Borrowed

Alternate cover edition of ISBN 9781627792127 which can be found here: https://www.goodreads.com/book/show/7... Ketterdam: a bustling hub of international trade where anything can be had for the right price—and no one knows that better than criminal prodigy Kaz Brekker. Kaz is offered a chance at a deadly heist that could make him rich beyond his wildest dreams. But he can’t pull it off alone... A convict with a thirst for revenge A sharpshooter who can’t walk away from a wager A runaway with a privileged past A spy known as the Wraith A Heartrender using her magic to survive the slums A thief with a gift for unlikely escapes Six dangerous outcasts. One impossible heist. Kaz’s crew is the only thing that might stand between the world and destruction—if they don’t kill each other first.

The most talked-about European novel since My Struggle—a sexually frank, brutally honest coming-of-age story “Every morning in the bathroom I would repeat the same phrase to myself over and over again . . . Today I’m really gonna be a tough guy.” Growing up in a poor village in northern France, all Eddy Bellegueule wanted was to be a man in the eyes of his family and neighbors. But from childhood, he was different—“girlish,” intellectually precocious, and attracted to other men. Already translated into twenty languages, The End of Eddy captures the violence and desperation of life in a French factory town. It is also a sensitive, universal portrait of boyhood and sexual awakening. Like Karl Ove Knausgaard or Edmund White, Édouard Louis writes from his own undisguised experience, but he writes with an openness and a compassionate intelligence that are all his own. The result—a critical and popular triumph—has made him the most celebrated French writer of his generation.

A gripping autobiographical novel—the best work yet from the most talked-about French writer of his generation On Christmas Eve 2012, in Paris, the novelist Édouard Louis was raped and almost murdered by a man he had just met. This act of violence left Louis shattered; its aftermath made him a stranger to himself and sent him back to the village, the family, and the past he had sworn to leave behind. A bestseller in France—challenged and vindicated in the courts—History of Violence is a short nonfiction novel in the tradition of Truman Capote’s In Cold Blood, but with the victim as its subject. Moving seamlessly and hypnotically between past and present, between Louis’s voice and the voice of an imagined narrator, History of Violence has the exactness of a police report and the searching, unflinching curiosity of memoir at its best. It records not only the casual racism and homophobia of French society but also their subtle effects on lovers, brothers and sisters, husbands and wives. It represents a great step forward for a young writer whose acuity, skill, and depth are unmatched by any novelist of his generation, in French or English.

Charlie, a highly\-strung, openly gay over\-thinker, and Nick, a cheerful, soft\-hearted rugby player, meet at a British all\-boys grammar school. Friendship blooms quickly, but could there be something more...? Charlie Spring is in Year 10 at Truham Grammar School for Boys. The past year hasn't been too great, but at least he's not being bullied anymore. Nick Nelson is in Year 11 and on the school rugby team. He's heard a little about Charlie \- the kid who was outed last year and bullied for a few months \- but he's never had the opportunity to talk to him. They quickly become friends, and soon Charlie is falling hard for Nick, even though he doesn't think he has a chance. But love works in surprising ways, and sometimes good things are waiting just around the corner...

A mutilated body in Crawley. Another killer on the loose. The prime suspect is one Robert Weil; an associate of the twisted magician known as the Faceless Man? Or just a common or garden serial killer? Before PC Peter Grant can get his head round the case a town planner going under a tube train and a stolen grimoire are adding to his case-load. So far so London. But then Peter gets word of something very odd happening in Elephant and Castle, on a housing estate designed by a nutter, built by charlatans and inhabited by the truly desperate. Is there a connection? And if there is, why oh why did it have to be South of the River?