Augustyn got his start in the industry in 1986 as an editor for Tru Studios' Trollords. He then edited Syphons and Speed Racer for NOW Comics in 1987. In 1988, he joined DC, starting out as a co-editor on Action Comics during its period as a weekly title. During the late 1980s and early 1990s Augustyn was an editor for DC Comics, where he edited The Flash, Justice League and the Impact Comics line of titles. Augustyn was recognized for his work in the industry with the Wizard Fan Award for Favorite Editor in 1994. He served as the managing editor of Visionary Comics Studio. As editor of The Flash beginning in 1989, Augustyn brought in Mark Waid as writer in 1992, which led to an acclaimed eight-year run. Under Augustyn's stewardship, the Flash was brought out from the shadow of his predecessors and increased his powers dramatically. Other Augustyn-Waid editor-writer partnerships included The Comet (DC/Impact, 1992) and Impulse (DC, 1995–1996). Augustyn currently works as story editor for publisher Red Giant Entertainment and their Giant-Size Comics line of free print comic book titles which debuted on May 3, 2014 as part of Free Comic Book Day.[

Joseph "Jeph" Loeb III is an Emmy and WGA nominated American film and television writer, producer and award-winning comic book writer. Loeb was a Co-Executive Producer on the NBC hit show Heroes, and formerly a producer/writer on the TV series Smallville and Lost. A four-time Eisner Award winner and five-time Wizard Fan Awards winner (see below), Loeb's comic book career includes work on many major characters, including Spider-Man, Batman, Superman, Hulk, Captain America, Cable, Iron Man, Daredevil, Supergirl, the Avengers, and Buffy the Vampire Slayer, much of which he has produced in collaboration with artist Tim Sale, who provides the comic art seen on Heroes.

Len Wein was an American comic book writer and editor best known for co-creating DC Comics' Swamp Thing and Marvel Comics' Wolverine, and for helping revive the Marvel superhero team the X-Men (including the co-creation of Nightcrawler, Storm, and Colossus). Additionally, he was the editor for writer Alan Moore and illustrator Dave Gibbons' influential DC miniseries Watchmen. Wein was inducted into the Will Eisner Comic Book Hall of Fame in 2008.

Bob Kane (born Robert Kahn; October 24, 1915 – November 3, 1998) was an American comic book artist and writer, credited along with Bill Finger as the creator of the DC Comics superhero Batman. He was inducted into both the comic book industry's Jack Kirby Hall of Fame in 1994 and the Will Eisner Comic Book Hall of Fame in 1996. http://en.wikipedia.org/wiki/Bob_Kane

Ed Brubaker (born November 17, 1966) is an Eisner Award-winning American cartoonist and writer. He was born at the National Naval Medical Center, Bethesda, Maryland. Brubaker is best known for his work as a comic book writer on such titles as Batman, Daredevil, Captain America, Iron Fist, Catwoman, Gotham Central and Uncanny X-Men. In more recent years, he has focused solely on creator-owned titles for Image Comics, such as Fatale, Criminal, Velvet and Kill or Be Killed. In 2016, Brubaker ventured into television, joining the writing staff of the HBO series Westworld.

Peter J. Tomasi is an American comic book writer, best known for his work for DC Comics, such as Batman And Robin; Superman; Super Sons; Batman: Detective Comics; Green Lantern Corps; and Superman/Wonder Woman; as well as Batman: Arkham Knight; Brightest Day; Green Lantern: Emerald Warriors; Nightwing; Black Adam, and many more. In the course of his staff career at DC Comics, Tomasi served as a group editor and ushered in new eras for Batman, Green Lantern, and the JSA, along with a host of special projects like Kingdom Come. He is also the author of the creator-owned titles House Of Penance with artist Ian Bertram; Light Brigade with artist Peter Snejbjerg; The Mighty with Keith Champagne and Chris Samnee; and the critically acclaimed epic graphic novel The Bridge: How The Roeblings Connected Brooklyn To New York, illustrated by Sara DuVall and published by Abrams ComicArts. In 2018 New York Times best-selling author Tomasi received the Inkpot Award for achievement in comics.

