Margins
Barefoot in the City of Broken Dreams book cover
Barefoot in the City of Broken Dreams
2015
First Published
3.90
Average Rating
266
Number of Pages

Part of Series

“There was no way moving to Los Angeles was going to make me give up my soul. After all, I’d already seen all the movies about Hollywood. I knew how things worked.” Twenty-four year-old Russel Middebrook and his boyfriend have moved to Los Angeles so Russel can try to make it as a screenwriter. Almost right away, in a forgotten old house off of Sunset Boulevard, Russel meets Isaac Brander, a once-famous film producer who is convinced he can turn Russel’s screenplay into a movie. Russel knows that success can't possibly come this easy. After all, most of Russel's Los Angeles friends are so desperate to make it that it's downright scary. His ex-boyfriend, Otto, is trying everything to become an actor, and Daniel, the sexy neighbor, doesn't even need a casting couch to get naked. So what’s the catch with Mr. Brander? Could it be that movies about Hollywood don’t tell the whole truth? But what does that mean for Russel’s soul? Barefoot in the City of Broken Dreams, a companion book to Brent Hartinger’s The Thing I Didn’t Know I Didn’t Know, is a fast-paced, funny story about the price of fame in Hollywood: the hilarious lengths people will go to achieve it, and the touching secret to survival when things don’t work out exactly as planned.

Avg Rating
3.90
Number of Ratings
515
5 STARS
35%
4 STARS
33%
3 STARS
23%
2 STARS
9%
1 STARS
2%
goodreads

Author

Brent Hartinger
Brent Hartinger
Author · 18 books

I am Brent Hartinger, a novelist and screenwriter. I’ve published fourteen novels, had nine screenplays optioned, and had two of my projects turned into feature films. My first novel, Geography Club (2003), is the story of a gay teen named Russel Middlebrook. It was one of the first in a new wave of break-out LGBTQ young adult fiction, and it was adapted as a feature film in 2013. I subsequently wrote three more books about Russel, calling them The Russel Middlebrook Series. I tried to give these books a lot of humor and heart. In 2013, I continued Russel’s story as he grew up, into his twenties, in a new, stand-alone series called Russel Middlebook: The Futon Years. These books are “new adult” (making Russel one of very few literary characters to “jump” genres in projects created by the same author). In 2017, I released a new, stand-alone series starring Russel’s gay disabled friend Otto Digmore, called The Otto Digmore Series. I love mysteries and thrillers. My 2016 gay teen puzzle box thriller Three Truths and a Lie was nominated for an Edgar Award (this, and my 2005 novel Grand & Humble, are real mind-benders, trust me). My 2007 YA mystery, Project Pay Day, is much lighter, and has also been adapted as feature film (which I wrote), to be released in 2020. Here are all my books: THE OTTO DIGMORE SERIES * The Otto Digmore Difference (book 1) * The Otto Digmore Decision (book 2) RUSSEL MIDDLEBROOK: THE FUTON YEARS * The Thing I Didn't Know I Didn't Know (book #1) * Barefoot in the City of Broken Dreams (book #2) * The Road to Amazing (book #3) THE RUSSE MIDDLE BROOK SERIES * Geography Club (book #1) * The Order of the Poison Oak (book #2) * Double Feature: Attack of the Soul-Sucking Brain Zombies/Bride of the Soul-Sucking Brain Zombies (book #3) * The Elephant of Surprise (book #4) * Two Thousand Pounds Per Square Inch (a free short story) MY OTHER BOOKS * Project Pay Day * Three Truths and a Lie * Grand & Humble * Shadow Walkers I also love to travel. In fact, I no longer have a home. Instead, I travel the world indefinitely with my husband, writer Michael Jensen, moving to a new country every few months. You can follow our "digital nomad" journey at BrentandMichaelAreGoingPlaces.com I try hard to write books that are page-turners, and movies that are fast-paced and accessible. If I had to describe my own writing projects, I would say, “Strong central concept, strong plot, strong character and voice.” Basically, I see myself as a storyteller. But I think “story” is a lot more than “beautiful language” or complicated camera angles, which I often find self-indulgent and distracting. In most cases, I think the important thing for a writer or filmmaker is to get out of the way and just tell the damn story. I answer all questions, so feel free to contact me on social media, or through my website: BrentHartinger.com Cheers! Brent Hartinger

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