. Funny. It doesn’t care, it tells itself, and its attachment to the humans around it is merely professional obligation. It tries to never drop the F-bomb. “Friends.” Ugh. So, when its human associates (not friends, never friends) are captured and another not-friend from its past requires urgent assistance, Murderbot must choose between inertia and drastic action. Drastic action it is, then. Another F-bomb. “Feelings.” Ugh. RUNNING TIME ➜ 13hrs. and 15mins. ©2020 Martha Wells (P)2020 Recorded Books

No, I didn’t kill the dead human. If I had, I wouldn’t dump the body in the station mall. When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people—who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

The million-copy, New York Times bestselling Murderbot series is back in another full-length novel adventure! Am I making it worse? I think I'm making it worse. Everyone's favorite lethal SecUnit is back. Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize. But there’s something wrong with Murderbot; it isn’t running within normal operational parameters. ART’s crew and the humans from Preservation are doing everything they can to protect the colonists, but with Barish-Estranza’s SecUnit-heavy persuasion teams, they’re going to have to hope Murderbot figures out what’s wrong with itself, and fast! Yeah, this plan is... not going to work.

Dazzling space battles, intergalactic politics, and rogue AI collide in Velocity Weapon, the first book in this epic space opera by award-winning author Megan O'Keefe. Sanda and Biran Greeve were siblings destined for greatness. A high-flying sergeant, Sanda has the skills to take down any enemy combatant. Biran is a savvy politician who aims to use his new political position to prevent conflict from escalating to total destruction. However, on a routine maneuver, Sanda loses consciousness when her gunship is blown out of the sky. Instead of finding herself in friendly hands, she awakens 230 years later on a deserted enemy warship controlled by an AI who calls himself Bero. The war is lost. The star system is dead. Ada Prime and its rival Icarion have wiped each other from the universe. Now, separated by time and space, Sanda and Biran must fight to put things right.

Centuries before, robots of Panga gained self-awareness, laid down their tools, wandered, en masse into the wilderness, never to be seen again. They faded into myth and urban legend. Now the life of the tea monk who tells this story is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of "what do people need?" is answered. But the answer to that question depends on who you ask, and how. They will need to ask it a lot. Chambers' series asks: in a world where people have what they want, does having more matter?

On a remote, icy planet, the soldier known as Breq is drawing closer to completing her quest. Once, she was the Justice of Toren - a colossal starship with an artificial intelligence linking thousands of soldiers in the service of the Radch, the empire that conquered the galaxy. Now, an act of treachery has ripped it all away, leaving her with one fragile human body, unanswered questions, and a burning desire for vengeance.

Dazzling space battles, intergalactic politics, and rogue AI collide in the second book in this epic space opera by award-winning author Megan O'Keefe. Sanda and Tomas are fleeing for their lives after letting the most dangerous smartship in the universe run free. Now, unsure of who to trust, Sanda knows only one thing for certain—to be able to save herself from becoming a pawn of greater powers, she needs to discover the secret of the coordinates hidden in her skull. But getting to those coordinates is a problem she can't solve alone. They exist beyond a dead gate—a Casimir gate that opened up into a dead-end system without resources worth colonizing, and was sealed off. To get through the dead gate, she needs the help of the enemy Nazca. But some Nazca are only interested in the chip in her head—and they'll crack her open to get to it.

A cozy near-future novella about a crew of leftover robots opening their very own noodle shop, from acclaimed sci-fi author Annalee Newitz. You don’t have to eat food to know the way to a city’s heart is through its stomach. So when a group of deactivated robots come back online in an abandoned ghost kitchen, they decide to make their own way doing what they making food—the tastiest hand-pulled noodles around—for the humans of San Francisco, who are recovering from a devastating war. But when their robot-run business starts causing a stir, a targeted wave of one-star reviews threatens to boil over into a crisis. To keep their doors open, they’ll have to call on their customers, their community, and each other—and find a way to survive and thrive in a world that wasn’t built for them. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In the final book of this explosive Philip K. Dick Award-nominated space opera, the universe is under threat and an ancient alien intelligence threatens to bring humanity down - unless Major Sanda Greeve and her crew can stop it . . . The code has been cracked. The secrets of the Casimir gates have been revealed. But humanity still isn't safe. The alien intelligence known as Rainier and her clones are still out there, hell-bent on its destruction. And only Sanda can stop them. With the universe's most powerful ship under her command and some of the most skilled hackers, fighters and spies on her team, it will still take everything she has to find the key to taking down an immortal enemy with seemingly limitless bodies, resources and power.

Perihelion and its crew embark on a dangerous new mission at a corporate-controlled station in the throes of a hostile takeover...

With unprecedented access and unsparing analysis, this is the definitive investigation into Spotify, weaving interviews with incisive cultural criticism, and illuminating how streaming has reshaped music for listeners and artists alike. Flush with testimony from over a hundred industry insiders, former Spotify employees, and musicians, Mood Machine takes us into the inner workings of the highly consolidated modern music business and how it has become personalized, playlisted, autoplayed, and algorithmic. With an expert’s eye, music journalist Liz Pelly reveals how Spotify’s two-sided marketplace—the listeners who pay with their dollars and data, and the musicians who provide the material powering it all—has changed music media forever. She also explores how musicians and listeners are coming together to fight this era of musical individualism and advocate for artists’ futures. Amazon Unbound and Weapons of Math Destruction for the music industry, Mood Machine is a timely and unputdownable exploration of a company that has become synonymous with music.