Darwyn Cooke was an Eisner Award winning comic book writer, artist, cartoonist and animator, best known for his work on the comic books Catwoman, DC: The New Frontier and Will Eisner's The Spirit. In 1985, Cooke published his first comic book work as a professional artist in a short story in New Talent Showcase #19, but economic pressure made him leave the career and he worked in Canada as a magazine art director, graphic and product designer for the next 15 years. In the early 1990s Cooke decided to return to comics, but found little interest for his work at the major publishers. Eventually he was hired by Warner Bros. Animation after replying to an ad placed by animator Bruce Timm. He went on to work as a storyboard artist for Batman: The Animated Series and Superman: The Animated Series, and in 1999 he animated the main title design for Batman Beyond. He then worked as a director for Sony Animation's Men in Black: The Series for a year. DC Comics then approached Cooke about a project which he had submitted to the publisher years earlier which eventually became Batman: Ego, a graphic novel published in 2000. The critical success of that project led to Cooke taking on more freelance work, such as X-Force, Wolverine/Doop and Spider-Man's Tangled Web for Marvel Comics and Just Imagine... Stan Lee for DC. In 2001, Cooke and writer Ed Brubaker teamed up to revamp the Catwoman character. They started with a 4 issue serial "Trail of the Catwoman" in Detective Comics #759-762 in which private detective Slam Bradley attempts to investigate the death of Selina Kyle (AKA Catwoman). The story led into a new Catwoman title in late 2001 by Brubaker and Cooke, in which the character's costume, supporting cast and modus operandi were all redesigned and redeveloped. Cooke would stay on the series, which was met with critical and fan acclaim, up until issue #4. In 2002 he would write and draw a prequel, the Selina's Big Score graphic novel which detailed what had happened to the character directly before her new series. Cover to DC: The New Frontier #6. Cover to DC: The New Frontier #6. Cooke's next project was the ambitious DC: The New Frontier (2004), a six issue miniseries which sought to tell an epic storyline bridging the gap between the end of the golden and the start of the silver age of comic books in the DC Universe. The story, which was set in the 1950s, featured dozens of super-hero characters and drew inspiration from the comic books and movies of the period as well as from Tom Wolfe's non-fiction account of the start of the US Space Program The Right Stuff. The major DC characters are introduced in "The New Frontier" in the same order that DC originally published them, even down to the correct month and year in the story's timeline. In 2005, Cooke won an Eisner Award for "Best Limited Series", and a Joe Shuster Award for "Outstanding Canadian Comic Book Cartoonist" for his work on the series. Most recently, Cooke contributed to DC's artist-centric anthology project Solo. His issue (#5, June, 2005) featured several different stories in different styles with a framing sequence featuring the Slam Bradley character. In 2006, Solo #5 won an Eisner Award for "Best Single Issue." In July 2005, it was announced that in 2006 Cooke and writer Jeph Loeb would produce a Batman/Spirit crossover, to be followed shortly afterwards by an ongoing Spirit series written and drawn by Cooke. Batman/The Spirit was ultimately published in November 2006, followed in December by the first issue of Cooke's The Spirit. In June 2007, Cooke and J. Bone won a Joe Shuster Award for "Outstanding Canadian Comic Book Artists" for their work on "Batman/The Spirit", and Cooke won "Outstanding Canadian Comic Book Cartoonist" for his work on "The Spirit". In July 2006, it was announced that Warner Bros. Animation and DC Comics would release a series of direct-to-DVD animated movies based on important DC com

Devin Grayson is an avid gamer, former acting student, and enthusiastic reader fortunate enough to have turned a lifelong obsession with fictional characters into a dynamic writing career. She has a B.A. from Bard College, where she studied creative writing with novelist Mona Simpson. Best known for her work on the Batman titles for DC Comics, Devin has been a regular writer on Catwoman, Nightwing, and The Titans, and contributed to the award-winning No Man’s Land story arc. With the publication of Batman: Gotham Knights in March of 2000, she became the first (and, sadly, only as of 2020) female to create, launch and write an ongoing Batman title. Additional career highlights include the launch of the critically acclaimed series Omni for Humanoids, Doctor Strange: The Fate of Dreams, an original novel featuring Marvel’s Sorcerer Supreme, and USER—a highly personal three-part, creator-owned miniseries about gender identity and online role-playing, originally published by Vertigo and newly available as a collected edition hardcover through Image. Devin is also the creator of Yelena Belova, a Marvel character staring in the upcoming MCU Black Widow movie (played by Florence Pugh), Damien Darhk, a DC character now appearing regularly in CW’s Arrow and Legends of Tomorrow (played by Neal McDonough), and Catalina Flores, a DC character recently featured as the super-villain Tarantula in The Lego Batman Movie. Frequently cited for compelling character development and nuanced exploration of complex themes, Devin’s work has been showcased in mainstream media such as USA Today and Working Woman as well as in alternative press such as The Village Voice, The Advocate, and Curve magazine. Over the years, she has written in several different media and genres, from comic books and novels to video game scripts and short essays. She is currently working on an original graphic novel for Berger Books. Devin lives in Northern California with her husband, step-son, devoted Early Alert Canines Diabetic Alert Dog, and somewhat less devoted cat. Openly bisexual, she is a passionate advocate for the GLBTQ community, as well as being a committed environmentalist, and a public speaker for T1 Diabetes awareness and Diabetic Alert Dogs. She is always happy to take on a new challenge, especially if it involves making some new fictional friends.

