Ruby Mütze onvlucht haar drukke leven in Frankrijk en besluit op vakantie te gaan naar Zwitserland. Eenmaal aangekomen in het ski-resort van haar ouders ontmoet Ruby de knappe, jonge ski-instructeur Wolf. Ze valt meteen als een blok voor de flirterige man met donkere krullen en bruine ogen. Is dit een eenvoudige vakantieflirt, of durft Ruby zich open te stellen voor meer? Olivia Hill neemt je in deze vlot geschreven novella mee op een romantische tour door een winters landschap waar je hart sneller van gaat slaan.
Author
Bios are tough. I'm an author and game designer based out of Tokyo. I've a soft spot for horror, urban fantasy, and science fiction. I write about vampires, about social issues, and the intersection of mythology and real life. I believe stories about monsters are actually stories about people, and that every good story about monsters is a story about the way people live and interact. Should I have written that in the third person? That'd be weird, wouldn't it? "Olivia Hill is an author and game designer based out of..." It's really awkward, if you know I'm writing it about myself. But isn't this commentary kind of meta anyway? Is this really the purview of author bio? Do I really need to be worrying about this when the world could fall apart at any minute? Should I really be writing books when I only have a limited time on this earth, and could theoretically be doing something more meaningful? Does anything have meaning? Long story short, you should buy my books. Because what if they're actually very important? What if they change the world, the way Bill & Ted changed the world with Wyld Stallyns? Wouldn't you want to be part of that before it's a thing?
