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Bekenntnisse eines Bürgers. book cover
Bekenntnisse eines Bürgers.
1935
First Published
4.06
Average Rating
462
Number of Pages
Escrever as próprias memórias aos 34 anos pode parecer um pouco estranho. Mas não muito se o autor de tais memórias puder contar que, nesses 34 anos, sua cidade natal mudou de país - aliás, seu país natal já não existe -, ele rompeu com a família, a Europa enfrentou a primeira das suas guerras mundiais e o sistema de valores em que ele foi criado se acabou. 'Confissões de um burguês' são as memórias do escritor húngaro Sándor Márai. A obra pode ser classificada como um romance de formação, no qual o autor apresenta e analisa sua casa e sua família, os antepassados que o forjaram, a formação escolar, o trabalho como jornalista e as diversas cidades em que viveu até resolver voltar. Mais que uma coletânea de impressões de uma vida em tempos conturbados, 'Confissões de um burguês' apresenta as raízes da obra de ficção de Márai; é um estudo meticuloso da formação do próprio autor, desde as descrições cuidadosas da casa onde nasceu até as auto-análises paradoxalmente lúcidas e ponderadas de alguém que se encontrava quase permanentemente em estado de revolução. Mais ainda, é a revelação do processo em que se firmou em Márai a certeza de que não podia fazer outra coisa senão escrever e de que não podia escrever senão na língua materna. Certezas forjadas em meio a tanta turbulência são duradouras - banido da Hungria em 1948, ele continuou, no exílio, a escrever em húngaro, mas só voltou a ser publicado com o fim da Guerra Fria.
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Author

Sándor Márai
Sándor Márai
Author · 30 books

Sándor Márai (originally Sándor Károly Henrik Grosschmied de Mára) was a Hungarian writer and journalist. He was born in the city of Kassa in Austria-Hungary (now Košice in Slovakia) to an old family of Saxon origin who had mixed with magyars through the centuries. Through his father he was a relative of the Ország-family. In his early years, Márai travelled to and lived in Frankfurt, Berlin, and Paris and briefly considered writing in German, but eventually chose his mother language, Hungarian, for his writings. He settled in Krisztinaváros, Budapest, in 1928. In the 1930s, he gained prominence with a precise and clear realist style. He was the first person to write reviews of the work of Kafka. He wrote very enthusiastically about the Vienna Awards, in which Germany forced Czechoslovakia and Romania to give back part of the territories which Hungary lost in the Treaty of Trianon. Nevertheless, Márai was highly critical of the Nazis as such and was considered "profoundly antifascist," a dangerous position to take in wartime Hungary. Marai authored forty-six books, mostly novels, and was considered by literary critics to be one of Hungary's most influential representatives of middle class literature between the two world wars. His 1942 book Embers (Hungarian title: A gyertyák csonkig égnek, meaning "The Candles Burn Down to the Stump") expresses a nostalgia for the bygone multi-ethnic, multicultural society of the Austro-Hungarian Empire, reminiscent of the works of Joseph Roth. In 2006 an adaptation of this novel for the stage, written by Christopher Hampton, was performed in London. He also disliked the Communist regime that seized power after World War II, and left – or was driven away – in 1948. After living for some time in Italy, Márai settled in the city of San Diego, California, in the United States. He continued to write in his native language, but was not published in English until the mid-1990s. Márai's Memoir of Hungary (1944-1948) provides an interesting glimpse of post World War II Hungary under Soviet occupation. Like other memoirs by Hungarian writers and statesmen, it was first published in the West, because it could not be published in the Hungary of the post-1956 Kádár era. The English version of the memoir was published posthumously in 1996. After his wife died, Márai retreated more and more into isolation. He committed suicide by a gunshot to his head in San Diego in 1989. Largely forgotten outside of Hungary, his work (consisting of poems, novels, and diaries) has only been recently "rediscovered" and republished in French (starting in 1992), Polish, Catalan, Italian, English, German, Spanish, Portuguese, Czech, Danish, Icelandic, Korean, Dutch, and other languages too, and is now considered to be part of the European Twentieth Century literary canon.

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