Robert "Bob" Hall is an American comics artist and writer as well as a playwright and theatre director. He is the co-creator of the West Coast Avengers for Marvel Comics and has worked on such series as Armed and Dangerous and Shadowman, which he both drew and wrote for Valiant Comics. According to his personal webpage: BOB HALL: WRITER, ARTIST, AND COMIC CREATOR I’ve worked in the comics industry for more than forty-five years, starting at Charlton Comics in 1974, illustrating horror stories and drawing covers. That same year I took a course in creating comics taught by the legendary John Buscema and at the end of the class, Buscema recommended me to Archie Goodwin, Editor-In-Chief at Marvel, as a penciler. I was immediately thrown into drawing a group book, The Champions, written by Bill Mantlo, who graciously mentored me through my first jobs. Over the next fifteen years, I drew most of Marvel’s Major books and characters, The Champions, Doctor Doom, the Red Skull, The Avengers, The West Coast Avengers, The Squadron Supreme, Spider-man, including Spider-Man meeting the original Saturday Night Live cast, Thor, Nick Fury, Moon Knight, one issue of The New Mutants, and What If Conan Were Trapped In the Twentieth Century, Part 2. I also did a slew of Movie adaptations including Willow, Dark Man, and arguably the worst superhero movie ever, the 1980s Captain America. On the other hand, check out the graphic novel, Emperor Doom, probably my best work for Marvel. In 1977, Jim Shooter, the new Editor-In Chief, offered me a job as one of a new group of sub-editors. I signed on for a six-month tenure since a stage adaptation I had co-authored, The Passion of Dracula, then running Off Broadway, was due to receive a West End production in London. There was no question that was going to be there for that. Those six months in the bullpen gave me opportunity of working with some of the most talented people in the comics field, Shooter, Stern, Salicrup, Giacoia, both Buscema’s, Colan, Janson, Rubenstein, Layton, Marie Severin, Byrne, Jo Duffy, Claremont, others too many to list. I learned more about making comics than any time before or since. Then in the 1990s, Jim Shooter started a new company, Valiant. Having seen a plays I had authored, he invited me to write and asked me to choose one of four different titles. For me, Shadowman had the most potential, set in New Orleans, featuring a musician and involving voodoo, all stuff I could dig into. I wrote and eventually drew the book for thirty-five issues. It was very successful but was eventually rebooted to support a video game while moved on to I create Armed and Dangerous, a crime series and probably my finest work in comics. It’s hard to find copies but well worth the effort. Then, in the late 1990s, the comics industry went to hell.

John Ridley IV (born October 1965)[2] is an American screenwriter, television director, novelist, and showrunner, known for 12 Years a Slave, for which he won an Academy Award for Best Adapted Screenplay. He is also the creator and showrunner of the critically acclaimed anthology series American Crime. His most recent work is the documentary film Let It Fall: Los Angeles 1982–1992. Librarian Note: There is more than one author in the Goodreads database with this name. This profile may contain books from multiple authors of this name.

