autumn ˚ ༘📮 ೀ⋆｡˚

A superb autobiography by one of the great literary figures of the twentieth century, Simone de Beauvoir's Memoirs of a Dutiful Daughter offers an intimate picture of growing up in a bourgeois French family, rebelling as an adolescent against the conventional expectations of her class, and striking out on her own with an intellectual and existential ambition exceedingly rare in a young woman in the 1920s. She vividly evokes her friendships, love interests, mentors, and the early days of the most important relationship of her life, with fellow student Jean-Paul Sartre, against the backdrop of a turbulent time in France politically.

This remarkable novel by Elaine Kraf received almost no attention when it was first published in 1979. For whatever reasons, America was not ready for this dream-like look at life inside the head of a young woman, a struggling artist, living in New York's Upper West Side and coping with the ravages of manic-depression. Not only did Kraf take on a dark and disturbing subject, she did so in an utterly original, witty, and inventive manner—a provocative move, even in the liberated culture of the 1970s. And, while others have since expanded upon the territory that Kraf was mining, one still has to go as far back as the early down-and-out-in-Paris novels of Jean Rhys to find a writer who so boldly and honestly portrays a smart, sardonic, attractive, but deeply troubled woman fighting to survive on her own in the city.

The year 1984 has come and gone, but George Orwell's prophetic, nightmarish vision in 1949 of the world we were becoming is timelier than ever. 1984 is still the great modern classic of "negative utopia"—a startlingly original and haunting novel that creates an imaginary world that is completely convincing, from the first sentence to the last four words. No one can deny the novel's hold on the imaginations of whole generations, or the power of its admonitions—a power that seems to grow, not lessen, with the passage of time.