Denise Mina was born in Glasgow in 1966. Because of her father's job as an Engineer, the family followed the north sea oil boom of the seventies around Europe She left school at sixteen and did a number of poorly paid jobs, including working in a meat factory, as a bar maid, kitchen porter and cook. Eventually she settled in auxiliary nursing for geriatric and terminal care patients. At twenty one she passed exams, got into study Law at Glasgow University and went on to research a PhD thesis at Strathclyde University on the ascription of mental illness to female offenders, teaching criminology and criminal law in the mean time. Misusing her grant she stayed at home and wrote a novel, 'Garnethill' when she was supposed to be studying instead.

Val McDermid is a No. 1 bestseller whose novels have been translated into more than thirty languages, and have sold over eleven million copies. She has won many awards internationally, including the CWA Gold Dagger for best crime novel of the year and the LA Times Book of the Year Award. She was inducted into the ITV3 Crime Thriller Awards Hall of Fame in 2009 and was the recipient of the CWA Cartier Diamond Dagger for 2010. In 2011 she received the Lambda Literary Foundation Pioneer Award. She writes full time and divides her time between Cheshire and Edinburgh.

After studying history at Glasgow University, Louise Welsh established a second-hand bookshop, where she worked for many years. Her first novel, The Cutting Room, won several awards, including the 2002 Crime Writers’ Association John Creasey Memorial Dagger, and was jointly awarded the 2002 Saltire Society Scottish First Book of the Year Award. Louise was granted a Robert Louis Stevenson Memorial Award in 2003, a Scotland on Sunday/Glenfiddich Spirit of Scotland Award in 2004, and a Hawthornden Fellowship in 2005. She is a regular radio broadcaster, has published many short stories, and has contributed articles and reviews to most of the British broadsheets. She has also written for the stage. The Guardian chose her as a 'woman to watch' in 2003. Her second book, Tamburlaine Must Die, a novelette written around the final three days of the poet Christopher Marlowe's life, was published in 2004. Her third novel, The Bullet Trick (2006), is a present-day murder mystery set in Berlin. The Cutting Room 2002 Tamburlaine Must Die 2004 The Bullet Trick 2006 Naming The Bones 2010 Prizes and awards 2002 Crime Writers' Association John Creasey Memorial Dagger The Cutting Room 2002 Saltire Society Scottish First Book of the Year Award (joint winner) The Cutting Room 2003 BBC Underground Award (writer category) The Cutting Room 2003 Robert Louis Stevenson Memorial Award 2004 Corine Internationaler Buchpreis: Rolf Heyne Debutpreis (Germany) The Cutting Room 2004 Scotland on Sunday/Glenfiddich Spirit of Scotland Award 2004 Stonewall Book Award (US) (honor in literature)

Aka Stuart B. MacBride The life and times of a bearded write-ist. Stuart MacBride (that's me) was born in Dumbarton—which is Glasgow as far as I'm concerned—moving up to Aberdeen at the tender age of two, when fashions were questionable. Nothing much happened for years and years and years: learned to play the recorder, then forgot how when they changed from little coloured dots to proper musical notes (why the hell couldn't they have taught us the notes in the first bloody place? I could have been performing my earth-shattering rendition of 'Three Blind Mice' at the Albert Hall by now!); appeared in some bizarre World War Two musical production; did my best to avoid eating haggis and generally ran about the place a lot. Next up was an elongated spell in Westhill—a small suburb seven miles west of Aberdeen—where I embarked upon a mediocre academic career, hindered by a complete inability to spell and an attention span the length of a gnat's doodad. And so to UNIVERSITY, far too young, naive and stupid to be away from the family home, sharing a subterranean flat in one of the seedier bits of Edinburgh with a mad Irishman, and four other bizarre individuals. The highlight of walking to the art school in the mornings (yes: we were students, but we still did mornings) was trying not to tread in the fresh bloodstains outside our front door, and dodging the undercover CID officers trying to buy drugs. Lovely place. But university and I did not see eye to eye, so off I went to work offshore. Like many all-male environments, working offshore was the intellectual equivalent of Animal House, only without the clever bits. Swearing, smoking, eating, more swearing, pornography, swearing, drinking endless plastic cups of tea... and did I mention the swearing? But it was more money than I'd seen in my life! There's something about being handed a wadge of cash as you clamber off the minibus from the heliport, having spent the last two weeks offshore and the last two hours in an orange, rubber romper suit / body bag, then blowing most of it in the pubs and clubs of Aberdeen. And being young enough to get away without a hangover. Then came a spell of working for myself as a graphic designer, which went the way of all flesh and into the heady world of studio management for a nation-wide marketing company. Then some more freelance design work, a handful of voiceovers for local radio and video production companies and a bash at being an actor (with a small 'a'), giving it up when it became clear there was no way I was ever going to be good enough to earn a decent living. It was about this time I fell into bad company—a blonde from Fife who conned me into marrying her—and started producing websites for a friend's fledgling Internet company. From there it was a roller coaster ride (in that it made a lot of people feel decidedly unwell) from web designer to web manager, lead programmer, team lead and other assorted technical bollocks with three different companies, eventually ending up as a project manager for a global IT company. But there was always the writing (well, that's not true, the writing only started two chapters above this one). I fell victim to that most dreadful of things: peer pressure. Two friends were writing novels and I thought, 'why not? I could do that'. Took a few years though...

Gordon Brown has eight crime and thriller books published to date, along with a novella and a number of short stories. Under his new expat alias, Morgan Cry, (he also writes under the name Gordon Brown) Gordon’s latest crime thriller, ’Thirty-One Bones’, set in Spain, is published by Polygon. Available now in both the UK and the U.S. – the sequel, called ‘Six Wounds’, will be published in in May 2022. Gordon also helped found Bloody Scotland, Scotland’s International Crime Writing Festival (see www.bloodyscotland.com), is a DJ on local radio (www.pulseonair.co.uk) and runs a strategic planning consultancy. He lives in Scotland and is married with two children. In a former life Gordon delivered pizzas in Toronto, sold non-alcoholic beer in the Middle East, launched a creativity training business, floated a high tech company on the London Stock Exchange, compered the main stage at a two-day music festival and was once booed by 49,000 people while on the pitch at a major football Cup Final.