Alan Davis is an English writer and artist of comic books, known for his work on titles such as Captain Britain, The Uncanny X-Men, ClanDestine, Excalibur, JLA: The Nail and JLA: Another Nail and others. Librarian note: There is more than one author in the GoodReads database with this name

Charles "Chuck" Dixon is an American comic book writer, perhaps best-known for long runs on Batman titles in the 1990s. His earliest comics work was writing Evangeline first for Comico Comics in 1984 (then later for First Comics, who published the on-going series), on which he worked with his then-wife, the artist Judith Hunt. His big break came one year later, when editor Larry Hama hired him to write back-up stories for Marvel Comics' The Savage Sword of Conan. In 1986, he began working for Eclipse Comics, writing Airboy with artist Tim Truman. Continuing to write for both Marvel and (mainly) Eclipse on these titles, as well as launching Strike! with artist Tom Lyle in August 1987 and Valkyrie with artist Paul Gulacy in October 1987, he began work on Carl Potts' Alien Legion series for Marvel's Epic Comics imprint, under editor Archie Goodwin. He also produced a three-issue adaptation of J. R. R. Tolkien's The Hobbit for Eclipse with artist David Wenzel between 1989 and 1990, and began writing Marc Spector: Moon Knight in June 1989. His Punisher OGN Kingdom Gone (August, 1990) led to him working on the monthly The Punisher War Journal (and later, more monthly and occasional Punisher titles), and also brought him to the attention of DC Comics editor Denny O'Neil, who asked him to produce a Robin mini-series. The mini proved popular enough to spawn two sequels - The Joker's Wild (1991) and Cry of the Huntress (1992) - which led to both an ongoing monthly series (which Dixon wrote for 100 issues before leaving to work with CrossGen Comics), and to Dixon working on Detective Comics from #644-738 through the major Batman stories KnightFall & KnightsEnd (for which he helped create the key character of Bane), DC One Million, Contagion, Legacy, Cataclysm and No Man's Land . Much of his run was illustrated by Graham Nolan. He was DC's most prolific Batman-writer in the mid-1990s (rivalled perhaps in history by Bill Finger and Dennis O'Neil) - in addition to writing Detective Comics he pioneered the individual series for Robin, Nightwing (which he wrote for 70 issues, and returned to briefly with 2005's #101) and Batgirl, as well as creating the team and book Birds of Prey . While writing multiple Punisher and Batman comics (and October 1994's Punisher/Batman crossover), he also found time to launch Team 7 for Jim Lee's WildStorm/Image and Prophet for Rob Liefeld's Extreme Studios. He also wrote many issues of Catwoman and Green Arrow, regularly having about seven titles out each and every month between the years 1993 and 1998. In March, 2002, Dixon turned his attention to CrossGen's output, salthough he co-wrote with Scott Beatty the origin of Barbara Gordon's Batgirl in 2003's Batgirl: Year One. For CrossGen he took over some of the comics of the out-going Mark Waid, taking over Sigil from #21, and Crux with #13. He launched Way of the Rat in June 2002, Brath (March '03), The Silken Ghost (June '03) and the pirate comic El Cazador (Oct '03), as well as editing Robert Rodi's non-Sigilverse The Crossovers. He also wrote the Ruse spin-off Archard's Agents one-shots in January and November '03 and April '04, the last released shortly before CrossGen's complete collapse forced the cancellation of all of its comics, before which Dixon wrote a single issue of Sojourn (May '04). Dixon's Way of the Rat #24, Brath #14 and El Cazador #6 were among the last comics released from the then-bankrupt publisher. On June 10, 2008, Dixon announced on his forum that he was no longer "employed by DC Comics in any capacity."

Librarian note: There is more than one author in the GoodReads database with this name Dave Stewart is a colorist working in the comics industry. (source: Wikipedia)

