First published in Isaac Asimov's Science Fiction Magazine, July 1989 Suzy Charnas offers a fresh perspective on alienated youth through a very old fantasy idea. Puberty is tough on anyone, but especially on "well-endowed" girls, who get a lot of unwanted attention in addition to the monthly curse. When you're a werewolf, well, the curse takes on a whole new meaning, and bad things happen to people who hassle you. Also available in: Territoires de l'inquiétude, 7 (French: Nibards) The Mammoth Book of Werewolves The New Hugo Winners, Vol. 3 1989-1991 The Penguin Book of Modern Fantasy by Women Hugo & Nebula Award Winning Stories from Asimov's Science Fiction Women Who Run with the Werewolves: Tales of Blood, Lust, and Metamorphosis Visions of Wonder: The Science Fiction Research Association Reading Anthology Isaac Asimov's Werewolves Children of the Night: Stories of Ghosts, Vampires, Werewolves, and Lost Children Music of the Night Stagestruck Vampires and Other Phantasms The Urban Fantasy Anthology
Author

Suzy McKee Charnas, a native New Yorker raised and educated in Manhattan, surfaced as an author with WALK TO THE END OF THE WORLD (1974), a no-punches-pulled feminist SF novel and Campbell award finalist. The three further books that sprang from WALK (comprising a futurist, feminist epic about how people make history and create myth) closed in 1999 with THE CONQUEROR’S CHILD, a Tiptree winner (as is the series in its entirety). Meanwhile, she taught for two years in Nigeria with the Peace Corps, married, and moved to New Mexico, where she has lived, taught, and written fiction and non-fiction for forty five years. She teaches SF from time to time, and travels every year to genre conventions around the country and (occasionally) around the world. Her varied SF and fantasy works have also won the Hugo award, the Nebula award, the Gigamesh Award (Spain), and the Mythopoeic award for Young-Adult fantasy. A play based on her novel THE VAMPIRE TAPESTRY has been staged on both coasts. STAGESTRUCK VAMPIRES (Tachyon Books) collects her best short fiction, plus essays on writing feminist SF and on seeing her play script first become a professionally staged drama in San Francisco. Currently, she’s working at getting all of her work out in e-book, audio, and other formats, and moving several decades’ worth of manuscripts, correspondence, etc. out of a slightly leaky garage and sent off to be archived at the University of Oregon Special Collections. She has two cats and a gentleman boarder (also a cat), good friends and colleagues, ideas for new work, and travel plans for the future.