Margins
At Home in the World book cover
At Home in the World
1995
First Published
4.15
Average Rating
202
Number of Pages

Ours is a century of uprootedness, with fewer and fewer people living out their lives where they are born. At such a time, in such a world, what does it mean to be "at home?" Perhaps among a nomadic people, for whom dwelling is not synonymous with being housed and settled, the search for an answer to this question might lead to a new way of thinking about home and homelessness, exile and belonging. At Home in the World is the story of just such a search. Intermittently over a period of three years Michael Jackson lived, worked, and traveled extensively in Central Australia. This book chronicles his experience among the Warlpiri of the Tanami Desert. Something of a nomad himself, having lived in New Zealand, Sierra Leone, England, France, Australia, and the United States, Jackson is deft at capturing the ambiguities of home as a lived experience among the Warlpiri. Blending narrative ethnography, empirical research, philosophy, and poetry, he focuses on the existential meaning of being at home in the world. Here home becomes a metaphor for the intimate relationship between the part of the world a person calls "self" and the part of the world called "other." To speak of "at-homeness," Jackson suggests, implies that people everywhere try to strike a balance between closure and openness, between acting and being acted upon, between acquiescing in the given and choosing their own fate. His book is an exhilarating journey into this existential struggle, responsive at every turn to the political questions of equity and justice that such a struggle entails. A moving depiction of an aboriginal culture at once at home and in exile, and a personal meditation on the practice of ethnography and the meaning of home in our increasingly rootless age, At Home in the World is a timely reflection on how, in defining home, we continue to define ourselves.

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Author

Michael D. Jackson
Michael D. Jackson
Author · 13 books

Michael D. Jackson (born 1940) is a post-modern New Zealand anthropologist who has taught in the anthropology departments at the University of Copenhagen and Indiana University and is currently a professor of world religions at Harvard Divinity School. He holds a BA from Victoria University of Wellington, an MA from the University of Auckland and a PhD from Cambridge University. Jackson is the founder of existential/phenomenological anthropology, a sub-field of anthropology using ethnographical fieldwork as well as existential theories of being in order to explore modes of being and interpersonal relationships as they exist in various cultural settings throughout the world. In this way he creates an interdisciplinary approach that attempts to understand the human condition by examining the various ways in which this condition manifests itself cross-culturally. In so doing, he concentrates on concrete, individual, lived situations and attempts to recreate and explain these situations as they are perceived and experienced by the other. For example, rather than looking at what mythology or ritual may mean for a group of people, he looks at what mythology or ritual means for an individual existing in the group. In this way he is able to examine "being-in-the-world", a concept fundamental to the field of existentialism. This approach also allows him to address the problem of intersubjectivity, which has as a goal the understanding of the other in terms of the other's individual lifeworld. In this way the other's relationship with the world around them is explained in a manner not previously seen, and is fundamental to the project of understanding intersubjective existence (or the relation between two individual subjects). A large part of Jackson's methodology is also his account of personal experiences he acquired during his fieldwork. This method of reflexivity is indicative of the current postmodern trend in the field of anthropology, which seeks to contextualize the ethnographer as a subjective participant in the field. This methodology allows him to explain very accurately his relation with the world around him, referencing frequently existential theories in the process. His influences include: Jean-Paul Sartre, Maurice Merleau-Ponty, Martin Heidegger, Claude Levi-Strauss, Hannah Arendt, Theodor Adorno, Pierre Bourdieu, William James, John Dewey, Edmund Husserl, Bronislaw Malinowski, Richard Rorty, Paul Ricoeur, Marcel Mauss. He is in no way related to the famous singer, also named Michael Jackson.

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