Mike W. Barr is an American writer of comic books, and mystery, and science fiction novels. Barr's debut as a comics professional came in DC Comics' Detective Comics #444 (Dec. 1974-Jan. 1975), for which he wrote an 8-page back-up mystery feature starring the Elongated Man. Another Elongated Man story followed in Detective Comics #453 (November 1975). He wrote text articles and editorial replies in letter columns for the next few years. By mid-1980 he was writing regularly for both DC and Marvel, including stories for Marvel Team-Up, Mystery in Space, Green Lantern, and various Batman titles. Legion of Super-Heroes #277 (July 1981) saw him take on editorial duties at DC, while writing issues of DC's Star Trek comic, for whom he created the native American character Ensign Bearclaw and a pacifist Klingon named Konom. In December 1982, he and artist Brian Bolland began Camelot 3000, a 12 issue limited series that was one of DC Comics' first direct market projects. In August 1983, Barr created what may well be his most enduring work, the monthly title Batman and the Outsiders with art by Jim Aparo. Barr wrote every issue of the original series, and its Baxter paper spinoff, The Outsiders. His other comics work includes Mantra and Maze Agency as well as the 1987 OGN hardcover book Batman: Son of the Demon (with art by Jerry Bingham), proceeds from which reputedly "restored DC Comics to first place in sales after fifteen years." This title, and Barr's work on Batman with artist Alan Davis have been cited by Grant Morrison as key inspirations for his recent (2006) run on the Batman title. In 2007, he wrote a two-part story for the pages of DC's JLA: Classified (#47-48, Jan-Feb 2008), returned to the Outsiders with Outsiders: Five of a Kind—Katana/Shazam #1 (Oct 2007), contributed to Tokyopop's Star Trek: The Manga, and relaunched Maze Agency at IDW Publishing. He has also scripted many of Bongo Comics' Simpsons titles, including a Christmas story for 2010. In May 2010, the Invisible College Press published Barr's science fiction/fantasy novel, Majician/51, about the discoveries of a scientist working at Area 51.

Lovern was born in the small town of Arborg, Manitoba in 1954. His father was a partner in a small trucking company and his mother waited and managed for the local Canadian Legion. The first house his family owned was a converted chicken coop without running water and equipped with an outhouse. Lovern graduated from Arborg Collegiate in 1972 and enrolled at Red River Community College, where he attended the first year of their Advertising Art course. The following year, he entered the work force as a printer’s assistant at Bulman Brothers Printing. After several years as a printer he quit his job and enrolled in the Fine Arts program at the University of Manitoba in 1982. He graduated with a Bachelor of Fine Art, Honours and started his first work in the comic book industry as George Freeman’s assistant. Lovern eventually won representation by Star Reach Agency and found colour work at 1st Comics on the Elric series. Shortly after he completed a try out book at DC Comics. Lovern was engaged by DC to develop a look and colour for the book John Constantine: Hellblazer, which was to become a flagship title for the Vertigo imprint. Lovern, with the aid of his cousin Christopher Chuckry developed a computer colouring method with the use of Photoshop and started a company called Digital Chameleon. Their method redefined production in the entire comic book industry and graphic field. While residing over Digital Chameleon as creative director Lovern had his first comic book story published. He wrote and coloured the short story, “So This Is Christmas”, which was illustrated by Tim Sale for the benefit book Within Our Reach” published by Marvel and Star Reach. Lovern went on to write Agents of Law for Dark Horse Comics and the Victorian for Penny Farthing Press. In 1997 he wrote, “Tarzan: Le Monstre” for Dark Horse Comics and was nominated as best writer based on the six issues those stories spanned. Since then Lovern has written several other comic books and contributed short prose pieces to several anthologies. In 2011 Lovern signed a deal with Renegade Arts Entertainment to colour the graphic novel, “The Loxleys & the War of 1812.” Shortly after that he signed the deal with that publishers to put his creator owned series, “Shame” into print. Shame was followed by the graphic novel, “Underworld” and this year the “Shame” hardcover collection will be released. Lovern is presently working on “Necromantic” a new creator owned series from Renegade Arts Entertainment.

Grant Morrison has been working with DC Comics for twenty five years, after beginning his American comics career with acclaimed runs on ANIMAL MAN and DOOM PATROL. Since then he has written such best-selling series as JLA, BATMAN and New X-Men, as well as such creator-owned works as THE INVISIBLES, SEAGUY, THE FILTH, WE3 and JOE THE BARBARIAN. In addition to expanding the DC Universe through titles ranging from the Eisner Award-winning SEVEN SOLDIERS and ALL-STAR SUPERMAN to the reality-shattering epic of FINAL CRISIS, he has also reinvented the worlds of the Dark Knight Detective in BATMAN AND ROBIN and BATMAN, INCORPORATED and the Man of Steel in The New 52 ACTION COMICS. In his secret identity, Morrison is a "counterculture" spokesperson, a musician, an award-winning playwright and a chaos magician. He is also the author of the New York Times bestseller Supergods, a groundbreaking psycho-historic mapping of the superhero as a cultural organism. He divides his time between his homes in Los Angeles and Scotland.

