Published on the occasion of Brasilia’s fiftieth a celebration in contemporary photography of the building of Brazil’s capital city. An architect by training and an enthusiast of Le Corbusier and Mies van der Rohe, photographer Marcel Gautherot was close to an elite group of Brazilian modernist architects such as Oscar Niemeyer and Roberto Burle Marx. Aesthetic and political affinities made him Niemeyer’s photographer of choice, and Gautherot had privileged access to all stages of the building of Brasilia, Brazil’s new capital and a landmark of modernist architecture and urbanism. This book brings together for the first time a large corpus of Gautherot’s work on the city, selected out of the 3,000 photographs now in the collection of the Moreira Salles Foundation in Rio de Janeiro. Gautherot’s sharp, precise, almost clinical eye captures Brasilia as both promising and ominous, tremendous and fragile, heroic and problematic. The essays are by Kenneth Frampton, Graduate School of Architecture, Columbia University; and Sergio Burgi of the Instituto Moreira Salles in Rio de Janeiro. 190 photographs
Author
Kenneth Frampton is a British architect, critic, historian and the Ware Professor of Architecture at the Graduate School of Architecture, Planning, and Preservation at Columbia University, New York. Frampton studied architecture at Guildford School of Art and the Architectural Association School of Architecture, London. Subsequently he worked in Israel, with Middlesex County Council and Douglas Stephen and Partners (1961–66), during which time he was also a visiting tutor at the Royal College of Art (1961–64), tutor at the Architectural Association (1961–63) and Technical Editor of the journal Architectural Design (AD) (1962–65). Frampton has also taught at Princeton University (1966–71) and the Bartlett School of Architecture, London, (1980). He has been a member of the faculty at Columbia University since 1972, and that same year he became a fellow of the Institute for Architecture and Urban Studies in New York — (whose members also included Peter Eisenman, Manfredo Tafuri and Rem Koolhaas) — and a co-founding editor of its magazine Oppositions. Frampton is a permanent resident of the USA. Frampton is well known for his writing on twentieth-century architecture. His books include Modern Architecture: A Critical History (1980; revised 1985, 1992 and 2007) and Studies in Tectonic Culture (1995). Frampton achieved great prominence (and influence) in architectural education with his essay "Towards a Critical Regionalism" (1983) — though the term had already been coined by Alexander Tzonis and Liliane Lefaivre. Also, Frampton's essay was included in a book The Anti-Aesthetic. Essays on Postmodern Culture, edited by Hal Foster, though Frampton is critical of postmodernism. Frampton's own position attempts to defend a version of modernism that looks to either critical regionalism or a 'momentary' understanding of the autonomy of architectural practice in terms of its own concerns with form and tectonics which cannot be reduced to economics (whilst conversely retaining a Leftist viewpoint regarding the social responsibility of architecture). In 2002 a collection of Frampton's writings over a period of 35 years was collated and published under the title Labour, Work and Architecture.
