Part of Series
Choć od ukazania się „Batman Knigtfall” minęło już prawie 30 lat, to do dziś pozostaje jedną z najważniejszych kanonicznych opowieści o Mrocznym Rycerzu. Na początku lat 90. XX w. było to wydarzenie, które podobnie jak „Śmierć Supermana” wstrząsnęło nie tylko uniwersum DC, ale też czytelnikami. Było to również pierwsze tak duże przedsięwzięcie w komiksach o Mrocznym Rycerzu, ten potężny crossover publikowany był przez ponad dwa lata na łamach kilku serii związanych z batrodziną. Obrońca Gotham nigdy dotąd nie spotkał równego sobie przeciwnika. Mimo dość bogatej galerii łotrów Batman potrzebował zupełnie nowego antagonisty – innego niż Joker czy Strach na Wróble – dorównującego mu zarówno intelektem, jak i siłą fizyczną. Tak pojawiła się postać Bane’a, który jest nie tylko bezwzględnym draniem, ale i doskonałym strategiem. Po 50 latach od swojego debiutu Mroczny Rycerz został pokonany. A scena z udziałem Bane’a jest jedną z najbardziej ikonicznych w historii Mrocznego Rycerza. Motyw ten będzie wykorzystywany i przetwarzany nie tylko w komiksach (seria „Batman” Toma Kinga), ale także w filmach („Mroczny Rycerz powstaje” Christophera Nolana) czy grach („Batman: Arkham Origins”). „Batman Knightfall” to pozycja, której żaden fan Mrocznego Rycerza nie może przegapić. To również świetna okazja do poznania licznych barwnych postaci wypełniających Gotham „Batman Knightfall: Prolog” rozpoczyna niezwykle ambitną, pięciotomową sagę zbierającą wszystkie wątki związane z niezapomnianym starciem Bane’a z Batmanem. W pierwszym tomie poznajemy genezę Bane’a i Azraela – dwóch nowych postaci w uniwersum DC, które będą kluczowe dla dalszych wydarzeń. Obserwujemy również Batmana zmagającego się z tajemniczą chorobą. Mimo że zgłasza się po pomoc do terapeutki Shondry Kinsolving, jego stan ciągle się pogarsza. Tymczasem w Gotham działa wielu śmiertelnie niebezpiecznych przestępców. Joker, Poison Ivy, Szalony Kapelusznik i Killer Croc są w stanie zrobić wszystko, co w ich mocy, aby siać zamęt na ulicach. W mieście pojawia się też nowy gracz – szaleniec znany jako Bane. Jego przeznaczeniem jest zniszczenie Batmana i przejęcie kontroli nad Gotham. Abum zawiera materiały opublikowane pierwotnie w amerykańskich zeszytach: „Batman: The Sword Of Azrael” #1–4, „Batman Legends of the Dark Knight” #16–20, „Batman: Vengeance of Bane” #1, „Batman” #484–491, „Legends of The Dark Knight Annual” #2, „Detective Comics” #654–658.
Authors
Doug Moench, is an American comic book writer notable for his Batman work and as the creator of Black Mask, Moon Knight and Deathlok. Moench has worked for DC Comics, Marvel Comics, Dark Horse Comics and many other smaller companies; he has written hundreds of issues of many different comics, and created dozens of characters, such as Moon Knight. In 1973, Moench became the de facto lead writer for the Marvel black-and-white magazine imprint Curtis Magazines. He contributed to the entire runs of Planet of the Apes, Rampaging Hulk (continuing on the title when it changed its name to The Hulk!) and Doc Savage, while also serving as a regular scribe for virtually every other Curtis title during the course of the imprint's existence. Moench is perhaps best known for his work on Batman, whose title he wrote from 1983–1986 and then again from 1992–1998. (He also wrote the companion title Detective Comics from 1983–1986.) Moench is a frequent and longtime collaborator with comics artist Paul Gulacy. The pair are probably best known for their work on Shang-Chi: Master of Kung Fu, which they worked on together from 1974–1977. They also co-created Six from Sirius, Slash Maraud, and S.C.I. Spy, and have worked together on comics projects featuring Batman, Conan the Barbarian and James Bond. Moench has frequently been paired with the artist and inker team of Kelley Jones and John Beatty on several Elseworlds Graphic Novels and a long run of the monthly Batman comic.