Doug Moench, is an American comic book writer notable for his Batman work and as the creator of Black Mask, Moon Knight and Deathlok. Moench has worked for DC Comics, Marvel Comics, Dark Horse Comics and many other smaller companies; he has written hundreds of issues of many different comics, and created dozens of characters, such as Moon Knight. In 1973, Moench became the de facto lead writer for the Marvel black-and-white magazine imprint Curtis Magazines. He contributed to the entire runs of Planet of the Apes, Rampaging Hulk (continuing on the title when it changed its name to The Hulk!) and Doc Savage, while also serving as a regular scribe for virtually every other Curtis title during the course of the imprint's existence. Moench is perhaps best known for his work on Batman, whose title he wrote from 1983–1986 and then again from 1992–1998. (He also wrote the companion title Detective Comics from 1983–1986.) Moench is a frequent and longtime collaborator with comics artist Paul Gulacy. The pair are probably best known for their work on Shang-Chi: Master of Kung Fu, which they worked on together from 1974–1977. They also co-created Six from Sirius, Slash Maraud, and S.C.I. Spy, and have worked together on comics projects featuring Batman, Conan the Barbarian and James Bond. Moench has frequently been paired with the artist and inker team of Kelley Jones and John Beatty on several Elseworlds Graphic Novels and a long run of the monthly Batman comic.

Dennis "Denny" O'Neil was a comic book writer and editor best known for his work for Marvel Comics and DC Comics from the 1960s through the 1990s, and Group Editor for the Batman family of titles until his retirement. His best-known works include Green Lantern/Green Arrow and Batman with Neal Adams, The Shadow with Michael Kaluta and The Question with Denys Cowan. As an editor, he is principally known for editing the various Batman titles. From 2013 unti his death, he sat on the board of directors of the charity The Hero Initiative and served on its Disbursement Committee.

Alan Brennert is the author of the historical novels Palisades Park, Honolulu (chosen one of the best books of 2009 by The Washington Post), and Moloka'i, which won the 2006 Bookies Award, sponsored by the Contra Costa Library, for the Book Club Book of the Year (and has sold over 600,000 copies since publication). It was also a 2012 One Book, One San Diego selection. He has won an Emmy Award and a People's Choice Award for his work as a writer-producer on the television series L.A. Law, and his short story "Ma Qui" was honored with a Nebula Award. His new novel, Daughter of Moloka'i, will be published by St. Martin's Press on February 19, 2019. Follow him on Facebook at https://www.facebook.com/alan.brennert. http://us.macmillan.com/palisadespark...

Ann Nocenti is most noted as an editor for Marvel Comics, for whom she edited New Mutants and The Uncanny X-Men. She made her comics writing debut on a brief run of Spider-Woman (#47-50) and subsequently wrote a long run of Daredevil (1st series) #236-291 (minus #237) from 1986 to 1991, directly following on from Frank Miller's definitive Born Again storyline. She also wrote the 1986 Longshot limited series for Marvel, and in the same year produced the Someplace Strange graphic novel in collaboration with artist John Bolton. She wrote "the Inhumans Graphic Novel" in 1988. In 1993, she wrote the 16-issue run of Kid Eternity for the DC Comics imprint Vertigo. In Incredible Hulk #291, published in September 1983 (cover date January 1984), Ann Nocenti made a cameo appearance, talking to Dr. Bruce Banner, in a history written by Bill Mantlo, drawn by Sal Buscema and inked by Carlos Garzón and Joe Sinnot. That time Ann Nocenti was Assistant Editor for Larry Hama on Incredible Hulk and X-Men. She is noted for her left-wing political views which, particularly during her run on Daredevil, caused some controversy among some fans who didn't agree with her politics. She created several popular characters, including Typhoid Mary, Blackheart, Longshot and Mojo, and wrote the 1998 X-Men novel Prisoner X. Although Nocenti left comic books in the '90s after the industry sales collapsed, she later returned to the field, penning stories such as 2004's Batman & Poison Ivy: Cast Shadows. In Ultimate X-Men, a reimagination of the X-Men comic, the character Longshot, who was invented by her, has the civil name Arthur Centino. His last name, Centino, is an anagram of Nocenti and a homage to Nocenti. The name Arthur is for the co-creator of Longshot Arthur Adams who was Ann Nocenti's artist on the Longshot Mini Series. She edited High Times magazine for one year (2004) under the name Annie Nocenti and is the former editor of the screenwriting magazine Scenario.