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Aunt Jo's Scrap Bag
Series · 3 books · 1873-1905

Books in series

Cupid and Chow Chow book cover
#3

Cupid and Chow Chow

1873

I don't care to disturb his happy childhood with quarrels beyond his comprehension. I shall teach him to be as good and just a man as his father, and feel quite sure that no woman will suffer wrong at his hands, returned Mrs. Ellen, smiling at Cupid's papa, who nodded back as if they quite understood one another.
Aunt Jo's Scrap-Bag book cover
#4

Aunt Jo's Scrap-Bag

Volume 4

1905

About the Book Books on Women's Fiction share a focus on the lives of women, and are marketed to a female readership. In women's fiction the protagonist is a woman who is facing life's challenges, and is transformed in some way by her experiences, which generally involve romance. Also in this Book These are titles about Women who have been prominent in any field of endeavour, including education, literature, the arts, music, politics, medicine, science and technology. This also includes women who have been prominent in history, in women’s organizations, and part of the movement for women’s suffrage. And in this Book Books about Women's Studies consider the social and cultural implications of gender and feminism, including gender bias, privilege and oppression of women. Titles include: Feminism in Germany and Scandinavia, How it Feels to be the Husband of a Suffragette, The Advance of Woman from the Earliest Times to the Present, The feminist movement, Women at the World's Crossroads, Women's Suffrage: The Reform Against Nature, Women at the Hague; the International Congress of Women and its results, Woman's Profession as Mother and Educator with Views in Opposition to Woman Suffrage, and Report on condition of woman and child wage-earners in the United States. About us Leopold Classic Library’s aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. Our titles are produced from scans of the original books and as a result may sometimes have imperfections. To ensure a high-quality product we have: thoroughly reviewed every page of all the books in the catalog repaired some of the text in some cases, and rejected titles that are not of the highest quality. If You can't find the book You're looking for, please write to us. We will look for it in our catalog and find the best price for You in our eBay store. Come home to the books that made a difference! Thank you for your interest in our books!
Aunt Jo's Scrap Bag book cover
#6

Aunt Jo's Scrap Bag

Volume 6

1882

Sixty years ago, up among the New Hampshire hills, lived Farmer Bassett, with a house full of sturdy sons and daughters growing up about him. They were poor in money, but rich in land and love, for the wide acres of wood, corn, and pasture land fed, warmed, and clothed the flock, while mutual patience, affection, and courage made the old farm-house a very happy home.

Author

Louisa May Alcott
Louisa May Alcott
Author · 154 books

People best know American writer Louisa May Alcott for Little Women (1868), her largely autobiographical novel. As A.M. Barnard: Behind a Mask, or a Woman's Power (1866) The Abbot's Ghost, or Maurice Treherne's Temptation (1867) A Long Fatal Love Chase (1866 – first published 1995) First published anonymously: A Modern Mephistopheles (1877) Philosopher-teacher Amos Bronson Alcott, educated his four daughters, Anna, Louisa, Elizabeth and May and Abigail May, wife of Amos, reared them on her practical Christianity. Louisa spent her childhood in Boston and Concord, Massachusetts, where visits to library of Ralph Waldo Emerson, excursions into nature with Henry David Thoreau, and theatricals in the barn at Hillside (now "Wayside") of Nathaniel Hawthorne enlightened her days. Like Jo March, her character in Little Women, young Louisa, a tomboy, claimed: "No boy could be my friend till I had beaten him in a race, ... and no girl if she refused to climb trees, leap fences...." Louisa wrote early with a passion. She and her sisters often acted out her melodramatic stories of her rich imagination for friends. Louisa preferred to play the "lurid" parts in these plays, "the villains, ghosts, bandits, and disdainful queens." At 15 years of age in 1847, the poverty that plagued her family troubled her, who vowed: "I will do something by and by. Don’t care what, teach, sew, act, write, anything to help the family; and I’ll be rich and famous and happy before I die, see if I won’t!" Confronting a society that offered little opportunity to women, seeking employment, Louisa determined "...I will make a battering-ram of my head and make my way through this rough and tumble world." Whether as a teacher, seamstress, governess, or household servant, Louisa ably found work for many years. Career of Louisa as an author began with poetry and short stories in popular magazines. In 1854, people published Flower Fables, her first book, at 22 years of age. From her post as a nurse in Washington, District of Columbia, during the Civil War, she wrote home letters that based Hospital Sketches (1863), a milestone along her literary path. Thomas Niles, a publisher in Boston, asked 35-year-old Louisa in 1867 to write "a book for girls." She wrote Little Women at Orchard House from May to July 1868. Louisa and her sisters came of age in the novel, set in New England during Civil War. From her own individuality, Jo March, the first such American juvenile heroine, acted as a living, breathing person rather than the idealized stereotype that then prevailed in fiction of children. Louisa published more than thirty books and collections of stories. Only two days after her father predeceased her, she died, and survivors buried her body in Sleepy Hollow cemetery in Concord.

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Aunt Jo's Scrap Bag