Charles "Chuck" Dixon is an American comic book writer, perhaps best-known for long runs on Batman titles in the 1990s. His earliest comics work was writing Evangeline first for Comico Comics in 1984 (then later for First Comics, who published the on-going series), on which he worked with his then-wife, the artist Judith Hunt. His big break came one year later, when editor Larry Hama hired him to write back-up stories for Marvel Comics' The Savage Sword of Conan. In 1986, he began working for Eclipse Comics, writing Airboy with artist Tim Truman. Continuing to write for both Marvel and (mainly) Eclipse on these titles, as well as launching Strike! with artist Tom Lyle in August 1987 and Valkyrie with artist Paul Gulacy in October 1987, he began work on Carl Potts' Alien Legion series for Marvel's Epic Comics imprint, under editor Archie Goodwin. He also produced a three-issue adaptation of J. R. R. Tolkien's The Hobbit for Eclipse with artist David Wenzel between 1989 and 1990, and began writing Marc Spector: Moon Knight in June 1989. His Punisher OGN Kingdom Gone (August, 1990) led to him working on the monthly The Punisher War Journal (and later, more monthly and occasional Punisher titles), and also brought him to the attention of DC Comics editor Denny O'Neil, who asked him to produce a Robin mini-series. The mini proved popular enough to spawn two sequels - The Joker's Wild (1991) and Cry of the Huntress (1992) - which led to both an ongoing monthly series (which Dixon wrote for 100 issues before leaving to work with CrossGen Comics), and to Dixon working on Detective Comics from #644-738 through the major Batman stories KnightFall & KnightsEnd (for which he helped create the key character of Bane), DC One Million, Contagion, Legacy, Cataclysm and No Man's Land . Much of his run was illustrated by Graham Nolan. He was DC's most prolific Batman-writer in the mid-1990s (rivalled perhaps in history by Bill Finger and Dennis O'Neil) - in addition to writing Detective Comics he pioneered the individual series for Robin, Nightwing (which he wrote for 70 issues, and returned to briefly with 2005's #101) and Batgirl, as well as creating the team and book Birds of Prey . While writing multiple Punisher and Batman comics (and October 1994's Punisher/Batman crossover), he also found time to launch Team 7 for Jim Lee's WildStorm/Image and Prophet for Rob Liefeld's Extreme Studios. He also wrote many issues of Catwoman and Green Arrow, regularly having about seven titles out each and every month between the years 1993 and 1998. In March, 2002, Dixon turned his attention to CrossGen's output, salthough he co-wrote with Scott Beatty the origin of Barbara Gordon's Batgirl in 2003's Batgirl: Year One. For CrossGen he took over some of the comics of the out-going Mark Waid, taking over Sigil from #21, and Crux with #13. He launched Way of the Rat in June 2002, Brath (March '03), The Silken Ghost (June '03) and the pirate comic El Cazador (Oct '03), as well as editing Robert Rodi's non-Sigilverse The Crossovers. He also wrote the Ruse spin-off Archard's Agents one-shots in January and November '03 and April '04, the last released shortly before CrossGen's complete collapse forced the cancellation of all of its comics, before which Dixon wrote a single issue of Sojourn (May '04). Dixon's Way of the Rat #24, Brath #14 and El Cazador #6 were among the last comics released from the then-bankrupt publisher. On June 10, 2008, Dixon announced on his forum that he was no longer "employed by DC Comics in any capacity."
Dennis "Denny" O'Neil was a comic book writer and editor best known for his work for Marvel Comics and DC Comics from the 1960s through the 1990s, and Group Editor for the Batman family of titles until his retirement. His best-known works include Green Lantern/Green Arrow and Batman with Neal Adams, The Shadow with Michael Kaluta and The Question with Denys Cowan. As an editor, he is principally known for editing the various Batman titles. From 2013 unti his death, he sat on the board of directors of the charity The Hero Initiative and served on its Disbursement Committee.
