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Blossomise book cover
Blossomise
2024
First Published
4.15
Average Rating
63
Number of Pages

Blossomise celebrates the ecstatic arrival of spring blossom just as it acknowledges, too, its melancholy disappearance. Full of spirited leaps of imagination and language, the twenty-one poems hopscotch between intense momentary haikus that honour the Japanese traditions of the blossom festival and stand-alone lyrical pieces that take in the stylistic tones of ballads, hymns, songs, prayers and nursery rhymes. From a crashed Ford Capri wrapped around the immovable trunk of a cherry tree, to saplings flourishing among skyscrapers and urban sprawl, the fizz and froth of the annual blossom display is explored here both as an exuberant emblem of the natural world and a nervous marker of our vulnerable climate. Angela Harding responds to the poems in wonderful accompanying illustrations.

Avg Rating
4.15
Number of Ratings
323
5 STARS
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4 STARS
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3 STARS
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2 STARS
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Author

Simon Armitage
Simon Armitage
Author · 43 books

Simon Armitage, whose The Shout was a finalist for the National Book Critics Circle Award, has published ten volumes of poetry and has received numerous honors for his work. He was appointed UK Poet Laureate in 2019 Armitage's poetry collections include Book of Matches (1993) and The Dead Sea Poems (1995). He has written two novels, Little Green Man (2001) and The White Stuff (2004), as well as All Points North (1998), a collection of essays on the north of England. He has produced a dramatised version of Homer's Odyssey and a collection of poetry entitled Tyrannosaurus Rex Versus The Corduroy Kid (which was shortlisted for the TS Eliot Prize), both of which were published in July 2006. Many of Armitage's poems appear in the AQA (Assessment and Qualifications Alliance) GCSE syllabus for English Literature in the United Kingdom. These include "Homecoming", "November", "Kid", "Hitcher", and a selection of poems from Book of Matches, most notably of these "Mother any distance...". His writing is characterised by a dry Yorkshire wit combined with "an accessible, realist style and critical seriousness."

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