
Spark Publishing’s Literature Guides are celebrating their 5th Anniversary! To celebrate this, we’re giving our TOP 50 a revamp by adding some exciting new features. There will be sixteen pages devoted to writing a literary essay including: Glossary of literary terms, Step by step tutoring on how to write a literary essay Feature on how not to plagiarized. Each book will also include an A+ Essay; an actual literary essay written about the Spark-ed book, to show students how an essay should be written.
Authors
Many of the editions by this group of authors are actually guides to books rather than the works. If the author of the SparkNotes is known, they should be the first author. Please leave these SparkNotes Editors as the second author and the author of the original work as the last author. Do not combine with the original work. Do not put the author of the ORIGINAL work first. Link to discussion.

Rudolfo Anaya lives and breathes the landscape of the Southwest. It is a powerful force, full of magic and myth, integral to his writings. Anaya, however, is a native Hispanic fascinated by cultural crossings unique to the Southwest, a combination of oldSpain and New Spain, of Mexico with Mesoamerica and the anglicizing forces of the twentieth century. Rudolfo Anaya is widely acclaimed as the founder of modern Chicano literature. According to the New York Times, he is the most widely read author in Hispanic communities, and sales of his classic Bless Me, Ultima (1972) have surpassed 360,000, despite the fact that none of his books have been published originally by New York publishing houses. His works are standard texts in Chicano studies and literature courses around the world, and he has done more than perhaps any other single person to promote publication of books by Hispanic authors in this country. With the publication of his novel, Albuquerque (1992),Newsweek has proclaimed him a front-runner in "what is better called not the new multicultural writing, but the new American writing." His most recent volume, published in 1995, is Zia Summer. "I've always used the technique of the cuento. I am an oral storyteller, but now I do it on the printed page. I think if we were very wise we would use that same tradition in video cassettes, in movies, and on radio." from http://www.unm.edu/~wrtgsw/anaya.html and http://www.gale.cengage.com/free\_reso...