Margins
Book of Matches book cover
Book of Matches
1993
First Published
4.18
Average Rating
73
Number of Pages
Losing none of the exuberance and verbal agility which have become a hallmark of Simon Armitage's poetry, these poems are more obviously personal - the ensuing risks, of vulnerability and exposure, more dangerous. The poems mark a coming-of-age of a poet who is by now established as a leading voice. The book is arranged in three sections. The first part, the "Book of Matches", is a series of sonnets. Each poem is designed to relay the urgency of a struck match, packed with discoveries, flashes of insights on family and life. The poems in the middle section, "Becoming of Age" relate incidents, from other times, other lives and experiences, to a common life. The final section, "Reading the Bans", is a moving sequence of poems on the poet's marriage.
Avg Rating
4.18
Number of Ratings
379
5 STARS
43%
4 STARS
36%
3 STARS
19%
2 STARS
2%
1 STARS
0%
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Author

Simon Armitage
Simon Armitage
Author · 40 books

Simon Armitage, whose The Shout was a finalist for the National Book Critics Circle Award, has published ten volumes of poetry and has received numerous honors for his work. He was appointed UK Poet Laureate in 2019 Armitage's poetry collections include Book of Matches (1993) and The Dead Sea Poems (1995). He has written two novels, Little Green Man (2001) and The White Stuff (2004), as well as All Points North (1998), a collection of essays on the north of England. He has produced a dramatised version of Homer's Odyssey and a collection of poetry entitled Tyrannosaurus Rex Versus The Corduroy Kid (which was shortlisted for the TS Eliot Prize), both of which were published in July 2006. Many of Armitage's poems appear in the AQA (Assessment and Qualifications Alliance) GCSE syllabus for English Literature in the United Kingdom. These include "Homecoming", "November", "Kid", "Hitcher", and a selection of poems from Book of Matches, most notably of these "Mother any distance...". His writing is characterised by a dry Yorkshire wit combined with "an accessible, realist style and critical seriousness."

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